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CONSEIL EN ART OFFERT

période

  1. Isabel de Braganza, Queen of Spain — josé álvarez cubero, 1826
  2. Indian Combat — Edmonia Lewis, 1868
  3. Double statue of the princesses Luise and Friederike of Prussia — Johann Gottfried Schadow, 1797

mouvement

  1. Hiawatha — Edmonia Lewis, 1868
  2. Femme (Princesse De Lamballe) — Jean-Antoine Houdon
  3. Double statue of the princesses Luise and Friederike of Prussia — Johann Gottfried Schadow, 1797

ambiance

  1. Bust of Alexandre Brongniart — Jean-Antoine Houdon, 1777

thématiques

  1. fonte gaia temperance — Jacopo Della Quercia
  2. Dalilah — william wetmore story
  3. Indian Combat — Edmonia Lewis, 1868
  4. Minnehaha — Edmonia Lewis, 1868
  5. Isabel de Braganza, Queen of Spain — josé álvarez cubero, 1826
  6. Anna Quincy Waterstone — Edmonia Lewis, 1866
  7. Moses (after Michelangelo) — Edmonia Lewis, 1875
  8. Hagar — Edmonia Lewis, 1875

mots-clés

  1. Hiawatha — Edmonia Lewis, 1868

tonalité

  1. Hiawatha — Edmonia Lewis, 1868
  2. Dalilah — william wetmore story
  3. Indian Combat — Edmonia Lewis, 1868

couleur principale

  1. Indian Combat — Edmonia Lewis, 1868
  2. Isabel de Braganza, Queen of Spain — josé álvarez cubero, 1826
  3. Dalilah — william wetmore story
  4. Night (Two Sleeping Children) — Edmonia Lewis
  5. Columbus — Edmonia Lewis, 1867
  6. Hagar — Edmonia Lewis, 1875
  7. Robert Gould Shaw — Lucy Martin Lewis, 1864
  8. Cleopatra — william wetmore story, 1858
  9. Moses (after Michelangelo) — Edmonia Lewis, 1875
  10. Diana Als Jägerin — bernardino cametti
  11. Penelope — Franklin Bachelder Simmons
  12. Femme (Princesse De Lamballe) — Jean-Antoine Houdon
  13. Thalia — Giovanni Volpato
  14. fonte gaia temperance — Jacopo Della Quercia
  15. fonte gaia wisdom — Jacopo Della Quercia

autre

  1. The Death of Cleopatra — Edmonia Lewis, 1876
  2. Statue of George Frederick Handel by Louis-François Roubiliac at Victoria and Albert Museum. — Louis-François Roubiliac
  3. Undine — Chauncey Bradley Ives
  4. Tomb of the Comte de Bourcke — David D'Angers, 1826