David Richter

1661 - 1735

En bref

  • Color intensity: monochromatique
  • Died: 1735
  • Top 3 works:
    • L'archiduchesse Marie-Amalie (1701-1756) en robe de danse avec un masque à la main
    • Portrait of Charlotte Amelie von Hessen-Wanfried
    • Self-Portrait
  • Works on this site: 8
  • Museums on this site:
    • Kunsthistorisches Museum
    • Nationalmuseum
    • Hungarian National Museum
    • Galerie Nationale finlandaise
    • Galerie Nationale Hongroise
  • Top-ranked work: L'archiduchesse Marie-Amalie (1701-1756) en robe de danse avec un masque à la main
  • Nationality: Suède

A Life Across Borders

Born in Stockholm on 31 August 1661, David Richter the Elder lived a life that moved through the many centers of European power. His early years were shaped by the guidance of the German painter David Klöker Ehrenstrahl, under whom he trained in his home city. This apprenticeship provided the foundation for a career that would eventually lead him far from Sweden.

By 1679, Richter is thought to have traveled to Rome, an experience that likely broadened his understanding of classical forms. His path then took him through the courts of Germany. During the 1690s, he worked as a court painter in Dresden and Berlin, finding steady work among the nobility. He eventually settled in Vienna, where he remained until his death on 30 April 1735.

The Work of a Court Painter

Richter’s repertoire was divided between the faces of the era and the quietude of nature. As a court painter, he was frequently called upon to capture the likenesses of significant figures. His portraits include:

  • Axel Sparre
  • Carl Gustaf Lewenhaupt
  • Eugen von Savoyen
  • Maria Amalia of Austria
  • Francis II Rákóczi

Beyond these formal portraits, he also turned his attention to landscapes. His work Ideale Landschaft shows a focus on structured, composed views of the natural world. These pieces, along with his portraiture, reflect the varied demands placed upon an artist serving different royal and noble houses across Europe.

A Lasting Presence in European Collections

Though he lived through a period of significant political change, Richter's presence remains visible in several major institutions today. His ability to move between the roles of portraitist and landscape painter allowed his work to find homes in diverse locations. You can find his traces in the following galleries:

His life, spanning from the late seventeenth century to the early eighteenth, connects the artistic traditions of Sweden, Germany, and Austria. Through his movement between Stockholm, Berlin, and Vienna, he helped carry the visual language of the courts across much of the continent.

Questions et réponses

À quelle période artistique David Richter appartenait-il ?

L'époque moderne

Quand David Richter est-il décédé ?

1735

Sous quels autres noms David Richter est-il connu ?

David Richter lAncien, David Richter I

Quelle est l'intensité des couleurs dans le travail de David Richter ?

monochromatique

Quelle palette de couleurs caractérise l'œuvre de David Richter ?

tons terreux

Quelles sont les couleurs typiques dans l'œuvre de David Richter ?

vert phtalo

L'œuvre de David Richter est-elle toujours protégée par le droit d'auteur ?

Non, les œuvres de cet artiste sont dans le domaine public.

Quelle est la peinture la mieux notée de David Richter sur ArtsDot.com ?

L'archiduchesse Marie-Amalie (1701-1756) en robe de danse avec un masque à la main

Combien de temps David Richter a-t-il vécu ?

74 years (1661–1735)

Quelles sont les 3 peintures les mieux classées de David Richter sur ArtsDot.com ?

L'archiduchesse Marie-Amalie (1701-1756) en robe de danse avec un masque à la main, Portrait of Charlotte Amelie von Hessen-Wanfried, Self-Portrait