période

mouvement

1. Astatic — Josef Albers, 1944
2. Multiplex D — Josef Albers, 1948

atmosphère

1. Black-White-Yellow — Anni Albers, 1926
2. Astatic — Josef Albers, 1944
3. Light Grey Wall — Josef Albers, 1958
4. Study for Homage to the Square. Departing in Yellow — Josef Albers, 1964

thématiques

1. Multiplex D — Josef Albers, 1948
2. Abstract 7 — Victor Vasarely
3. Homage to the Square — Josef Albers, 1967
4. Abstract Composition 19 — Victor Vasarely

mots-clés

1. Astatic — Josef Albers, 1944
2. Multiplex D — Josef Albers, 1948

tonalité

1. Abstraction avec référence à un arbre en fleurs — Paul Klee, 1925
2. Astatic — Josef Albers, 1944
3. Multiplex D — Josef Albers, 1948
4. Bauhaus Dessau preliminary course 1926/27. Wassily Kandinsky. Dividual (grid) and inividual (black) design of the square — Friedrich Konrad Püschel, 1926
5. Light Grey Wall — Josef Albers, 1958
6. Study for Homage to the Square. Departing in Yellow — Josef Albers, 1964

couleur principale

1. Car Racks — Andrew Spence, 1988
2. Oeta II — Victor Vasarely
3. Astatic — Josef Albers, 1944
4. Bauhaus Dessau preliminary course 1926/27. Wassily Kandinsky. Dividual (grid) and inividual (black) design of the square — Friedrich Konrad Püschel, 1926
5. Abstraction avec référence à un arbre en fleurs — Paul Klee, 1925
6. Abstract 7 — Victor Vasarely
7. Multiplex D — Josef Albers, 1948
8. Abstract 4 — Victor Vasarely
9. Final Study for Steps — Josef Albers, 1931
10. Taïmyr — Victor Vasarely
11. Brackish Water Biarritz VIII — Josef Albers, 1929
12. Homage to the Square — Josef Albers, 1967
13. Hommage à l'éclat du carré — Josef Albers, 1966
14. Etudes Bauhaus C — Victor Vasarely, 1929

autre

1. Untitled — Margaret Alexandra Luke, 1958
2. Fotoforma, São Paulo — Geraldo De Barros, 1950
3. Untitled (Abstract Sketch 1) — Blanche Lazzell, 1924
4. Four Abstract Compositions (Sketches) — Hryhorii Havrylenko, 1964
5. Abstract Composition [triptych] — Vaclav Vytlacil, 1937
6. Drawing n°4 — Eugenia Crenovich, 1949