période

1. La Tentation de saint Antoine — Lovis Corinth, 1897
2. La fête du propriétaire — hilaire-germain-edgar degas, 1877
3. The Walchensee with the Slope of the Jochberg — Lovis Corinth, 1924
4. Terrasse à Klobenstein, Tyrol — Lovis Corinth, 1910
5. Ulysse combattant le mendiant — Lovis Corinth, 1903
6. Thomas in Armour — Lovis Corinth, 1925
7. Nature morte avec estampe japonaise — eugène henri paul gauguin, 1888
8. Salomé, seconde version — Lovis Corinth, 1900

mouvement

1. untitled (4640) — Max Klinger

ambiance

1. Rudolph Rittner as Florian Geyer, First Version — Lovis Corinth, 1906
2. La Tentation de saint Antoine — Lovis Corinth, 1897
3. The Temptation of Saint Anthony (after Gustave Flaubert) — Lovis Corinth, 1908
4. The Trojan Horse — Lovis Corinth, 1924
5. Ulysse combattant le mendiant — Lovis Corinth, 1903
6. Thomas in Armour — Lovis Corinth, 1925
7. Salomé, seconde version — Lovis Corinth, 1900

thématiques

mots-clés

tonalité

1. The Temptation of Saint Anthony (after Gustave Flaubert) — Lovis Corinth, 1908

couleur principale

1. Nature morte avec estampe japonaise — eugène henri paul gauguin, 1888
2. Eldsken — Anders Leonard Zorn
3. Holocaust Resurrection Portfolio (panel 4 of 4) — ernest greenwood, 1943
4. Ulysse combattant le mendiant — Lovis Corinth, 1903
5. untitled (5492) — Lovis Corinth
6. Dancer in a Red Skirt (Fiesta) (Bleecker Street Tavern Mural) — Franz Kline, 1940
7. The Trojan Horse — Lovis Corinth, 1924
8. Portrait of Friedrich Ebert — Lovis Corinth, 1924
9. Salomé, seconde version — Lovis Corinth, 1900
10. Rudolph Rittner as Florian Geyer, First Version — Lovis Corinth, 1906
11. La Tentation de saint Antoine — Lovis Corinth, 1897
12. Thomas in Armour — Lovis Corinth, 1925
13. Untitled print sleeve with woodblock print — Chiura Obata, 1930
14. Unter den Linden, Berlin — Lovis Corinth, 1922
15. The Fair Imperia — Lovis Corinth, 1925
16. The Barber — Hendra Aprida Gunawan, 1941
17. The Wine Press — Frank Brangwyn
18. Prints from Private Collections — lloyd mcneill, 1969

autre

1. Popular Print for the Exhibition at the Museum of Modern Art, Bogotá — álvaro barrios, 1977