Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 18 teost Robert Tournières meie kataloogis
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Kui teate ühe Robert Tournières maali, siis see on tõenäoliselt Pomona (1739), mis ripub Nationalmuseum-is, Stockholm. Portrait of an Old Man (Guillaume de Lisle?) (1700) ja Michel Corneille l'Aîné (1642-1708) (1702) täiendavad kolme kohe ära tundetava teose sarja. Meie kataloogis on 18 teost kunstnikult Robert Tournières. Allpool on 16 kõige tuntumat teost koos aasta, asukoha ja eripärase kirjeldusega.
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
Neli kõige sagedamini esinemist vajavat teemat koos nende kõige tuntumate näidetega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Robert Tournières teosid | Selle nimekirja maalid |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 1 | Pomona |
 Opera House |
Versailles | 1 | Michel Corneille l'Aîné (1642-1708) |
 Birmingham Museum and Art Gallery |
Birmingham | 1 | Portrait of Richard (Dicky) Bateman |
 Musée des Beaux-Arts de Dijon |
Dijon | 1 | Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) |
 Szépművészeti Múzeum |
Budapest | 1 | Count Ferdinand Adolf von Plettenberg and his Family |
 Louvre'i muuseum |
Pariis | 1 | Concert |
 Hermitage muuseum |
Stiiitlinburg | 1 | Portrait of Unknown Woman as Hebe |
 Musée d'Arts de Nantes |
Nantes | 1 | Portrait of the Maupertuis family |
Vali vuosakülg, et näha selle erimärgilisi teost.
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
Nimekirja tipis on Pomona (1739), Nationalmuseum, Stockholm. Kohe selle järel: Portrait of an Old Man (Guillaume de Lisle?) (1700) ja Michel Corneille l'Aîné (1642-1708) (1702).
72 aastat vanus. Robert Tournières sündis aastal 1667 ning teos Pomona pärineb aastast 1739.
Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family, Concert ja Pierre Louis Moreau de Maupertuis. Üri loetlist esmalt leida iga teose kuupäev ja muuseum.
Meie kataloogist leiate 18 teost kunstnikult Robert Tournières, mis on pärinev ajavahemikus 1690 kuni 1750.
Enamik neist on leetav Nationalmuseum (Stockholm), Opera House (Versailles) ja Birmingham Museum and Art Gallery (Birmingham). Ülemal oleval muuseumite ninal on täielik ülevaade.
1700s ahel on rohkem kui kunagi varem: 2 16 teoseid sellel lehel pärineb sellest ajast, მათtagu Portrait of an Old Man (Guillaume de Lisle?).
Kõige vanem teos siin on Concert (1690); kõige värskeim on Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750).
Portraits (3) ja Portraiture (2) 16 teoseทั้งหมด sellel lehel.
Oil On Canvas, mida on kasutatud 3 teoseks 16 teose kohta sellel lehel.
Rococo, nagu näet selle lehekülje teosest.
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.
Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.
Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.
Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.
In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.
Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.
