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Opiskelijoiden teosopas

John Minton with a Violin

Nimi Luokka Päivämäärä

Patrick Millard, John Minton with a Violin (1939), Jerwood Gallery. Käytetty vain viitteelliseen tarkoitukseen; kaikki oikeudet pidätetään oikeudenhaltijalla. Näe tämä kangas liikkuvan valon alla: piirros, lakan alta paljastuva todellinen väri ja puhdas pigmentti

Faktat

Taiteilija
Patrick Millard artsdot.com/fi/artists/patrick-millard/
Taiteilijan elinvuodet
1902 – 1972
Maalaus
1939
Alkuperäinen koko
102 x 76 cm
Pidetään paikassa
Jerwood Gallery artsdot.com/fi/museums/jerwood-gallery-hastings/

Kontekstissa

John Minton with a Violin — Patrick Millard

Kuinka suuri teos on?

Alkuperäinen koko on 102 × 76 cm (korkeus × leveys), esitetty tässä keskipitkän aikuisen rinnalla.

Milloin teos on maalattu?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Ylempi rivi: vuodet. Alempi rivi: taiteilijan ikä kunkin ajanjakson alussa ja lopussa — 0 syntyessä, 70 kuollessa.

Maalattu taiteilijan ollessa 37-vuotias. Taiteilija eli 70-vuotiaaksi. 0 tästä taiteilijasta luettelossamme olevista 3 päivätyöstä on tehty aiemmin.

Varjostettu: Patrick Millard elämäntyö (1902–1972) ▲ tämä teos, 1939 jokainen päivätty maalaus, vuosikymmen kerrallaan

Vertaa teoksia

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: artsdot.com/fi/art/similar/patrick-millard-john-minton-with-a-violin-ARD88P-en/

Värit

Kuvan perusteella määritetty

    Pääväri

    Gray #81795d

    Luetteloidut värit

    • #81795D
    • #483B27
    • #675336
    • #282419

    Nämä värit osana taiteilijan koko palettia Etsi muita maalauksia värin perusteella

    Väripaletti
    Earthy Kuvan hallitseva väriperhe.
    Päävärin nimi
    Gray
    Intensiteetti
    Monochromatic Värien kylläisyys ja vaihtelu ulottuvat yksittäisestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Gentle Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Strong Color Unity Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Deep_shadow Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Subtle Color Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Patrick Millard katsotuimmat 2 teosta

    1. 1 View from Trafalgar Studios, Chelsea 100,0%200 käyntikertaa
    2. — John Minton with a Violin, 1939 tämä teos 0,0%0 käyntikertaa

    Yhdessä nämä teokset muodostavat 100,0% kaikesta huomiosta, jonka tämän taiteilijan maalaukset ovat saaneet viimeisen kahdentoista kuukauden aikana. Luettelossa on 4 tämän taiteilijan teosta, joista 1 on katsottu vähintään kerran. Tätä teosta ei ole vielä katsottu kyseisellä ajanjaksolla — se sulkee listan ilman sijoitusta. Sama laskutapa kuukausittain

    Palkit mittaavat huomiota, eivät laatua. Valitse ylin teos ja vastaa seuraavaan: nimeä yksi asia, joka voisi tehdä maalauksesta kuuluisan muutenkin kuin sen teknisen taituruuden perusteella.

    Taiteilija ja museo

    Taiteilija

    Patrick Millard

    The Lyrical Vision of Patrick Ferguson Millard

    In the tapestry of twentieth-century British art, few threads weave together the delicate strands of Romanticism and Modernism as gracefully as Patrick Ferguson Millard. Born in 1902 amidst the rugged beauty of Aspatria, Cumberland, Millard’s very origins were steeped in a profound connection to the English landscape and intellectual heritage. The son of Reverend F.L.H. Millard, his upbringing was shaped by an environment where scholarly curiosity and natural splendor coexisted. This duality—a reverence for the historical weight of the land and an openness to new aesthetic frontiers—would become the cornerstone of his artistic identity. His lineage, connected to the esteemed historian Robert S. Ferguson, anchored him to the traditions of Cumbria, yet his spirit was destined to wander far beyond the borders of his birthplace.

    Millard’s formal journey into the heart of the art world began through a series of prestigious institutions, including the Carlisle School of Art and the Liverpool School of Art, eventually leading him to the Royal Academy Schools between 1921 and 1925. It was during this formative period that he encountered the influential mentor Walter Sickert, whose guidance proved transformative. Sickert encouraged Millard to look toward the continent, prompting a journey through Paris, Italy, and Spain. This exposure to the vibrant currents of European art—the dramatic intensity of El Greco and the structural innovations of Cubism and Surrealism—deeply enriched his palette and perspective. While he absorbed these modernistic whispers, Millard remained fundamentally tethered to a more lyrical, emotive approach, seeking to capture the soul of his subjects rather than merely their geometric essence.

    A Legacy of Light and Line

    The artistry of Millard is characterized by an exquisite sensitivity to atmosphere, often described as a visual interpretation of emotion. He was not merely a painter of scenes, but a translator of moods. His work frequently echoes the pastoral legacy of Samuel Palmer, channeling a sense of quiet contemplation and the idealized beauty of the English countryside. Through delicate linework and subtle washes of watercolor, he breathed life into landscapes that felt both ancient and immediate. His mastery extended beyond the horizon of the landscape to include intimate life studies and animal drawings, where his keen understanding of anatomy and form met a soft, poetic touch.

    Beyond his personal practice, Millard’s influence permeated the academic landscape of British art education. As a lecturer and teacher, he held prestigious positions that allowed him to shape the next generation of visionaries, including notable artists such as John Minton and Michael Ayrton. His ability to bridge the gap between the traditional Victorian sensibility and the burgeoning modern era made him a vital figure in art pedagogy. His career was marked by significant accolades, including the Royal Academy Gold Medal and the Traveling Scholarship in 1925, which served as a testament to his rising prominence on the international stage.

    To reflect upon the breadth of his contribution, one might consider these defining elements of his career:

    The Romantic Connection: A profound stylistic debt to the pastoral traditions of Samuel Palmer and the expressive power of El Greco.

    Educational Impact: His role as a mentor and educator at institutions like St John's Wood Art School, influencing mid-century British art.

    Technical Versatility: An ability to move seamlessly between the precision of pen and ink and the ethereal qualities of watercolor and wash.

    Historical Synthesis: The unique ability to harmonize the scholarly, historical weight of his Cumbrian roots with the experimental spirit of European Modernism.

    Ultimately, Patrick Ferguson Millard remains a pivotal figure whose work serves as a bridge between eras. He captured the fleeting light of the English landscape and the enduring strength of tradition, leaving behind a body of work that continues to invite viewers into a world of quiet, luminous beauty.

    Museo

    Jerwood Gallery

    Näytteillä paikassa Hastings, United Kingdom

    A Coastal Sanctuary of British Modernism

    Nestled where the rugged cliffs of East Sussex meet the rhythmic pulse of the English Channel, Hastings Contemporary stands as a breathtaking testament to the enduring power of British creativity. Once known as the Jerwood Gallery, this institution has evolved from a private philanthropic endeavor into a vital, independent beacon for contemporary art. To step inside is to enter a dialogue between the wild, salt-sprayed landscape of the Hastings coast and the sophisticated nuances of modern aesthetic thought. The museum does not merely display art; it breathes with the sea, offering a sanctuary where the horizon line of the ocean meets the infinite possibilities of the canvas.

    The architectural presence of the gallery is nothing short of sculptural. Designed by the visionary minds at HAT Projects, the building’s striking curvilinear form acts as a modern landmark against the historic backdrop of the Hastings Stade. Its sweeping lines mirror the ebb and flow of the tides, creating a seamless transition between the built environment and the natural world. For the interior designer or the lover of fine architecture, the space offers a masterclass in light and volume. Large, panoramic windows invite the shifting coastal light to dance across the gallery floors, ensuring that the atmosphere within is as dynamic and ever-changing as the weather over the North Sea.

    Masterworks and Symbolic Narratives

    The soul of the museum resides in its curated collection, a profound assembly of Modern and Contemporary British Art that speaks to both the visceral and the cerebral. Visitors are often captivated by the evocative landscapes of Julian Trevelyan, whose works like

    “Boat Race”

    capture a hauntingly beautiful connection to the maritime spirit. The collection serves as a bridge between eras, showcasing the raw energy of L.S. Lowry alongside the intricate, psychological depths found in the surrealist explorations of Mick Rooney. In pieces such as

    “The Truant Man”

    diptych, one finds a meticulous attention to detail that invites deep contemplation, revealing how art can transcend literal representation to touch upon the very essence of human experience.

    Beyond the permanent holdings, the museum is celebrated for its dynamic programming and its ability to foster contemporary discourse. The gallery’s history is marked by transformative moments, such as its 2019 rebranding, which solidified its identity as a fiercely independent institution. Recent exhibitions have pushed boundaries, ranging from intimate portraiture to large-scale installations that challenge our perceptions of space and identity. Whether it is the whimsical presence of Sir Quentin Blake’s drawings or the bold, contemporary strokes of international practitioners, the museum remains a vital stage for artists to present works that are both challenging and deeply rewarding.

    An Immersive Artistic Experience

    For the collector and the art enthusiast, Hastings Contemporary offers more than a mere viewing; it offers an immersion into a lifestyle of aesthetic appreciation. The experience extends beyond the exhibition rooms to the

    coquina

    restaurant, where Mediterranean-inspired flavors meet panoramic sea views, allowing for a moment of quiet reflection after engaging with complex artworks. This holistic approach—blending fine art, architectural brilliance, and sensory delight—makes the museum a destination of unparalleled prestige.

    The institution continues to thrive through its commitment to community engagement, offering everything from clay portraiture workshops to summer family days that celebrate the local fishing heritage. It is this unique intersection of high art and coastal tradition that defines Hastings Contemporary. It remains a place where the legacy of British Modernism is not just preserved in frames, but actively reimagined, inspiring wonder in every visitor who wanders through its light-filled halls.

    Lue lisää

    Löydä tämä verkosta

    QR-koodi, joka linkittää John Minton with a Violin lataussivulle

    artsdot.com/fi/art/download/patrick-millard-john-minton-with-a-violin-ARD88P-en/

    Viittaa tämä teos

    MLA
    Millard, Patrick. John Minton with a Violin. 1939, Jerwood Gallery. https://artsdot.com/fi/art/patrick-millard-john-minton-with-a-violin-ARD88P-en/
    APA
    Millard, Patrick (1939). John Minton with a Violin [Painting]. Jerwood Gallery. https://artsdot.com/fi/art/patrick-millard-john-minton-with-a-violin-ARD88P-en/
    Chicago
    Patrick Millard. John Minton with a Violin. 1939. Jerwood Gallery. https://artsdot.com/fi/art/patrick-millard-john-minton-with-a-violin-ARD88P-en/
    Harvard
    Millard, Patrick (1939) John Minton with a Violin. Jerwood Gallery. Available at: https://artsdot.com/fi/art/patrick-millard-john-minton-with-a-violin-ARD88P-en/

    Katso tarkemmin

    John Minton with a Violin — Patrick Millard

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Katso takaisin aiemmin tässä oppaassa esiteltyyn teokseen Gulls, Lyme Regis (1950). Nimeä kaksi asiaa, jotka se jakaa tämän teoksen kanssa, sekä yksi eroavaisuus.
    4. Patrick Millard oli noin 37-vuotias tämän teoksen syntyhetkellä. Mikä teoksessa näyttää taiteilijan työlle tuossa vaiheessa?
    5. Mitä taiteilija on ehkä halunnut sinun tuntevan?

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Hyödynnä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.

    Kysymykset ja vastaukset

    Voinko nähdä teoksen Patrick Millard:n "John Minton with a Violin" eri valaistuksissa?

    Patrick Millard:n "John Minton with a Violin"-teoksen röntgennäkymä löytyy teoksen Röntgentutkimus-sivulta: interaktiivinen tutkimusmatka kuvaan yhdenentoista optisen kerroksen läpi.

    Kuinka voimakas kontrasti teoksessa Patrick Millard:n "John Minton with a Violin" on?

    Teoksen "John Minton with a Violin" valoisuus- ja varjokontrasti on Gentle. Kontrasti kuvaa, kuinka voimakkaasti vaaleat ja tummat alueet eroavat toisistaan.

    Kuinka voimakkaita värit ovat teoksessa Patrick Millard:n "John Minton with a Violin"?

    Patrick Millard:n "John Minton with a Violin"-teoksessa on Monochromatic väri-intensiteetti.