The Parisian Observer Paris, 1862. The city is a hive of industry and shifting social structures. Victor Blaise Marrec enters this world, the son of a cabinetmaker and a laundress. He does not follow the path of his father’s woodworking or his mother’s labor. Instead, he turns toward the canvas. By 1880, he is already a presence at the Salon des Artistes Français, a fixture of the Parisian art scene that would persist for over three de…