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Abstract 18

Nimi Luokka Päivämäärä

richard goodwin, Abstract 18, Peterhouse. Kuvattu vain viitteellistä käyttöä varten; kaikki oikeudet pidätetään tekijänoikeuden haltijalla.

Tiedot

Taiteilija
richard goodwin artsdot.com/fi/artists/richard-goodwin/
Taiteilijan elinvuodet
1953 – ?
Tekniikka ja materiaali
Oil On Canvas
Alkuperäinen koko
121 x 76 cm
Taidesuuntaus
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Aikakausi
Contemporary
Järjestetty paikassa
Peterhouse artsdot.com/fi/museums/peterhouse-cambridge_fi/
Artistic style
Gestural painting
Notable elements or techniques
Loose brushstrokes, layering, texture
Subject or theme
Abstract forms and urban space

Kontekstissa

Abstract 18 — richard goodwin

Kuinka suuri se on?

Alkuperäinen koko on 121 × 76 cm (korkeus × leveys), esitetty tässä rinnakkain keskipitkään aikuiseen.

Milloin tämä on mahdollisesti maalattu?

  1. 1950

Varjostettu: richard goodwin elämäntyö (1953–?)

Tälle tallenteelle ei ole tiedossa tarkkaa vuosilukua — artistin eliniän ja teoksen tyylin perusteella, millä vuosikymmenellä se mielestäsi sijoittuu?

Vertaa seuraaviin

  • Abstract 12 artsdot.com/fi/art/richard-goodwin-abstract-12-AQUM3E-en/
  • Farewell Franz (Kline) artsdot.com/fi/art/richard-goodwin-farewell-franz-kline-AQUM3N-en/
  • Abstract 13 artsdot.com/fi/art/richard-goodwin-abstract-13-AQUM3G-en/

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: artsdot.com/fi/art/similar/richard-goodwin-abstract-18-AQUM3J-en/

Värimaailma

Kuvan perusteella määritetty väripaletti

    Pääväri

    Phthalo Green #262622

    Valittu paletti

    • #262622
    • #938062
    • #BCB18F
    • #645844
    Päävärin nimi
    Phthalo Green
    Voimakkuus
    Balanced Kuinka kylläisiä ja vaihtelevia värit ovat, yhdestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Statement Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Strong Color Unity Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Balanced Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Muted Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Tietoja teoksesta

    Abstract 18 — richard goodwin

    The Soul of Abstraction: A Journey Through Richard Goodwin’s Abstract 18

    In the quiet, contemplative depths of Abstract 18, the viewer is invited into a world where form dissolves into feeling. This evocative piece by the Australian master Richard Goodwin serves as a profound meditation on texture and shadow. At first glance, the composition presents a dark, enigmatic landscape of charcoal grays, deep blacks, and muted earth tones, yet upon closer inspection, it reveals a hidden vitality. Subtle whispers of orange and cerulece blue peek through the heavy layers of paint, acting like sudden flickers of light in an urban twilight. The artwork does not seek to represent a physical object, but rather to capture a mood—a fleeting moment of introspection captured through the raw power of Abstract Expressionism.

    The technique employed in this work is nothing short of visceral. Goodwin utilizes a gestural approach, where every brushstroke carries the weight of intention and movement. The surface of the canvas is a tactile topography; the thick, impasto-like application of oil paint creates a rugged terrain of ridges and valleys that catch the light in unexpected ways. There is a palpable sense of "porosity" here—a concept central to Goodwin’s broader artistic philosophy—where the boundaries between layers seem to bleed into one another, suggesting a continuous flow of energy. The verticality found within the central forms provides a skeletal structure to the chaos, hinting at the architectural influences that define his unique perspective on space and materiality.

    A Symphony of Texture and Emotion

    Beyond its visual complexity, Abstract 18 resonates on an emotional frequency that is both melancholic and deeply grounding. The lack of defined edges and sharp boundaries creates a sense of ambiguity, mirroring the uncertainty and complexity of the human experience. For the collector or the interior designer, this piece offers a sophisticated anchor for a room. Its dark, moody palette provides a dramatic backdrop that can ground a minimalist space or add a layer of intellectual depth to a contemporary setting. It is a work that demands slow looking, rewarding the observer with new discoveries of light and shadow each time they encounter it.

    Integrating such a powerful reproduction into a curated collection allows for an atmosphere of quiet luxury and artistic rigor. Whether placed in a sunlit gallery or a dimly lit study, the painting’s interplay of light and dark evokes a sense of timelessness. It is not merely a decoration, but a window into the artist's psyche—a masterful blend of architectural precision and expressive freedom that continues to captivate the modern eye.

    Taiteilija ja museo

    Taiteilija

    richard goodwin

    The Architect of Abstraction

    Born in Sydney in 1953 and raised amidst the quiet, storied landscapes of Beecroft, Richard Goodwin’s early life was a rich tapestry of discovery. The echoes of his grandfather’s explorations—the remnants of Aboriginal culture and cinematic fragments found within a dusty shed—planted the seeds of a lifelong fascination with the layers of history and identity. A pivotal encounter with the renowned architect Harry Seidler during his formative years ignited a profound passion for structural design, eventually leading him to the University of New South Wales. It was here that the boundaries between the built environment and fine art began to blur, as he pursued architecture while simultaneously immersing himself in the expressive, unbridled possibilities of the canvas.

    Porosity and the Urban Pulse

    Goodwin’s practice is defined by a profound investigation into the concept of porosity, exploring the delicate, often invisible membranes where architecture meets the atmosphere. His work transcends the static nature of buildings, instead capturing the dynamic interaction between urban structures and their surrounding environments. Drawing deep inspiration from the raw energy of Abstract Expressionism—specifically the gestural power of artists like Franz Kline and Willem de Kooning—Goodwin translates architectural tension into visual rhythm. His paintings do not merely depict space; they inhabit it, inviting a contemplation of how human presence is shaped by the very walls and textures that surround us.

    Materiality and the Gestural Mark

    The visceral impact of Goodwin’s work lies in his masterful manipulation of materiality and surface. His canvases are often characterized by a striking duality, utilizing bold black pigments against stark white or muted, pale backgrounds to create a sense of immediate, rhythmic movement. Through the deliberate layering of paint and the incorporation of sculptural elements, he disrupts conventional perspectives, creating surfaces that possess a palpable, tactile energy. In works such as Farewell Franz (Kline) and his various Abstract series, the viewer encounters a landscape of shadow and light, where texture serves as a medium for emotional resonance, evoking themes of solitude and the complex relationship between human presence and architectural space.

    A Legacy of Interdisciplinary Vision

    Beyond the studio, Goodwin has significantly shaped the next generation of creators through his distinguished role as an academic and professor at UNSW Art & Design. His dual identity as an architect and a painter allows him to bridge the gap between structural logic and artistic intuition, a perspective that has earned his work prominent positions within major collections, including the Art Gallery of New South Wales. His contribution to contemporary art remains a testament to the power of interdisciplinary thought, proving that the study of space can lead to a profound exploration of the human soul.

    Museo

    Peterhouse

    Näytteillä paikassa Cambridge, Iso Britannia

    Peterhouse: A Sanctuary of Scholarship and Serenity

    Peterhouse, Cambridge University’s oldest college, stands as a testament to centuries of intellectual pursuit and quiet contemplation—a place where the echoes of brilliant minds resonate within its ancient stone walls. Founded in 1284 by Bishop Hugh de Balsham, it's more than just bricks and mortar; it’s a living embodiment of medieval ideals and a beacon for modern learning.

    Architectural Marvel:

    The Old Court, constructed in the late thirteenth century, showcases masterful Norman craftsmanship. Its weathered stone bears witness to generations of scholars who have walked its halls, fostering an atmosphere steeped in history.

    The New Court Harmony:

    Adjacent to the Old Court is the New Court, a beautifully designed building that reflects the stylistic influences of the Tudor and Elizabethan eras. It exemplifies how tradition can seamlessly integrate with innovation.

    Richard Bankes Harraden’s Vision:

    The college's artistic treasures are particularly notable for their paintings by Richard Bankes Harraden, whose detailed depictions capture the essence of Cambridge student life across different periods—a visual record of daily life and scholarly pursuits.

    Harraden’s work isn’t merely decorative; it’s imbued with a profound understanding of place and belonging. He skillfully portrays scenes from Peterhouse's campus, capturing the spirit of Cambridge’s academic tradition.

    A Legacy Forged in Learning

    Peterhouse’s history is inextricably linked to the broader narrative of Cambridge University itself—a story that begins with a small house for scholars and culminates in a global leader in research and education. Its alumni roster reads like a who's who of intellectual giants:

    Lord Kelvin

    Henry Cavendish

    Charles Babbage

    James Clerk Maxwell

    James Dewar

    Frank Whittle

    Five Nobel laureates in science

    These figures—scientists, mathematicians, poets—have shaped the course of intellectual history and cemented Peterhouse’s reputation for excellence.

    Exploring Peterhouse's Collections

    The Perne Library houses an exceptional collection of medieval manuscripts and historical documents—a treasure trove for researchers interested in delving into Cambridge’s academic past. These texts offer invaluable insights into the college’s intellectual heritage and contribute to ongoing scholarly debates.

    Furthermore, St Peter's College Chapel stands as a serene space illuminated by stained glass windows and adorned with intricate woodwork—a place of worship that reflects the college’s spiritual traditions and invites contemplation. Its soaring ceilings and exquisite artistry create an atmosphere conducive to reflection and reverence.

    Accessibility and Community

    What truly distinguishes Peterhouse is its commitment to openness and inclusivity. Unlike many historic sites, it welcomes all visitors with free admission—a gesture that fosters a sense of community and allows anyone to experience the tranquility and beauty of this remarkable institution.

    Visiting Peterhouse isn’t simply observing history; it's engaging with a vibrant college actively shaping the future—a place where learning continues to flourish and where students and fellows alike contribute to its enduring legacy.

    Mistä lukea lisää

    Löydä tämä verkosta

    QR-koodi, joka linkittää Abstract 18 lataussivulle

    artsdot.com/fi/art/download/richard-goodwin-abstract-18-AQUM3J-en/

    Teoksen lähdeviite

    MLA
    goodwin, richard. Abstract 18. n.d., Peterhouse. https://artsdot.com/fi/art/richard-goodwin-abstract-18-AQUM3J-en/
    APA
    goodwin, richard (n.d.). Abstract 18 [Painting]. Peterhouse. https://artsdot.com/fi/art/richard-goodwin-abstract-18-AQUM3J-en/
    Chicago
    richard goodwin. Abstract 18. n.d. Peterhouse. https://artsdot.com/fi/art/richard-goodwin-abstract-18-AQUM3J-en/
    Harvard
    goodwin, richard (n.d.) Abstract 18. Peterhouse. Available at: https://artsdot.com/fi/art/richard-goodwin-abstract-18-AQUM3J-en/

    Katso tarkemmin

    Abstract 18 — richard goodwin

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Luettelomme on luokitellut tämän teoksen seuraaviin aiheisiin: gray, black, white. Oletko samaa mieltä? Mitä lisäisit tai poistaisit?
    4. Katso takaisin teokseen Abstract 12, joka esiteltiin aiemmin tässä oppaassa. Nimeä kaksi asiaa, jotka se jakaa tämän teoksen kanssa, sekä yksi eroavaisuus.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Mistä tässä teoksessa sen voi havaita?

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Käytä tiedonlähteinä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.