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History Painting

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John Bartlett, History Painting (1994). Kuvattu vain viitteellistä käyttöä varten; kaikki oikeudet pidätetään tekijänoikeuden haltijalla.

Tiedot

Taiteilija
John Bartlett artsdot.com/fi/artists/john-bartlett_fi/
Maalaus
1994
Alkuperäinen koko
275 x 366 cm

Kontekstissa

History Painting — John Bartlett

Kuinka suuri se on?

Alkuperäinen koko on 275 × 366 cm (korkeus × leveys), esitetty tässä rinnakkain keskipitkään aikuiseen. Teos on liian suuri piirrettäväksi oikeaan mittakaavaan tällä sivulla.

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  1. 1990

▲ tämä teos, 1994

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Värimaailma

Kuvan perusteella määritetty väripaletti

    Pääväri

    Espresso #455258

    Valittu paletti

    • #455258
    • #A2A4A0
    • #797D7A
    • #C8CDD2
    Väripaletti
    Neutrals Kuvan hallitseva väriperhe.
    Päävärin nimi
    Espresso
    Voimakkuus
    Balanced Kuinka kylläisiä ja vaihtelevia värit ovat, yhdestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Balanced Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Discordant Palette Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Brilliant Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Muted Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Taiteilija ja museo

    Taiteilija

    John Bartlett

    A Life Etched in Detail: The World of John Bartlett

    The name John Bartlett appears across a surprising breadth of historical records, yet the artist we focus on here—the one celebrated for his evocative engravings and paintings—presents a fascinating case study in artistic evolution. While multiple individuals share this moniker, our subject is best known through works depicting American & European landscapes, architecture, and scenes steeped in history. Born in 1960, John Bartlett has cultivated a career spanning over three decades, marked by a restless curiosity and a dedication to capturing the essence of place and time. His journey began with self-directed exploration, punctuated by formative periods of tuition—a brief stint at Montsalvat focusing on tonalism, and crucially, guidance from Erica McGilchrist in Caulfield which proved pivotal to his development. This early grounding laid the foundation for a practice that would embrace both meticulous realism and bold abstraction.

    From Figurative Beginnings to Encaustic Explorations

    Bartlett’s artistic path wasn't linear. His initial focus lay in figurative work, but the 1980s witnessed a significant shift towards abstract themes. This period saw experimentation with innovative techniques like Rank Zerox technology—extra-large photocopies of computer circuit boards meticulously fitted onto Masonite supports. This foray into technological imagery foreshadowed his later interest in complex systems and patterns. He then moved through phases exploring geometrical abstraction, re-enacting real-life games inspired by the burgeoning video game culture, followed by vibrant depictions of Hip Hop and the energy of The People’s Ballet of Rap and Break Dancing. These works weren't merely representations; they were attempts to capture a cultural zeitgeist. The series The Still Point, impressions of heaven meeting earth in reflections on water, signaled a return to more contemplative subject matter, paving the way for his explorations of the Australian landscape and the legendary Lasseter expedition. This culminated in a distinctive style utilizing Encaustic—raw pigments suspended in virgin beeswax with dammar—applied to sheet aluminum.

    Themes of History, Memory, and the Spiral

    A recurring motif throughout Bartlett’s oeuvre is an engagement with history, not as a static record but as a living force shaping the present. His monumental work *History Painting* (1993-94), depicting the 1990 Poll Tax Riots in Trafalgar Square, exemplifies this approach. The piece garnered significant media attention for its raw depiction of social unrest and remains a powerful commentary on civic engagement. Beyond specific historical events, Bartlett delves into personal memory—evocations of past dwellings and fleeting moments—imbued with cinematic qualities. His exploration of the spiral is particularly noteworthy; originating from computer-generated images, it evolved into the Korean Spiral and Hexagrams of the I-Ching, ultimately manifesting in his Ceremonial and Portal series. These works suggest a fascination with universal patterns and the interconnectedness of all things.

    Recognition and Legacy

    John Bartlett’s work has been showcased in numerous solo exhibitions—sixteen to date—alongside participation in thirty-seven group shows. His paintings have found their way into prestigious collections, including those of the Museum of London, the Guildhall Art Gallery, and the V&A Museum of Childhood. The inclusion of his drawings in the Royal Academy of Arts’ survey Driven to Draw further cemented his reputation. A mid-career retrospective at the Guildhall Art Gallery in 2012-13, featuring over fifty paintings and drawings under the title London Sublime, stands as a testament to the breadth and depth of his artistic vision. More recently, his work has been featured alongside New Contemporaries and Modern British art at the Osborne Samuel Gallery. Private collectors such as Andrew Wilton (former keeper of the British Collection at the Tate Gallery) and Nicholas Penny (former Director of the National Gallery, London) recognize the enduring quality and intellectual rigor of Bartlett’s creations.

    A Continuing Dialogue

    John Bartlett continues to live and work in Folkestone, Kent, his practice evolving yet remaining rooted in a profound engagement with history, memory, and the search for underlying patterns in the world around us. His art is not simply about what is depicted but how it is depicted—a meticulous layering of technique, symbolism, and personal experience that invites viewers to contemplate their own relationship to place, time, and the enduring power of visual storytelling. He stands as a compelling example of an artist who has consistently challenged conventional boundaries and forged a unique path through the landscape of contemporary art.

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    QR-koodi, joka linkittää History Painting lataussivulle

    artsdot.com/fi/art/download/john-bartlett-history-painting-ARAMEW-en/

    Teoksen lähdeviite

    MLA
    Bartlett, John. History Painting. 1994, https://artsdot.com/fi/art/john-bartlett-history-painting-ARAMEW-en/
    APA
    Bartlett, John (1994). History Painting [Painting]. https://artsdot.com/fi/art/john-bartlett-history-painting-ARAMEW-en/
    Chicago
    John Bartlett. History Painting. 1994. https://artsdot.com/fi/art/john-bartlett-history-painting-ARAMEW-en/
    Harvard
    Bartlett, John (1994) History Painting. Available at: https://artsdot.com/fi/art/john-bartlett-history-painting-ARAMEW-en/

    Katso tarkemmin

    History Painting — John Bartlett

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Katso takaisin teokseen Cars and Chaos (panel 1 of 4) (1996), joka esiteltiin aiemmin tässä oppaassa. Nimeä kaksi asiaa, jotka se jakaa tämän teoksen kanssa, sekä yksi eroavaisuus.
    4. Mitä taiteilija on ehkä halunnut sinun tuntevan?
    5. Jos voisit kysyä taiteilijalta yhden kysymyksen tästä teoksesta, mikä se olisi?

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Käytä tiedonlähteinä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.