Päivitetty lokakuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 353 teosta taiteilijalta Hiroshige luettelossamme
Lyhyesti
Jos tunnet yhden Hiroshige maalauksen, se on todennäköisesti Early Department from a Daimyo, joka on esillä paikassa Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki. The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) ja Hakone (1834) täydentävät kolme teosta, jotka tunnistetaan välittömästi. Katalogissamme on 353 teosta taiteilijalta Hiroshige. Alla on 100 tunnetuinta teosta vuosilukuineen, sijainteineen sekä tietoineen niiden erityispiirteistä.
In the delicate dance of lines and muted pigments, Utagawa Hiroshige’s Early Department from a Daimyo invites us to step through a portal into the heart of Edo-period Japan. This exquisite woodblock print captures a moment of vibrant communal life along a bustling riverside, where the rigid structures of social hierarchy melt into the shared leisure of a sunny afternoon. As we gaze upon the scene, we are not merely…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…
In the delicate interplay of ink and paper, Utagawa Hiroshige’s "Station 36, Goyu; Kyoka Tokaido Series" offers much more than a mere topographical record of a journey. Completed in 1855, this exquisite woodblock print serves as a profound distillation of Edo-period sensibilities, capturing a yearning for tranquility amidst the burgeoning dynamism of a Japan in transition. As the nation stood at a pivotal crossroads between ancient feudal traditions and the…
Fushimi Station #51 – Hiroshige’s Poetic Echoes of Edo Japan Utagawa Hiroshige (1797–1858) stands as an undisputed titan amongst Japanese *ukiyo-e* artists, a figure whose legacy continues to captivate audiences worldwide. More than simply documenting the landscapes of his era, Hiroshige achieved something far more profound: he transformed observation into artful contemplation, weaving narratives of daily life and subtle symbolism into exquisitely crafted woodblock prints. “Fushimi Station #51,” part of…
The Ichikoku Bridge spans a quiet stretch of water in the Eastern Capital. Beneath its wooden arch, two boats drift through the current. People move across the structure, some carrying backpacks and others clutching small handbags. A mountain rises in the distance, watching over the scene. Trees frame the edges of the view, their leaves casting shadows near the water's edge.
In the soft, burgeoning light of a nineteenth-century morning, Utagawa Hiroshige invites us to witness a moment of profound stillness along the Tōkaidō road. Shinagawa Sunrise is not merely a depiction of a coastal village; it is a masterclass in the art of atmosphere. As the sun begins its ascent, the boundary between the heavens and the earth dissolves into a luminous haze. The water of the bay reflects a…
In the delicate dance of woodblock printing, few masters captured the ephemeral beauty of Japanese life as profoundly as Utagawa Hiroshige. His masterpiece, The Rokugo River Ferry, Kawasaki, serves as a breathtaking window into the Edo period, inviting the viewer to step onto the bustling banks of one of the most vital crossings on the Tokaido road. This evocative scene from his legendary series, The Fifty-three Stations of the Tokaido,…
In the delicate interplay of mist and water, Itsukushima in Aki Province offers more than a mere glimpse of a Japanese landmark; it provides a profound meditation on the ephemeral nature of existence. Created by the legendary ukiyo-e master Ando Hiroshige in 1858, this woodcut print captures the spiritual essence of the Itsukushima shrine area with a poetic sensitivity that remains unparalleled. As one gazes upon the composition, the eye…
The woodblock print depicts a section of the Tenryu River near the station of Mitsuke. In the center of the composition, a large sandbank divides the water into two distinct currents. Several small wooden boats occupy the river, with figures positioned within them to manage the crossing. Some vessels are moored directly against the central sandbank, while others navigate the moving water. The far shore is visible in the distance,…
Kanariin ja viiniköynnöksiin1800 · Indianapolisin taidemuseo
12
The Pine Woods of Miho in Suruga Province (Suruga Miho no matsubara)1858 · Indianapolisin taidemuseo
13
62 (55) Komakata Hall and Azuma Bridge1857 · Brooklyn Museum
14
Evening Snow at Kanbara1834 · Los Angelesin maakunnallinen taidemuseo
15
Dawn in the licensed quarters1857 · Art Gallery of New South Wales
16
Night View of Saruwakacho
17
Station 28, Fukuroi1855 · Indianapolisin taidemuseo
18
Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo1800 · Hill-Stead Museum
19
Keishi (Kyoto), Capital1834 · Indianapolisin taidemuseo
20
Hara: View of Ashitakayama and Fuji1855 · Indianapolisin taidemuseo
21
Yokkaichi (Station #44)1834 · Indianapolisin taidemuseo
22
Desolate Wintry Scene, Hamamatsu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
23
Noge and Yokohama in Musashi Province (Musashi, Noge, Yokohama)1858 · Indianapolisin taidemuseo
24
Wild sea breaking on the rocks1856
25
Shimasuga, Shiomi-zaka zu (Näköala Shima Slopelle)1833 · Indianapolisin taidemuseo
26
Mt.Fuji on the Left, Yoshiwara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
27
Tsukuda Offing in the Eastern Capital (Tōto: Tsukuda oki)1858 · Indianapolisin taidemuseo
28
Kawachi1853 · Indianapolisin taidemuseo
29
The Dye Craft Shops of Arimatsu, Narumi, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
30
View of Shiomi Slope, Shirasuka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
31
Entrance to Enoshima in Sagami Province (Sagami Enoshima iriguchi)1858 · Indianapolisin taidemuseo
32
Morning Mist, Mishima, from the series the Fifty-three Stations of the Tokaido (Hoeido edition )Nakagawa-machi Bato Hiroshige Museum of Art
33
The Imagire Sea Ferry, Maisaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
34
Sukiya Riverbank in the Eastern Capital (Tōto sukiya kaigan)1858 · Indianapolisin taidemuseo
35
Satta Pass, Yui, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
36
True View of Imagire, Maisaka, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
37
Kanbari yölumous1834 · Indianapolisin taidemuseo
38
Clear Winter Morning, Kameyama, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
39
The Tenryu River, Mitsuke, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
40
The Seven-ri Ferry Crossing, Kuwana, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
41
Aronia and Bullfinch
42
Kanaat Katatan laskeutuvat1834 · Indianapolisin taidemuseo
43
Yugyoji Temple, Fujisawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
44
Travellers and Soliciting Women, Goyu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
45
The Totoumi Bank of the Oi River, Kanaya, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
46
The Suruga Bank of the Oi River, Shimada, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
47
Kyoka Tokaido Series, Kanagawa (Yokohama)Indianapolisin taidemuseo
48
Distant View of Miho, Ejiri, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
49
Mt. Fuji in the Morning, Hara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
50
A Horse Fair, Chiriu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
51
Wakasa1853 · Indianapolisin taidemuseo
52
Distant View of Mt.Akiba, Kakegawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
53
The Ichiri-Han Sea Ferry, Arai, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
54
Gateway Entrance to the Atsuta Shrine on the Beach, Miya, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
55
Akasaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
56
The Sakawa River, Odawara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
57
A Footpath between Ricefield, Hiratsuka, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
58
Awa Province: Whirlpool at Naruto1853
59
73 The City Flourishing, the Tanabata Festival1857
60
Sarugababa Plain, Futagawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
61
Local Specialty Teahouse, Mariko, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
62
SakanoshitaIndianapolisin taidemuseo
63
Asio 23, FujiedaIndianapolisin taidemuseo
64
Marsh Grasses and Mandarin Ducks
65
50th station, Minakuchi
66
Sakanoshita: the Throwing Away the Brush Peak1834 · Brooklyn Museum
67
Shibaura Bay of Musashi Province801 · Metropolitan Museum of Art
68
Koyurugi Beach of Sagami Province801 · Metropolitan Museum of Art
69
Honmoku Bay of Musashi Province801 · Metropolitan Museum of Art
70
Untitled (Two Rabbits, Pampas Grass, and Full Moon)1851
71
11. Kiyomizu Hall and Shinobazu Pond at Ueno1857
72
85. Kinokuni Hill and Distant View of Akasaka and the Tameike Pond1857
73
76 Bamboo Quay by Kyōbashi Bridge1857
74
58 (52) Sudden Shower over Shin-Ōhashi bridge and Atake1857 · Tokyo Fuji Art Museum
75
103. Senju Great Bridge1857
76
18. The Ōji Inari Shrine1857
77
113. Aoi Slope Outside Toranomon Gate1857
78
114. Bikuni Bridge in Snow1857
79
70 (60) The Mouth of the Nakagawa River1857
80
2. Kasumigaseki1857
81
15. Suwa Bluff in Nippori1857
82
63 (69) The Ayase River and Kanegafuchi1857
83
115. The Takata Riding Grounds1857
84
86. Naitō Shinjuku in Yotsuya1857
85
16. Flower Park and Dangozaka Slope in Sendagi1857
86
68 (59) Open Garden at the Hachiman Shrine in Fukagawa1857
87
10. Sunrise at Kanda Myōjin Shrine1857
88
Peach and Long-tailed Bird
89
Golden Pheasant in Bracken
90
The Imado Bridge at the Foot of Mount Matsuchi801 · Metropolitan Museum of Art
91
Dog1858 · Indianapolisin taidemuseo
92
118. Kitsunebi on New Year's Night Under the Enoki Tree near Ōji1857
93
109. Minami Shinagawa and Samezu Coast1857
94
Night View of Matsuchiyama and the San1857 · Los Angelesin maakunnallinen taidemuseo
95
AkasakaIndianapolisin taidemuseo
96
Shiojiri Pass in Shinano Province (Shinano Shiojiritōge)1858 · Indianapolisin taidemuseo
97
YoshiwaraIndianapolisin taidemuseo
98
Fuchu, No. 20Indianapolisin taidemuseo
99
Woman Walking in the Snow1850 · Metropolitan Museum of Art
100
82. Moon Viewing1857
Nämä teokset käsittelevät neljää yleisintä aihetta, joista jokaisesta on esitetty tunnetuin esimerkki.
#21 Yokkaichi (Station #44)
#22 Desolate Wintry Scene, Hamamatsu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)
#29 The Dye Craft Shops of Arimatsu, Narumi, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)
#33 The Imagire Sea Ferry, Maisaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)
Tämän sivun teoksista eniten sisältävät 8 museota.
| Museo | Kaupunki | Hiroshige teokset | Tämän listan maalaukset |
|---|---|---|---|
 Nakagawa-machi Bato Hiroshige Museum of Art |
Nagasaki | 30 | Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition) |
 Indianapolisin taidemuseo |
Indianapolis | 36 | Hakone, Station 36, Goyu; Kyoka Tokaido Series, Fushimi, asemakaista No. 51 |
 Metropolitan Museum of Art |
New York | 8 | Shibaura Bay of Musashi Province, Koyurugi Beach of Sagami Province, Honmoku Bay of Musashi Province |
 Brooklyn Museum |
Brooklyn | 4 | Itsukushima in Aki Province, 62 (55) Komakata Hall and Azuma Bridge, Sakanoshita: the Throwing Away the Brush Peak |
 Hill-Stead Museum |
Farmington | 3 | Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo |
 Los Angelesin maakunnallinen taidemuseo |
Los Angeles | 2 | Evening Snow at Kanbara, Night View of Matsuchiyama and the San |
 Van Gogh -museo |
Amsterdam | 1 | The maple leaves of Mama, Tekona shrine and Tsugi bridge |
 Art Gallery of New South Wales |
Sydney | 1 | Dawn in the licensed quarters |
Valitse vuosikymmen nähdäksesi sen merkittävimmän teoksen.
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…
Fushimi Station #51 – Hiroshige’s Poetic Echoes of Edo Japan Utagawa Hiroshige (1797–1858) stands as an undisputed titan amongst Japanese *ukiyo-e* artists, a figure whose legacy continues to captivate audiences worldwide. More than simply documenting the landscapes of his era, Hiroshige achieved something far more profound: he transformed observation into artful contemplation, weaving narratives of daily life and subtle symbolism into exquisitely crafted woodblock prints. “Fushimi Station #51,” part of…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…
Listan kärjessä on Early Department from a Daimyo, Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki. Heti sen jälkeen tulevat The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) ja Hakone (1834).
Early Department from a Daimyo, The maple leaves of Mama, Tekona shrine and Tsugi bridge, Hakone, Station 36, Goyu; Kyoka Tokaido Series, Fushimi, asemakaista No. 51, Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi), Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Itsukushima in Aki Province ja Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition). Löydät kunkin teoksen vuosiluvun ja museon yllä olevasta luettelosta.
Luettelossamme on 353 teosta taiteilijalta Hiroshige, aikaväliltä 1833–1858.
Löydät useimmat niistä Nakagawa-machi Bato Hiroshige Museum of Art (Nagasaki), Indianapolisin taidemuseo (Indianapolis) ja Metropolitan Museum of Art (New York). Yllä oleva museolista sisältää täydellisen erittelyn.
Ajanjaksona 1850s on merkittävämpi kuin mikään muu: 43 sivun 100 teoksesta on peräisin tuolta ajalta, joista The maple leaves of Mama, Tekona shrine and Tsugi bridge on The maple leaves of Mama, Tekona shrine and Tsugi bridge.
Vanhin teos täällä on Shimasuga, Shiomi-zaka zu (Näköala Shima Slopelle) (1833); uusin on Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi) (1858).
Edo period (32), Ukiyo-e (22) ja Woodblock print (20) sivun 100 teoksesta.
Woodblock Print, käytetty 61 kappaleessa sivun 100 teoksista.
Japanese landscape painting, kuten tämän sivun teoksista näkyy.
Voit nähdä tällä sivulla 29 teosta Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki -museossa, mukaan lukien Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ) ja Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition).
Kyllä. Jokainen tämän sivun teos on saatavilla käsinmaalatun öljyreproosion tai painoksena juuri sinulle sopivassa koossa. Avaa teoksen sivu tilataksesi sen.
