Charles de Steuben muotokuva

Charles de Steubenn kuuluisimmat maalaukset: Kaikki 19 teosta, järjestettynä

Päivitetty lokakuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 19 teosta taiteilijalta Charles de Steuben luettelossamme

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Teos Portrait of Anna Benardaki (1844) on se Charles de Steuben maalaus, jonka useimmat tuntevat, ja sen voit nähdä museossa Hermitage-museo, Pietari. Heti niiden jälkeen seuraavat Portrait of Baron Alexander Stieglitz (1844) ja Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Charles de Steubenin 19 teoksesta meidän valikoimassamme nämä 19 ovat tunnetuimpia. Jokaisesta on ilmoitettu vuosi, museo sekä lyhyt kuvaus siitä, mikä tekee teoksesta erityisen.

1788 – 1856, Bauerbach Romanticism Eniten teoksia: Hermitage-museo

Charles de Steuben -taiteilijan top 10: teokset, jotka kaikki tuntevat

1
Portrait of Anna Benardaki (1844) tekijä Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Hermitage-museo, Pietari

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

Käsinmaalattu öljyreprosentio alkaen $175 29 × 34 cm Alkuperäisen kokoinen $482 99 × 116 cm Tilaa alkuperäisen kokoisena →
Tilaa tämä teos Lisää tästä teoksesta
2
Portrait of Baron Alexander Stieglitz (1844) tekijä Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Hermitage-museo, Pietari

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

Käsinmaalattu öljyreprosentio alkaen $175 28 × 36 cm Alkuperäisen kokoinen $353 75 × 94 cm Tilaa alkuperäisen kokoisena →
Tilaa käsinmaalattuna Lue tarina siitä
3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) tekijä Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Hermitage-museo, Pietari

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

Käsinmaalattu öljyreprosentio alkaen $175 29 × 34 cm Alkuperäisen kokoinen $484 99 × 117 cm Tilaa alkuperäisen kokoisena →
Tee se omakses Tutustu siihen
4
Portrait of a Young Woman (1843) tekijä Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Hermitage-museo, Pietari

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

Käsinmaalattu öljyreprosentio alkaen $175 29 × 35 cm Alkuperäisen kokoinen $499 100 × 121 cm Tilaa alkuperäisen kokoisena →
Tilaa käsinmaalattuna Lue tarina siitä
5
Portrait of D.E. Benardaki (1844) tekijä Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Hermitage-museo, Pietari

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

Käsinmaalattu öljyreprosentio alkaen $175 29 × 34 cm Alkuperäisen kokoinen $479 98 × 116 cm Tilaa alkuperäisen kokoisena →
Tee se omakses Tutustu siihen
6
Portrait of Countess Yulia Stroganova (1848) tekijä Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Hermitage-museo, Pietari

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Käsinmaalattu öljyreprosentio alkaen $175 29 × 35 cm Alkuperäisen kokoinen $484 98 × 118 cm Tilaa alkuperäisen kokoisena →
Tilaa käsinmaalattuna Lue tarina siitä

Jatka Charles de Steuben:n tutkimista: 11 – 19

Mitä Charles de Steuben maalasi eniten

Nämä teokset käsittelevät neljää yleisintä aihetta, joista jokaisesta on esitetty tunnetuin esimerkki.

Mistä löydät Charles de Steuben's maalaukset

Tämän sivun teoksista eniten sisältävät 8 museota.

Museo Kaupunki Charles de Steuben teokset Tämän listan maalaukset
Hermitage-museo, PietariHermitage-museo Pietari 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Carnavalet Museum, PariisiCarnavalet Museum Pariisi 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParisMusée Victor Hugo Paris 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersaillesOpera House Versailles 1 Anne d'Autriche, reine de France
Château de Versailles, VersaillesChâteau de Versailles Versailles 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Clevelandin taidemuseo, ClevelandClevelandin taidemuseo Cleveland 1 Battle of Poitiers, 25 October 732

Yksi kuuluisa Charles de Steuben -teos joka vuosikymmeneltä

Teokset vuosikymmenittäin

Valitse vuosikymmen nähdäksesi sen merkittävimmän teoksen.

Charles de Steuben -maalaukset: mitä ihmiset haluavat tietää

Mistä maalauksesta Charles de Steuben tunnetaan parhaiten?Katso vastaus

Listan kärjessä on Portrait of Anna Benardaki (1844), Hermitage-museo, Pietari. Heti sen jälkeen tulevat Portrait of Baron Alexander Stieglitz (1844) ja Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Kuinka vanha Charles de Steuben oli teoksen Portrait of Anna Benardaki aikaan?Katso vastaus

56 vuotta. Charles de Steuben syntyi vuonna 1788, ja teos Portrait of Anna Benardaki on peräisin vuodelta 1844.

Mitkä ovat Charles de Steuben 10 kuuluisinta maalausta?Katso vastaus

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" ja Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Löydät kunkin teoksen vuosiluvun ja museon yllä olevasta luettelosta.

Kuinka monta Charles de Steuben teosta on olemassa?Katso vastaus

Luettelossamme on 19 teosta taiteilijalta Charles de Steuben, aikaväliltä 1800–1850.

Missä museoissa on Charles de Steuben'n tunnetuimmat maalaukset?Katso vastaus

Löydät useimmat niistä Hermitage-museo (Pietari), Palais des Beaux-Arts de Lille (Lille) ja Carnavalet Museum (Pariisi). Yllä oleva museolista sisältää täydellisen erittelyn.

Milloin Charles de Steuben'n kuuluisimmat teokset on maalattu?Katso vastaus

Ajanjaksona 1830s on merkittävämpi kuin mikään muu: 9 sivun 19 teoksesta on peräisin tuolta ajalta, joista Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist on Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist.

Mitkä ovat Charles de Steuben vanhimmat ja uusimmat kuuluisat maalaukset?Katso vastaus

Vanhin teos täällä on The Death of Napoleon (1800); uusin on Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Mitä Charles de Steuben maalasi eniten?Katso vastaus

Woman (3), Man (3) ja Lace (2) sivun 19 teoksesta.

Mitä Charles de Steuben yleensä käytti maalaamiseen?Katso vastaus

Oil On Canvas, käytetty 5 kappaleessa sivun 19 teoksista.

Mihin taidesuuntaukseen Charles de Steuben liittyy?Katso vastaus

Romanticism, kuten tämän sivun teoksista näkyy.

Mitä voit nähdä artistilta Charles de Steuben museossa Hermitage-museo?Katso vastaus

Voit nähdä tällä sivulla 7 teosta Hermitage-museo, Pietari -museossa, mukaan lukien Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz ja Portrait of Alexander P. von Benckendorff (1819 – 1851).

Voinko tilata Charles de Steuben -teoksen reproduktiota kotiini?Katso vastaus

Kyllä. Jokainen tämän sivun teos on saatavilla käsinmaalatun öljyreproosion tai painoksena juuri sinulle sopivassa koossa. Avaa teoksen sivu tilataksesi sen.

Tapaa Charles de Steuben

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.