Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 5 teosta taiteilijalta Carl Ebert luettelossamme
Lyhyesti
Jos tunnet yhden Carl Ebert maalauksen, se on todennäköisesti Forest Landscape with Bathing Children (1867), joka on esillä paikassa Bavarian State Painting Collections, München. Evening Landscape (1875) ja Landscape society in a park täydentävät kolme teosta, jotka tunnistetaan välittömästi. Katalogissamme on 5 teosta taiteilijalta Carl Ebert. Alla on 5 tunnetuinta teosta vuosilukuineen, sijainteineen sekä tietoineen niiden erityispiirteistä.
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Carl Ebert teokset | Tämän listan maalaukset |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
9 vuotta, 1867–1875: tämä on koko Carl Ebert teosten aikaväli täällä. Selaa teoksia vuosi vuodelta.
Valitse vuosi nähdäksesi sen teokset.
Listan kärjessä on Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. Heti sen jälkeen tulevat Evening Landscape (1875) ja Landscape society in a park.
46 vuotta. Carl Ebert syntyi vuonna 1821, ja teos Forest Landscape with Bathing Children on peräisin vuodelta 1867.
Luettelossamme on 5 teosta taiteilijalta Carl Ebert, aikaväliltä 1867–1875.
Löydät useimmat niistä Bavarian State Painting Collections (München) ja Lenbachhaus (München). Yllä oleva museolista sisältää täydellisen erittelyn.
Vanhin teos täällä on Forest Landscape with Bathing Children (1867); uusin on Evening Landscape (1875).
Voit nähdä tällä sivulla 2 teosta Bavarian State Painting Collections, München -museossa, mukaan lukien Forest Landscape with Bathing Children ja Evening Landscape.
Kyllä. Jokainen tämän sivun teos on saatavilla käsinmaalatun öljyreproosion tai painoksena juuri sinulle sopivassa koossa. Avaa teoksen sivu tilataksesi sen.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
