Mis à jour en novembre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 4 œuvres de Hans Sutter dans notre catalogue
En bref
L'œuvre la plus célèbre de Hans Sutter est Self-Portrait with Cigarette (1909). Vous pouvez la trouver au Staatliche Kunsthalle Karlsruhe à Carlsruhe. Les suivants sur la liste sont Self-Portrait (1910) et Coast near St. Tropez (1911). Nous avons 4 œuvres de Hans Sutter dans notre catalogue ; ce guide sélectionne les 4 plus célèbres, avec l'année, le musée et l'histoire de chaque pièce.
Les 2 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de Hans Sutter | Peintures de cette liste |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Carlsruhe | 3 | Self-Portrait with Cigarette, Self-Portrait, Landscape near St.Tropez |
 Collections d'État de Peinture de Bavière |
Munich | 1 | Coast near St. Tropez |
de 1909 à 1911 : seulement 3 ans regroupent chaque œuvre datée de Hans Sutter ici. Découvrez-les année par année.
Choisissez une année pour voir ses œuvres.
En tête de liste figure Self-Portrait with Cigarette (1909), Staatliche Kunsthalle Karlsruhe, Carlsruhe. Juste après : Self-Portrait (1910) et Coast near St. Tropez (1911).
Âgé de 22 ans. Hans Sutter est né(e) en 1887, et Self-Portrait with Cigarette date de 1909.
Nous avons 4 œuvres de Hans Sutter dans notre catalogue, datées de 1909 à 1911.
Vous les trouverez pour la plupart dans Staatliche Kunsthalle Karlsruhe (Carlsruhe) et Collections d'État de Peinture de Bavière (Munich). La liste des musées ci-dessus présente le détail complet.
En 1911, plus qu'à toute autre époque : 2 des 4 œuvres de cette page datent de cette période, dont Coast near St. Tropez.
La plus ancienne œuvre ici est Self-Portrait with Cigarette (1909) ; la plus récente est Coast near St. Tropez (1911).
Vous pouvez voir 3 des œuvres sur cette page au Staatliche Kunsthalle Karlsruhe, Carlsruhe, dont Self-Portrait with Cigarette, Self-Portrait et Landscape near St.Tropez.
Oui. Chaque tableau de cette page est disponible en tant que reproduction à l'huile peinte à la main ou en impression, dans la taille qui vous convient. Il vous suffit d'ouvrir la page du tableau pour commander.
Hans Sutter arrived in the world in 1887 in Mainz, Germany. His early years in the Rhineland-Palatinate region laid the foundation for a life dedicated to the visual arts. By 1905, his talent led him to the Karlsruhe Academy, where he studied under the guidance of Wilhelm Trübner. This period of formal training shaped his ability to work across various mediums, from the delicate precision of draughtsmanship to the more fluid applications of painting and lithography.
His path was one of movement and discovery. In 1907, a study trip to Lake Garda offered him new perspectives on landscape and light. Later, in 1911, his travels took him to Paris and southern France. It was during these years that he encountered Pierre Bonnard, an encounter that surely left its mark on his approach to color and composition. By 1913, Sutter had moved to Frankfurt am Main, continuing his work as a painter, graphic artist, and commercial artist.
Sutter’s output was diverse, reflecting a man comfortable with both the fine arts and the practical demands of commercial design. He possessed a keen eye for the natural world, often turning his attention to the coastal beauty of France. His sketches and paintings from this era capture specific moments in time, such as:
In his self-portraits, one finds a more intimate side of the artist. These works, including his 1910 portrait held in the Staatliche Kunsthalle Karlsruhe, reveal a person deeply engaged with his own identity and the act of seeing. His ability to transition between the structured world of lithography and the expressive nature of painting allowed him to explore many different facets of the human experience.
The trajectory of Sutter's life was cut short far too soon. He passed away on 31 August 1916, in Maurepas, France. His death occurred during a period of immense global upheaval, leaving behind a body of work that remains a quiet record of his travels and his observations. Though his career was brief, the traces of his time in Germany and France live on through his drawings and paintings, capturing the light of the Mediterranean and the quiet reflections of a man at work.
