Päivitetty lokakuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 15 teosta taiteilijalta Viktor Madarász luettelossamme
Lyhyesti
Jos tunnet yhden Viktor Madarász maalauksen, se on todennäköisesti Dobozi and his Spouse (1868), joka on esillä paikassa Unkarin kansallinen galleria, Budapest. The Exile's Dream (1856) ja Felicián Zách (1858) täydentävät kolme teosta, jotka tunnistetaan välittömästi. Katalogissamme on 15 teosta taiteilijalta Viktor Madarász. Alla on 14 tunnetuinta teosta vuosilukuineen, sijainteineen sekä tietoineen niiden erityispiirteistä.
The canvas captures a moment of desperate velocity. A man and his wife gallop across a wide field, their horse appearing as a magic steed driven by the sheer force of their flight. They are fleeing from the approach of the Turks, and the realization of their inevitable capture has turned their flight into a final, terminal act. The composition utilizes a wide horizontal format, with the low line of…
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Viktor Madarász teokset | Tämän listan maalaukset |
|---|---|---|---|
 Unkarin kansallinen galleria |
Budapest | 12 | Dobozi and his Spouse, The Exile's Dream, Felicián Zách |
Valitse vuosikymmen nähdäksesi sen merkittävimmän teoksen.
The canvas captures a moment of desperate velocity. A man and his wife gallop across a wide field, their horse appearing as a magic steed driven by the sheer force of their flight. They are fleeing from the approach of the Turks, and the realization of their inevitable capture has turned their flight into a final, terminal act. The composition utilizes a wide horizontal format, with the low line of…
Listan kärjessä on Dobozi and his Spouse (1868), Unkarin kansallinen galleria, Budapest. Heti sen jälkeen tulevat The Exile's Dream (1856) ja Felicián Zách (1858).
38 vuotta. Viktor Madarász syntyi vuonna 1830, ja teos Dobozi and his Spouse on peräisin vuodelta 1868.
Dobozi and his Spouse, The Exile's Dream, Felicián Zách, Self Portrait, László Hunyadi on the Bier, Dózsa's People, Miklós Zrínyi poet and general, Felicián Zách, Gábor Bethlen among his Scholars ja His Wife. Löydät kunkin teoksen vuosiluvun ja museon yllä olevasta luettelosta.
Luettelossamme on 15 teosta taiteilijalta Viktor Madarász, aikaväliltä 1856–1873.
Löydät useimmat niistä Unkarin kansallinen galleria (Budapest). Yllä oleva museolista sisältää täydellisen erittelyn.
Ajanjaksona 1850s on merkittävämpi kuin mikään muu: 6 sivun 14 teoksesta on peräisin tuolta ajalta, joista The Exile's Dream on The Exile's Dream.
Vanhin teos täällä on The Exile's Dream (1856); uusin on Miklós Izsó (1873).
Voit nähdä tällä sivulla 12 teosta Unkarin kansallinen galleria, Budapest -museossa, mukaan lukien Dobozi and his Spouse, The Exile's Dream ja Felicián Zách.
Kyllä. Jokainen tämän sivun teos on saatavilla käsinmaalatun öljyreproosion tai painoksena juuri sinulle sopivassa koossa. Avaa teoksen sivu tilataksesi sen.
Born in 1830 in the small village of Csetnek, Viktor Madarász came from a family of once-noble descent that had fallen into poverty. His father, András, worked as an iron manufacturer and craftsman. The path laid out for him was one of law, leading him to study in Pozsony. However, the winds of change arrived with the Hungarian Revolution of 1848. Madarász left his studies behind to join the struggle for independence, serving first as a private soldier and later rising to the rank of Second Lieutenant. The defeat of the revolution and the subsequent surrender at Világos left him with deep scars. After a period in exile, he eventually returned to his family in Pécs.
This period of upheaval heavily influenced the themes he would later pursue on canvas. He did not merely paint history; he lived through its most turbulent chapters. His early training took him to the Academy of Fine Arts in Vienna between 1853 and 1855, where he studied under Ferdinand Georg Waldmüller. Seeking broader horizons, he moved to Paris in 1856. There, he entered the studios of Léon Cogniet and was influenced by the works of Paul Delaroche. These years in France allowed him to bring a specific academic-romantic style back to his homeland.
Madarász became known for his ability to translate Hungarian historical struggles into dramatic visual narratives. He often focused on moments of profound grief or political tension, using the techniques of French Romanticism to reach his audience. His work frequently revisited the heroism and tragedies of the Hungarian people, particularly those resisting Habsburg rule.
Some of his notable works include:
The later years of his life were marked by professional hardship and personal loss. Upon returning to Hungary in 1870, he found that his French-influenced style was met with resistance from a public accustomed to different traditions. Following the harsh reception of his work, he made the difficult decision to retire from painting in 1873 to manage his father's business. This period of transition was not easy; by 1902, his business had gone bankrupt and was sold at auction.
In 1903, a spark of his former passion led him to attempt a return to art, focusing primarily on portraits. While these later works lacked the monumental scale of his earlier historical scenes, they represented a final effort to reclaim his identity as a painter. He lived in Budapest until his death in 1917, during the First World War, passing away at a time when much of his earlier glory had faded from the public eye.
