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Opiskelijoiden teosopas

Bem

Nimi Luokka Päivämäärä

Eric James Malthouse, Bem, Royal West of England Academy. Käytetty vain viitteelliseen tarkoitukseen; kaikki oikeudet pidätetään oikeudenhaltijalla. Näe tämä kangas liikkuvan valon alla: piirros, lakan alta paljastuva todellinen väri ja puhdas pigmentti

Faktat

Taiteilija
Eric James Malthouse artsdot.com/fi/artists/eric-james-malthouse/
Taiteilijan elinvuodet
1914 – 1997
Alkuperäinen koko
91 x 76 cm
Pidetään paikassa
Royal West of England Academy artsdot.com/fi/museums/royal-west-of-england-academy-bristol_fi/

Kontekstissa

Bem — Eric James Malthouse

Kuinka suuri teos on?

Alkuperäinen koko on 91 × 76 cm (korkeus × leveys), esitetty tässä keskipitkän aikuisen rinnalla.

Milloin tämä on mahdollisesti maalattu?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Ylempi rivi: vuodet. Alempi rivi: taiteilijan ikä kunkin ajanjakson alussa ja lopussa — 0 syntyessä, 83 kuollessa.

Varjostettu: Eric James Malthouse elämäntyö (1914–1997) jokainen päivätty maalaus, vuosikymmen kerrallaan

Tälle tallenteelle ei ole tiedossa tarkkaa vuosilukua — artistin eliniän ja teoksen tyylin perusteella, millä vuosikymmenellä se mielestäsi sijoittuu?

Vertaa teoksia

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: artsdot.com/fi/art/similar/eric-james-malthouse-bem-AQUFKY-en/

Värit

Kuvan perusteella määritetty

    Pääväri

    Espresso #412e2b

    Luetteloidut värit

    • #412E2B
    • #947533
    • #8A2327
    • #68302B

    Nämä värit osana taiteilijan koko palettia Etsi muita maalauksia värin perusteella

    Väripaletti
    Dark Kuvan hallitseva väriperhe.
    Päävärin nimi
    Espresso
    Intensiteetti
    Vivid Värien kylläisyys ja vaihtelu ulottuvat yksittäisestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Gentle Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Softly Mixed Palette Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Shadow Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Clear Color Presence Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Missä päin maailmaa tätä maalausta katsotaan?

    • alle 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja yli
    Tässä teoksessa on liian vähän rekisteröityjä vierailijoita kartoitettavaksi, joten levyssä näkyvät kaikki Eric James Malthouse:n teokset viimeisen kahdentoista kuukauden ajalta — yhteensä 1 maata. Mistä nämä luvut ovat peräisin

    Kymmenen johtavaa maata

    1. 1 Kiina 100,0%400 visits

    Etsi kartalta kolme tumminta maata. Sijaitseeko tätä maalausta säilyttävä museo jossakin näistä maista? Kirjoita yksi syy, miksi kaukana asuvat ihmiset saattaisivat katsoa sitä.

    Eric James Malthouse katsotuimmat 5 teosta

    1. 1 Abstract (Orange, Brown, Red) 25,0%100 visits
    2. 2 Cock among the Pigeons 25,0%100 visits
    3. 3 Abstract Composition with Pink and Blue 25,0%100 visits
    4. 4 Half Shadowed 25,0%100 visits
    5. — Bem tämä teos 0,0%0 visits

    Yhdessä nämä teokset muodostavat 100,0% kaikesta huomiosta, jonka tämän taiteilijan maalaukset ovat saaneet viimeisen kahdentoista kuukauden aikana. Luettelossa on 12 tämän taiteilijan teosta, joista 4 on katsottu vähintään kerran. Tätä teosta ei ole vielä katsottu kyseisellä ajanjaksolla — se sulkee listan ilman sijoitusta. Sama laskutapa kuukausittain

    Palkit mittaavat huomiota, eivät laatua. Valitse ylin teos ja vastaa seuraavaan: nimeä yksi asia, joka voisi tehdä maalauksesta kuuluisan muutenkin kuin sen teknisen taituruuden perusteella.

    Taiteilija ja museo

    Taiteilija

    Eric James Malthouse

    A Visionary of Abstract Colour: The Life and Legacy of Eric James Malthouse

    The history of British abstraction is profoundly enriched by the vibrant, emotive spirit of Eric James Malthouse. Born in 1914, a period of immense global transition, Malthouse emerged as a pivotal figure whose work bridged the gap between traditional craftsmanship and the radical, non-figurative explorations of the post-war era. While his roots can be traced to Birmingham and his early training took him through the prestigious halls of the Birmingham College of Arts & Crafts, it was in the rugged, culturally rich landscape of Wales that his artistic soul truly found its voice. His journey was not merely one of personal development but a movement toward defining a new visual language for a nation seeking identity amidst the shadows of reconstruction.

    Malthouse’s early years were marked by a rigorous dedication to the technical foundations of art. Following his studies, his life was briefly interrupted by service in the Royal Armoured Corps during the Second World War, an experience that undoubtedly contributed to the depth and gravity found within his later compositions. Upon returning to the world of art, he took up significant teaching positions, most notably at the Cardiff School of Art, where he would influence generations of creators. It was during this period of academic and creative ferment that Malthouse became a cornerstone of the Welsh avant-garde. He was instrumental in founding the 56 Group Wales, a collective that sought to reject the constraints of traditional landscape and figurative painting in favor of an abstract approach capable of capturing the complex moods, mythologies, and atmospheres of Welsh life.

    The Alchemy of Form and Colour

    To encounter a Malthouse original is to enter a world where colour functions as the primary protagonist. His palette was famously bold, often anchored by deep reds, luminous yellows, and profound blues that seemed to vibrate against one another on the canvas. He did not merely apply paint; he orchestrated light. Whether working in oils or through the intricate medium of printmaking, Malthouse possessed a rare ability to manipulate spatial composition to evoke a sense of movement and emotional resonance. His mastery of etching and aquatint allowed him to achieve remarkable tonal gradations, creating textures that felt both organic and meticulously structured.

    His technical prowess extended far beyond the brush. As a printmaker, he explored the delicate balance between shadow and light, producing works that possessed a luminous, almost ethereal quality. This mastery of medium allowed him to translate abstract concepts into tangible experiences. In pieces such as “Half Shadowed”, one can observe how he uses contrast to suggest depth and mystery, inviting the viewer to look past the surface and engage with the underlying emotional landscape. His work often drew inspiration from the intangible—the whispers of Welsh folklore, the weight of mythology, and the shifting light of the natural world—reimagining these themes through a lens of pure abstraction.

    A Lasting Impression on British Art

    The significance of Eric James Malthouse lies in his refusal to remain static. Throughout his career, he navigated the tensions between different artistic movements, even resigning from the 56 Group Wales in protest against certain stylistic shifts, demonstrating a fierce commitment to his personal vision. His contributions were not limited to painting and printmaking; his involvement in the founding of the Watercolour Society of Wales further cemented his role as a builder of artistic institutions. His legacy is preserved today in some of the most prestigious collections in the world, ensuring that his vibrant explorations of colour continue to inspire.

    Reflecting on his immense contribution, one can see several pillars of his enduring impact:

    Foundational Leadership: As a co-founder of the 56 Group Wales, he helped establish a platform for modernism in Wales, allowing abstract expression to flourish outside the London-centric art scene.

    Technical Innovation: His sophisticated use of printmaking techniques like aquatint brought a new level of textural complexity and tonal brilliance to British graphic arts.

    Cultural Synthesis: He successfully merged the visceral energy of post-war abstraction with the deep-seated cultural motifs of Welsh identity, creating a unique regional modernism.

    Institutional Legacy: Through his long tenure as a lecturer and his role in various art societies, he helped shape the pedagogical landscape of Welsh art education.

    Ultimately, Malthouse remains a master of the unseen. His work serves as a bridge between the physical world and the emotional realm, reminding us that colour and form, when wielded with such profound intention, can speak more eloquently than any literal representation.

    Museo

    Royal West of England Academy

    Näytteillä paikassa Bristol, United Kingdom

    A Sanctuary of British Artistry in Bristol

    Nestled within the elegant enclave of Bristol’s Clifton district, the

    Royal West of England Academy

    stands as a profound testament to over 175 years of artistic devotion. To step through its doors is to enter a sanctuary where the weight of British tradition meets the vibrant pulse of contemporary innovation. The Academy emerged from the vision of

    Ellen Sharples

    , evolving from the Bristol Society of Artists into one of the United Kingdom’s most enduring regional bastions of fine art. This institution has long been a movement in itself, bolstered by early support from luminaries such as

    Isambard Kingdom Brunel

    and

    Prince Albert

    , transforming a local collective focused on picturesque landscapes into a prestigious home for diverse creative expressions.

    The architectural grandeur of the Academy serves as a magnificent prelude to the treasures held within. Housed in a spectacular Grade II* listed building, the facade commands attention with its imposing presence and classical grace. As one approaches, the eye is drawn to Corinthian pilates and shell-heavened niches, where statues of legendary sculptors like

    John Flaxman

    and

    Sir Joshua Reynolds

    keep watch over the entrance. The subtle carvings of the

    Three Graces

    lend an ethereal quality to the stone, hinting at the beauty awaiting inside. Upon crossing the threshold, visitors are greeted by a world of refined elegance; colored marble floors gleam under soft light, and a meticulously crafted replica of the

    Parthenon Frieze

    adorns the walls, grounding the space in the timeless ideals of classical antiquity.

    A Tapestry of Movement and Mastery

    The collection itself is a breathtaking tapestry of British art history, offering a journey through shifting aesthetics and profound cultural movements. For the collector or the designer seeking narrative depth, the Academy provides an unparalleled look at the evolution of British identity through paint and form. The works celebrate a wide spectrum of styles, including:

    The atmospheric depictions of the

    Newlyn School

    , which captured the rugged, salt-sprayed essence of Cornish fishing life.

    The abstract, light-drenched energy of the

    St Ives School

    .

    The delicate floral contemplations of

    Elizabeth Blackadder

    .

    The spirited, personality-filled still lifes of

    Mary Fedden

    .

    The psychological complexity found in the works of

    Carel Weight

    .

    The evocative, storied terrains rendered by

    Bernard Dunstan

    .

    Beyond its permanent holdings, the Academy thrives as a dynamic center for creative dialogue and education. Its renowned Open Exhibitions serve as a vital stage where seasoned professionals and emerging talents converge, fostering a unique connection between artists and the public. This spirit of engagement extends to the

    RWA Drawing School

    , which continues the Academy's long-standing commitment to the mastery of craft and skill development. Whether one is drawn to the historical resonance of its halls or the technical brilliance of its canvases, the Royal West of England Academy remains an essential destination—a place where every brushstroke tells a story and every visitor finds inspiration.

    Lue lisää

    Löydä tämä verkosta

    QR-koodi, joka linkittää Bem lataussivulle

    artsdot.com/fi/art/download/eric-james-malthouse-bem-AQUFKY-en/

    Viittaa tämä teos

    MLA
    Malthouse, Eric James. Bem. n.d., Royal West of England Academy. https://artsdot.com/fi/art/eric-james-malthouse-bem-AQUFKY-en/
    APA
    Malthouse, Eric James (n.d.). Bem [Painting]. Royal West of England Academy. https://artsdot.com/fi/art/eric-james-malthouse-bem-AQUFKY-en/
    Chicago
    Eric James Malthouse. Bem. n.d. Royal West of England Academy. https://artsdot.com/fi/art/eric-james-malthouse-bem-AQUFKY-en/
    Harvard
    Malthouse, Eric James (n.d.) Bem. Royal West of England Academy. Available at: https://artsdot.com/fi/art/eric-james-malthouse-bem-AQUFKY-en/

    Katso tarkemmin

    Bem — Eric James Malthouse

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Katso takaisin aiemmin tässä oppaassa esiteltyyn teokseen Cock among the Pigeons. Nimeä kaksi asiaa, jotka se jakaa tämän teoksen kanssa, sekä yksi eroavaisuus.
    4. Mitä taiteilija on ehkä halunnut sinun tuntevan?
    5. Jos voisit kysyä taiteilijalta yhden kysymyksen tästä teoksesta, mikä se olisi?

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Hyödynnä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.

    Kysymykset ja vastaukset

    Onko olemassa teoksia, jotka muistuttavat teosta "Bem"?

    Teoksen Eric James Malthouse:n "Bem" Samankaltaisia teoksia -sivu esittelee samankaltaisia teoksia.

    Mistä voin ostaa käsin maalatun jäljennöksen teoksesta Eric James Malthouse:n "Bem"?

    "Bem" on saatavilla muodossa käsinmaalattu öljyvärireproduktio pellavakankaalle. Voit tehdä tilauksen Käsinmaalattu jäljennös -sivulla, jossa voit valita haluamasi koon.

    Mikä on Eric James Malthouse:n "Bem"-teoksen muoto ja mitkä ovat sen mitat?

    Teoksen "Bem" formaatti on Portrait ja alkuperäinen koko on 91 x 76 cm. Molemmat tiedot ovat hyödyllisiä jäljennöstä suunnitellessa.