Menu
CONSEIL EN ART OFFERT

Aperçu en situationAperçu en situation Aperçu en RAAperçu en RA Acheter l'impression Acheter l'impressionAcheter la peinture faite à la main Acheter la peinture faite à la mainAcheter l'image Acheter l'image PartagerPartager
Ajouter aux favoris Ajouter aux favoris Télécharger l'imageTélécharger l'image Articles similairesArticles similaires RadiographieRadiographie Voir le diaporamaVoir le diaporama

Hanuman

Raja Ravi Varma (1848 – 1906)

Découvrez Raja Ravi Varma (1848-1906), pionnier de la peinture indienne ! Fusion d'art européen et mythologie hindoue, ses œuvres iconiques ont révolutionné l'art.

La Fondation Héritage de Raja Ravi Varma (Bangalore, Inde)

Plongez au cœur de l'héritage de Raja Ravi Varma à Bangalore ! Découvrez ses peintures emblématiques, croquis rares et archives fascinantes. Un voyage artistique unique en Inde.

When Ravi Varma painted ‘Hanuman’s Discourse’ he was still under the influence of the Tanjore style of painting, a school that he had closely studied during his residency at the Travancore court in Trivandrum. The ornate parabolic shaped crowns worn by gods and goddesses in Tanjore paintings find continuity in the crowns of Rama and his brother Lakshmana in this painting. Jewels of similar nature are repeated on the godly siblings in his later work titled ‘Sita Bhumipravesh’. In this early work, the painter’s maturity to bringing both beauty and expression to faces is apparent. Within this small but tightly structured frame, all four personages contribute to the meaning of the narrative. As Hanuman reads from the palm leaves, Rama, who occupies the central position, explains and instructs, indicated by his teaching mudra, as it’s the central point of the painting.

À propos de cette œuvre

Code QR

Code QR