Päivitetty lokakuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 14 teosta taiteilijalta Daniel Gran luettelossamme
Lyhyesti
Teos Allegory of the Dawn (1723) on se Daniel Gran maalaus, jonka useimmat ihmiset tuntevat. Heti niiden jälkeen seuraavat Mary with Child and Saints, Enthroned on Clouds (1730) ja Diana's Admission to Olympus (1732). Daniel Granin 14 teoksesta meidän valikoimassamme nämä 14 ovat tunnetuimpia. Jokaisesta on ilmoitettu vuosi, museo sekä lyhyt kuvaus siitä, mikä tekee teoksesta erityisen.
Tämän sivun teoksista eniten sisältävät 3 museota.
| Museo | Kaupunki | Daniel Gran teokset | Tämän listan maalaukset |
|---|---|---|---|
 National Museum in Warsaw |
Varsova | 2 | Greeting of Venus at Mount Olympus, Bacchus and Ceres |
 Szépművészeti Múzeum |
Budapest | 2 | St Elizabeth Distributing Alms, The Day Driving away the Night |
 Krakovan kansallismuseo |
Krakova | 1 | Apollo with the Muses – Project for a Plafond |
Valitse vuosikymmen nähdäksesi sen merkittävimmän teoksen.
Listan kärjessä on Allegory of the Dawn (1723). Heti sen perässä: Mary with Child and Saints, Enthroned on Clouds (1730) ja Diana's Admission to Olympus (1732).
29 vuotta. Daniel Gran syntyi vuonna 1694, ja teos Allegory of the Dawn on peräisin vuodelta 1723.
Allegory of the Dawn, Mary with Child and Saints, Enthroned on Clouds, Diana's Admission to Olympus, Apollo with the Muses – Project for a Plafond, Allegory of the Happy Government of Mähren, Allegory of the Morning, Instruction of Mary by Joachim and Anna, The Holy Family, Madonna and Child ja unleserlich. Löydät kunkin teoksen vuosiluvun ja museon yllä olevasta luettelosta.
Luettelossamme on 14 teosta taiteilijalta Daniel Gran, aikaväliltä 1723–1747.
Löydät useimmat niistä National Museum in Warsaw (Varsova), Szépművészeti Múzeum (Budapest) ja Krakovan kansallismuseo (Krakova). Yllä oleva museolista sisältää täydellisen erittelyn.
Ajanjaksona 1730s on merkittävämpi kuin mikään muu: 4 sivun 14 teoksesta on peräisin tuolta ajalta, joista Mary with Child and Saints, Enthroned on Clouds on Mary with Child and Saints, Enthroned on Clouds.
Vanhin teos täällä on Allegory of the Dawn (1723); uusin on Allegory of the Morning (1747).
Voit nähdä tällä sivulla 2 teosta National Museum in Warsaw, Varsova -museossa, mukaan lukien Greeting of Venus at Mount Olympus ja Bacchus and Ceres.
Kyllä. Jokainen tämän sivun teos on saatavilla käsinmaalatun öljyreproosion tai painoksena juuri sinulle sopivassa koossa. Avaa teoksen sivu tilataksesi sen.
Daniel Gran (1694-1757) was a prominent Austrian Baroque painter who played a crucial role in the transition towards Classicism. His career spanned a period of significant artistic change, and he is remembered for his masterful frescoes, religious scenes, and illusionistic style.
Born in Vienna, Italy in 1694, Daniel Gran came from a family that valued its noble lineage. Successfully asserting his claim to this title was important during his time, as improper use of such distinctions could have severe social consequences. Details regarding his early artistic training remain somewhat scarce, but it is known he developed considerable skill and ambition.
Gran’s initial work firmly rooted in the Baroque tradition, characterized by dramatic compositions, rich colors, and a sense of movement. However, towards the end of his career, his paintings began to exhibit a shift away from purely Baroque aesthetics – particularly in terms of figural dimensions and illusionism. This evolution suggests an increasing interest in the emerging principles of Classicism, emphasizing clarity, balance, and restraint.
While specific influences are not extensively documented, it’s reasonable to assume Gran was impacted by contemporary Italian and Austrian Baroque masters. His later stylistic changes suggest a growing awareness of early Classical art and its emphasis on form and proportion.
Daniel Gran’s significance lies in his role as a bridge between the Baroque and Classical periods. He wasn't merely an imitator of earlier styles but actively contributed to the evolving artistic landscape of 18th-century Austria. His work demonstrates a conscious effort to move beyond the exuberance of the High Baroque towards a more restrained and balanced aesthetic.
Gran’s influence can be seen in the subsequent development of Austrian painting, paving the way for later Classicist artists. In 1894, Vienna honored his legacy by naming the Grangasse street in Rudolfsheim-Fünfhaus (the 15th district) after him. His self-portrait remains a treasured piece within the monastery of Herzogenburg.
Gran’s frescoes continue to captivate viewers with their beauty, technical skill, and historical importance, solidifying his place as a notable figure in Austrian art history.
