Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 1 teosta taiteilijalta James Macbeth luettelossamme
Lyhyesti
James Macbeth'n tunnetuin teos on Sir Daniel Macnee, 1806 - 1882. Artist (1870). Löydät sen Scottish National Portrait Gallery -museosta kaupungista Edinburgh. Katalogissamme on 1 teosta taiteilijalta James Macbeth; tämä opas esittelee 1 tunnetuinta teosta, sisältäen teosten vuosiluvun, museon sekä tarinan jokaisesta teoksesta.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | James Macbeth teokset | Tämän listan maalaukset |
|---|---|---|---|
 Scottish National Portrait Gallery |
Edinburgh | 1 | Sir Daniel Macnee, 1806 - 1882. Artist |
Tämän sivun James Macbeth teokset ovat kaikki vuodelta 1870. Tässä ne ovat suosituimmuusjärjestyksessä.
Valitse vuosi nähdäksesi sen teokset.
Listan kärjessä on Sir Daniel Macnee, 1806 - 1882. Artist (1870).
23 vuotta. James Macbeth syntyi vuonna 1847, ja teos Sir Daniel Macnee, 1806 - 1882. Artist on peräisin vuodelta 1870.
Luettelossamme on 1 teosta taiteilijalta James Macbeth.
Löydät useimmat niistä Scottish National Portrait Gallery (Edinburgh). Yllä oleva museolista sisältää täydellisen erittelyn.
Kyllä. Jokainen tämän sivun teos on saatavilla käsinmaalatun öljyreproosion tai painoksena juuri sinulle sopivassa koossa. Avaa teoksen sivu tilataksesi sen.
The year is 1847 in Glasgow. James Macbeth enters a world where the lines of Scottish identity are being drawn through brushstrokes and ink. He is born into a family of creators; his father, Norman Macbeth, is a portrait painter, and his brothers, Robert Walker and Henry, will also find their way into the arts. This lineage is not merely a coincidence of birth but a shared language of form and color. James moves between the creative hubs of London and Scotland, establishing a presence in both the metropolitan galleries and the local scenes of his homeland.
His work often turns toward the human figure and the quietude of domestic life. In his portrait of Sir Daniel Macnee, he captures the likeness of a contemporary artist, a choice that places him directly within the professional circles of his era. He does not merely record a face; he engages with the social fabric of the mid-nineteenth century.
As the 1880s approach, a shift occurs in the atmosphere of his compositions. His painting A quiet afternoon signals a departure from strict realism toward something more atmospheric. This work anticipates the mood of Aestheticism, a movement that prioritizes sensory experience and a specific kind of contemplative stillness. The scene is not one of action, but of a lingering, suspended moment.
His output is defined by two primary modes of expression:
The trajectory of James Macbeth is cut short in 1891. He leaves behind a body of work that bridges the gap between traditional Scottish portraiture and the emerging sensibilities of the late Victorian period. His presence in the National Galleries of Scotland ensures that his contribution to the visual history of his country remains documented, even as the movements he helped anticipate continue to evolve.