Mis à jour en novembre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 1 œuvres de John Fleming dans notre catalogue
En bref
Si vous connaissez une peinture de John Fleming, il s'agit probablement de View of Banff with the Bridge over the River Deveron (1825), qui est exposée au Scottish National Gallery, à Édimbourg. Notre catalogue comprend 1 œuvres de John Fleming. Voici les 1 plus célèbres, avec leur année, leur lieu de conservation et ce qui les rend uniques.
Le musée qui détient le plus grand nombre de peintures figurant sur cette page.
| Musées | Ville | Œuvres de John Fleming | Peintures de cette liste |
|---|---|---|---|
 Scottish National Gallery |
Édimbourg | 1 | View of Banff with the Bridge over the River Deveron |
Chaque œuvre datée de John Fleming sur cette page provient d'une seule et même année, 1825. Les voici.
Choisissez une année pour voir ses œuvres.
En tête de liste se trouve View of Banff with the Bridge over the River Deveron (1825).
Âgé de 33 ans. John Fleming est né(e) en 1792, et View of Banff with the Bridge over the River Deveron date de 1825.
Nous avons 1 œuvres de John Fleming dans notre catalogue.
Vous les trouverez pour la plupart dans Scottish National Gallery (Édimbourg). La liste des musées ci-dessus présente le détail complet.
Oui. Chaque tableau de cette page est disponible en tant que reproduction à l'huile peinte à la main ou en impression, dans la taille qui vous convient. Il vous suffit d'ouvrir la page du tableau pour commander.
John Fleming began his path in the world of color not as a scholar, but through the practical labor of a house painter. At fourteen, he entered an apprenticeship that grounded him in the physical reality of pigments and surfaces. This early training likely shaped his eye for the subtle textures found in the Scottish landscape. After spending time in London, where he worked as a housepainter and studied the works held in various galleries, he eventually settled in Greenock. His life was deeply tied to this community, moving between premises on William Street and Hamilton Street.
While his hands were often busy with the practicalities of trade, his mind was focused on the quiet beauty of his homeland. He became a man who recorded the changing face of his surroundings, capturing the development of Greenock through his brush. His work was not merely about grand vistas; it was about the specific, lived reality of the places he knew.
Fleming found a particular rhythm in creating small-scale paintings of Scottish scenery. He did not seek to overwhelm the viewer with scale, but rather to offer intimate glimpses of the land. Much of his most recognized work came from a close professional bond with the engraver and publisher Joseph Swan. Together, they brought detailed views of the local landscape to a wider audience through several published series:
The publication regarding the lakes of Scotland was especially well-received, appearing in multiple editions throughout the 1830s. These prints allowed his observations of the natural world to reach beyond the borders of Greenock. Alongside these landscapes, he also worked as a portrait painter, often capturing the likenesses of local merchants who lived and traded in the same streets where he worked.
Fleming was an active participant in the growing artistic community of his time. He was an original member of the Institution for Promoting and Encouraging the Fine Arts in the West of Scotland, formed in 1821. His dedication to the local arts scene was further evidenced by his membership in the Watt Club and his election to the West of Scotland Academy in 1841. He also shared his work with the Royal Scottish Academy, exhibiting landscapes there in 1828, 1830, and 1837.
His death in February 1845 left a void in the local community, a sentiment reflected in the gravestone erected by friends and admirers. Today, the traces of his life's work remain held in several important collections, including the McLean Museum and Art Gallery in Greenock, the National Galleries of Scotland, and the University of Edinburgh. Through these pieces, the landscapes he once walked continue to be seen.
