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Grey Day

Nimi Luokka Päivämäärä

Adolf Dehn, Grey Day (1963). Kuvattu vain viitteellistä käyttöä varten; kaikki oikeudet pidätetään tekijänoikeuden haltijalla.

Tiedot

Taiteilija
Adolf Dehn artsdot.com/fi/artists/adolf-dehn/
Taiteilijan elinvuodet
1895 – 1968
Maalaus
1963
Alkuperäinen koko
39 x 59 cm
Taidesuuntaus
Regionalism American painters turning away from Europe to paint their own small towns and farmland.

Kontekstissa

Grey Day — Adolf Dehn

Mitat

Alkuperäinen koko on 39 × 59 cm (korkeus × leveys), esitetty tässä rinnakkain keskipitkän aikuisen kanssa.

Teos on maalattu milloin?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Varjostettu: Adolf Dehn elämäntyö (1895–1968) ▲ tämä teos, 1963

Vertaa seuraaviin

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: artsdot.com/fi/art/similar/adolf-dehn-grey-day-AQRRFF-en/

Värimaailma

Kuvan perusteella määritetty väripaletti

    Pääväri

    Rosy Brown #bfa488

    Valittu paletti

    • #BFA488
    • #E7D4BB
    • #9A775B
    • #6F4C37
    Väripaletti
    Neutrals Kuvan hallitseva väriperhe.
    Päävärin nimi
    Rosy Brown
    Voimakkuus
    Balanced Kuinka kylläisiä ja vaihtelevia värit ovat, yhdestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Bold Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Unified Palette Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Brilliant Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Balanced Soft Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Tietoja teoksesta

    Grey Day — Adolf Dehn

    The Smithsonian American Art Museum is home to a stunning collection of artworks, including the captivating piece Grey Day by Adolf Dehn. Created in 1963, this color lithograph on paper measures 15 3/8 x 23 1/4 in. and is a testament to Dehn's exceptional skill as an artist.

    The Artist's Background

    Adolf Dehn was an American artist known for his work in lithography, illustration, drawing, watercolors, and casein painting. Born on November 22, 1895, in Waterville, Minnesota, Dehn began creating artwork at the age of six and went on to produce nearly 650 images throughout his career. He was a two-time recipient of the Guggenheim Fellowship and was known for his technical skills and high-spirited depictions of human foibles.

    The Painting

    Grey Day is a beautiful example of Dehn's work, showcasing his ability to capture the essence of everyday life. The piece features a cityscape with snow on the ground, trees that have lost their leaves, and people scattered throughout the scene. Two dogs are also present in the painting, adding a touch of warmth and humanity to the otherwise cold and snowy landscape.

    Medium: Color lithograph on paper

    Size: 15 3/8 x 23 1/4 in.

    Location: Smithsonian American Art Museum

    AllPaintingsStore.com offers a wide range of handmade oil painting reproductions, including works by Adolf Dehn and other renowned artists. For more information on Grey Day and other artworks, visit /art/list/?Filter=AQRRFF-Adolf-Dehn-Grey-Day.

    To learn more about Adolf Dehn and his work, check out his biography on Wikipedia.

    Taiteilija ja museo

    Taiteilija

    Adolf Dehn

    Syntynyt Waterville, United States of America

    Early Life and Education

    Born: November 22, 1895, in Waterville, Minnesota

    Parents: Arthur Clark Dehn (father) and Emilie Haas Dehn (mother), both socialists.

    Early artistic talent evident from the age of six.

    Graduated as valedictorian from Waterville High School in 1914.

    Attended the Minneapolis School of Art (later Minneapolis College of Art and Design) from 1914 to 1917. Studied under Robert Kohler.

    Formed a close friendship with Wanda Gág, also an artist.

    Received a scholarship to the Art Students League of New York in 1917.

    World War I and Early Career

    Drafted into World War I in 1918 but declared himself a conscientious objector.

    Imprisoned for four months in Spartanburg, South Carolina, due to his objection.

    Later worked as a painting teacher at an army rehabilitation hospital in Asheville, North Carolina.

    Returned to the Art Students League for further study.

    Created his first lithograph, The Harvest, around 1920.

    Exhibited his lithographs at the Weyhe Gallery in New York City in 1921.

    European Period and Development as an Artist

    Traveled to Europe in 1921, residing primarily in Paris and Vienna.

    Associated with a group of intellectuals and artists including Andrée Ruellan, Gertrude Stein, and E.E. Cummings.

    Supported himself through illustration work for magazines like Vanity Fair.

    Developed his distinctive style characterized by unusual tonal and textural effects in printmaking.

    His work began to reflect the social scene of Europe, particularly Vienna and Berlin.

    Return to America and Mature Artistic Style

    Returned to New York City in 1929.

    Artwork featured in magazines such as The New Yorker and Vogue.

    Began focusing on watercolor painting in the mid-1930s, achieving significant recognition.

    Received a Guggenheim Fellowship in 1939, enabling travel to the Western United States and Mexico.

    His watercolors depicted scenes of farms and farmlands in rural America, inspired by trips back to Minnesota.

    Became known for his vibrant landscapes and depictions of everyday life.

    Second Guggenheim Fellowship awarded in 1951.

    Legacy and Historical Significance

    Elected as a full academician to the National Academy of Design and a member of the National Institute of Arts and Letters.

    His works are held in over 100 museums worldwide, including the Smithsonian American Art Museum, Metropolitan Museum of Art, and Museum of Modern Art.

    Recognized for his contributions to lithography, watercolor painting, and caricature.

    Influenced other artists, notably Jackson Pollock, with his innovative techniques.

    Died on May 19, 1968, leaving behind a prolific body of work that reflects his diverse experiences and artistic evolution.

    His art is considered representative of Regionalism, Social Realism, and caricature movements in American art.

    Mistä lukea lisää

    Löydä tämä verkosta

    QR-koodi, joka linkittää Grey Day lataussivulle

    artsdot.com/fi/art/download/adolf-dehn-grey-day-AQRRFF-en/

    Teoksen lähdeviite

    MLA
    Dehn, Adolf. Grey Day. 1963, https://artsdot.com/fi/art/adolf-dehn-grey-day-AQRRFF-en/
    APA
    Dehn, Adolf (1963). Grey Day [Painting]. https://artsdot.com/fi/art/adolf-dehn-grey-day-AQRRFF-en/
    Chicago
    Adolf Dehn. Grey Day. 1963. https://artsdot.com/fi/art/adolf-dehn-grey-day-AQRRFF-en/
    Harvard
    Dehn, Adolf (1963) Grey Day. Available at: https://artsdot.com/fi/art/adolf-dehn-grey-day-AQRRFF-en/

    Katso tarkemmin

    Grey Day — Adolf Dehn

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Kuinka monta kasvoa löydät? ____ (luettelossamme on 2 — oletko samaa mieltä?)
    4. Luettelomme on luokitellut tämän teoksen seuraaviin aiheisiin: winter scene, cityscape, snowfall. Oletko samaa mieltä? Mitä lisäisit tai poistaisit?
    5. Katso takaisin aiemmin tässä oppaassa esiteltyyn teokseen Minnesota Shower (1946). Nimeä kaksi asiaa, jotka se jakaa tämän teoksen kanssa, sekä yksi eroavaisuus.

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Hyödynnä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.