Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 24 teosta taiteilijalta August Becker luettelossamme
Lyhyesti
Jos tunnet yhden August Becker maalauksen, se on todennäköisesti Stags and Old Oak Near the Wallwitzburg near Dessau (1836). The Jungfrau (1853) ja A view of Schloss Waldleiningen (1863) täydentävät kolme teosta, jotka tunnistetaan välittömästi. Katalogissamme on 24 teosta taiteilijalta August Becker. Alla on 24 tunnetuinta teosta vuosilukuineen, sijainteineen sekä tietoineen niiden erityispiirteistä.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | August Becker teokset | Tämän listan maalaukset |
|---|---|---|---|
 Royal Collection |
Lontoo | 23 | The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar |
Valitse vuosikymmen nähdäksesi sen merkittävimmän teoksen.
Listan kärjessä on Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Heti sen perässä: The Jungfrau (1853) ja A view of Schloss Waldleiningen (1863).
15 vuotta. August Becker syntyi vuonna 1821, ja teos Stags and Old Oak Near the Wallwitzburg near Dessau on peräisin vuodelta 1836.
Stags and Old Oak Near the Wallwitzburg near Dessau, The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar, Glen Gelder, The Valley of the Dee above Braemar, Caenlochan, Loch Avon, Balmoral ja Loch Callater. Löydät kunkin teoksen vuosiluvun ja museon yllä olevasta luettelosta.
Luettelossamme on 24 teosta taiteilijalta August Becker, aikaväliltä 1836–1877.
Löydät useimmat niistä Royal Collection (Lontoo). Yllä oleva museolista sisältää täydellisen erittelyn.
Ajanjaksona 1860s on merkittävämpi kuin mikään muu: 16 sivun 24 teoksesta on peräisin tuolta ajalta, joista A view of Schloss Waldleiningen on A view of Schloss Waldleiningen.
Vanhin teos täällä on Stags and Old Oak Near the Wallwitzburg near Dessau (1836); uusin on The Villa Hohenlohe (1877).
Voit nähdä tällä sivulla 23 teosta Royal Collection, Lontoo -museossa, mukaan lukien The Jungfrau, A view of Schloss Waldleiningen ja The Valley of the Dee near Braemar.
Kyllä. Jokainen tämän sivun teos on saatavilla käsinmaalatun öljyreproosion tai painoksena juuri sinulle sopivassa koossa. Avaa teoksen sivu tilataksesi sen.
August Becker did not merely paint scenery; he captured the specific, rugged geography of the nineteenth century. His work belongs to the Düsseldorfer Malerschule, a movement defined by a rigorous approach to landscape that favored structural accuracy over mere sentiment. He moved from the initial guidance of Johann Heinrich Schilbach to the specialized landscape training of Johann Wilhelm Schirmer at the Kunstakademie Düsseldorf. This technical foundation allowed him to transition from local German vistas to the dramatic, vertical compositions of the North.
His ability to translate geological scale onto canvas earned him a place in the most prestigious collections of his era. In 1854, while studying in London, his work caught the attention of the British monarchy. Prince Albert purchased his painting "The Jungfrau" as a gift for Queen Victoria. This was no minor social victory; it established Becker as a painter of international standing, leading to further acquisitions by the Queen and invitations to visit Scotland and the Isle of Wight.
Becker’s career was defined by his movement through significant European landscapes. He did not stay confined to the Rhine valley, instead seeking out the specific light and form of diverse regions. His travels were purposeful, often dictated by the specific demands of his patrons or the availability of new subject matter.
The sheer volume of his work—over 360 paintings—indicates a highly disciplined professional practice. He was a painter of precision, capable of shifting from the intimate details of the Nahe region to the vast, sweeping scales of Norwegian fjords. His later years saw him teaching, including lessons for Princess Antonia, proving his technical authority was recognized by the aristocracy. While much of his work remains in private or royal hands, with about 80 paintings located in England, his presence in the Kunst Archiv Darmstadt ensures his place in the historical record of German landscape painting.
