Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 469 teost Giovanni Boldini meie kataloogis
Lühidalt
Kui teate ühe Giovanni Boldini maali, siis see on tõenäoliselt Cleo de Merode (1901). Consuelo, Duchess of Marlborough, with Her Son Ivor Spencer-Churchill (1906) ja The Woman in Red täiendavad kolme kohe ära tundetava teose sarja. Meie kataloogis on 469 teost kunstnikult Giovanni Boldini. Allpool on 100 kõige tuntumat teost koos aasta, asukoha ja eripärase kirjeldusega.
Step closer and observe the quiet confidence in her gaze. This 1901 portrait captures Cléopâtre-Diane de Mérode, a woman who embodied the very essence of Parisian high society during the Belle Époque. She rests in a relaxed pose, her hands tucked behind her head, looking away from us with an air of effortless poise. There is a certain intimacy in how she occupies the space, seated amidst the soft shadows…
In the shimmering twilight of the Belle Époque, few images capture the intersection of aristocratic grace and maternal tenderness as profoundly as Giovanni Boldini’s 1906 masterpiece, Consuelo, Duchess of Marlborough, with Her Son Ivor Spencer-Churchill. This oil on canvas is far more than a mere genealogical record; it is a window into a vanished world of opulence and refined elegance. As the eye meets the canvas, one is immediately struck…
The composition centers on a woman seated at a piano, her form draped in a red dress. She is positioned in a way that suggests she is actively engaged in playing the instrument, with her hands placed upon the keys. The piano keyboard is a prominent visual element, cutting across the scene to emphasize the musical performance. In the background, two other figures are present: one stands behind the woman…
To stand before Giovanni Boldini's The Red Café is not merely to observe a painting; it is to step directly into the effervescent heart of late nineteenth-century Parisian society. This oil on canvas, executed in 1887, captures more than just a gathering of people within richly colored walls—it arrests a moment of pure, unadulterated conviviality. The air itself seems thick with whispered conversations, the clinking of unseen glasses, and the…
The oil painting titled Edith Stuyvesant Dresser Vanderbilt was created by the Italian painter Giovanni Boldini in 1900. The portrait depicts Edith Stuyvesant Dresser Vanderbilt, an American socialite who belonged to the prominent Vanderbilt family. She was the wife of George Washington Vanderbilt II, following their marriage in Paris in 1898.
Giovanni Boldini’s “The Woman in Red” is more than just a portrait; it's a meticulously crafted window into the heart of the late 19th century, a period defined by opulent elegance and burgeoning artistic innovation. Painted during his most celebrated years, this work exemplifies Boldini’s mastery of capturing not merely appearances but the very essence of his subjects – in this case, a woman lost in contemplation as she plays…
To gaze upon Giovanni Boldini's Girl Reading in a Salon is to be instantly transported into the gilded, languid afternoons of the late nineteenth century. This painting is far more than a mere portrait; it is an exquisitely preserved moment of quiet contemplation amidst undeniable luxury. The scene centers on a young woman, utterly absorbed by the pages before her, seated within an armchair that speaks volumes of its owner's…
A Glimpse of Parisian Elegance: Giovanni Boldini’s “Madame Charles Max” Giovanni Boldini's "Madame Charles Max," painted in 1896, isn’t merely a portrait; it’s a meticulously crafted distillation of Belle Époque glamour and the captivating allure of Parisian society. Held within the esteemed Musée d’Orsay, this full-length masterpiece offers a rare glimpse into the world of high society, capturing not just a likeness but an essence – the poised confidence and…
To stand before Giovanni Boldini's "La Toilette," or as it is sometimes known, "Young Woman in Déshabillé with a Mirror," is to step across the threshold into a private moment of exquisite contemplation. This 1880 masterpiece does more than merely depict a scene; it captures the very breath held between thought and action. The subject—a young woman enveloped in the soft folds of white fabric, engaged in the ritual of…
To stand before a portrait by Giovanni Boldini is to step directly into the glittering salons of the Belle Époque. This work, depicting John Singer Sargent, is far more than a mere likeness; it is an exquisitely rendered study in confidence and cultivated elegance. Boldini possessed a near-magical ability to capture not just the physical appearance of his sitters—the impeccable cut of the suit, the precise sweep of the mustache—but…
Portrait of the Countess de Martel de Janville1894 · Carnavalet Museum
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The Return of the Fishing Boats1879 · Sterling and Francine Clark Art Institute
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Portrait of Ferdynand Bryndza (1837–1891)1878 · Krakovi Riiklik Muuseum
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Portrait of Mrs. Whitney Warren1908 · Fine Arts Museums of San Francisco
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Portrait of Mrs. Graham Fair Vanderbilt (née Virginia Graham Fair)1905 · Fine Arts Museums of San Francisco
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Portrait of Ruggiero Leoncavallo, 1858-19191906 · Minneapolis Institute of Art
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Famous Connoisseur (Fameux Connaisseur)1883 · Metropolitan Museum of Art
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Lady in the mirror (From the milliner)Biennale Internazionale dell'Antiquariato di Firenze
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Portrait of Mrs. Peter Cooper Hewitt1912 · Rhode Island School of Design Museum of Art
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Two Women in Eighteenth-Century Costume at the Piano (also known as The Old Song)1871
Handmaalisena ostmine from $175 →
Neli kõige sagedamini esinemist vajavat teemat koos nende kõige tuntumate näidetega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Giovanni Boldini teosid | Selle nimekirja maalid |
|---|---|---|---|
 Musée d'Orsay |
Pariis | 6 | Madame Charles Max, Count Robert de Montesquiou, Henri Rochefort |
 Sterling and Francine Clark Art Institute |
Williamsburg | 6 | Recital, The Return of the Fishing Boats, Madame Leclanche |
 Metropolitan Museum of Art |
New York | 5 | Consuelo, Duchess of Marlborough, with Her Son Ivor Spencer-Churchill, Famous Connoisseur (Fameux Connaisseur) |
 Fine Arts Museums of San Francisco |
San Francisco | 4 | Portrait of Mrs. Whitney Warren, Portrait of Mrs. Graham Fair Vanderbilt (née Virginia Graham Fair) |
 Carnavalet Museum |
Pariis | 2 | Portrait of the Countess de Martel de Janville |
 Museo di Capodimonte |
Neapel | 2 | Portrait of Princess Marisconovo |
 Art Institute of Chicago |
Chicago | 2 | Woman with a Parasol |
 Biennale Internazionale dell'Antiquariato di Firenze |
Firenze | 2 | Lady in the mirror (From the milliner) |
Vali vuosakülg, et näha selle erimärgilisi teost.
To gaze upon Giovanni Boldini's portrait, Lilia Monti née Countess Magnoni, is to step directly into the shimmering, sophisticated heart of the late nineteenth century. Painted in 1864, this work transcends a mere likeness; it is a vibrant encapsulation of aristocratic grace and burgeoning modern confidence. The subject herself commands attention with an almost palpable magnetism. Her direct gaze meets the viewer's eye with an unwavering self-possession, suggesting a spirit…
To gaze upon Giovanni Boldini's Girl Reading in a Salon is to be instantly transported into the gilded, languid afternoons of the late nineteenth century. This painting is far more than a mere portrait; it is an exquisitely preserved moment of quiet contemplation amidst undeniable luxury. The scene centers on a young woman, utterly absorbed by the pages before her, seated within an armchair that speaks volumes of its owner's…
To stand before Giovanni Boldini's The Red Café is not merely to observe a painting; it is to step directly into the effervescent heart of late nineteenth-century Parisian society. This oil on canvas, executed in 1887, captures more than just a gathering of people within richly colored walls—it arrests a moment of pure, unadulterated conviviality. The air itself seems thick with whispered conversations, the clinking of unseen glasses, and the…
A Glimpse of Parisian Elegance: Giovanni Boldini’s “Madame Charles Max” Giovanni Boldini's "Madame Charles Max," painted in 1896, isn’t merely a portrait; it’s a meticulously crafted distillation of Belle Époque glamour and the captivating allure of Parisian society. Held within the esteemed Musée d’Orsay, this full-length masterpiece offers a rare glimpse into the world of high society, capturing not just a likeness but an essence – the poised confidence and…
Step closer and observe the quiet confidence in her gaze. This 1901 portrait captures Cléopâtre-Diane de Mérode, a woman who embodied the very essence of Parisian high society during the Belle Époque. She rests in a relaxed pose, her hands tucked behind her head, looking away from us with an air of effortless poise. There is a certain intimacy in how she occupies the space, seated amidst the soft shadows…
To stand before Portrait of a Lady is to step directly into the glittering, sophisticated heart of the Belle Époque. This oil on canvas, executed in 1912 by the master Italian portraitist Giovanni Boldini, is far more than a mere likeness; it is an exquisite capture of ephemeral grace and undeniable allure. The subject herself commands attention with a direct, knowing smile that seems to bridge the chasm between the…
To gaze upon Giovanni Boldini’s Reclining Nude is to step directly into the gilded, languid atmosphere of the Belle Époque. This oil on canvas, measuring a graceful 55 x 74 cm, is far more than a mere depiction of repose; it is an exquisite study in captured intimacy. Boldini, the master chronicler of Parisian elegance, uses this piece to distill moments of profound tranquility. The subject, draped upon sheets of…
Nimekirja tipis on Cleo de Merode (1901). Otse selle järel: Consuelo, Duchess of Marlborough, with Her Son Ivor Spencer-Churchill (1906) ja The Woman in Red.
59 aastat vanus. Giovanni Boldini sündis aastal 1842 ning teos Cleo de Merode pärineb aastast 1901.
Cleo de Merode, Consuelo, Duchess of Marlborough, with Her Son Ivor Spencer-Churchill, The Woman in Red, The Red Café, Edith Stuyvesant Dresser Vanderbilt, The Woman in Red, Girl Reading in a Salon, Madame Charles Max, La Toilette (also known as Young Woman in Déshabillé with a Mirror) ja Portrait of John Singer Sargent. Üri loetlist esmalt leida iga teose kuupäev ja muuseum.
Meie kataloogist leiate 469 teost kunstnikult Giovanni Boldini, mis on pärinev ajavahemikus 1856 kuni 1930.
Enamik neist on leetav Musée d'Orsay (Pariis), Sterling and Francine Clark Art Institute (Williamsburg) ja Metropolitan Museum of Art (New York). Ülemal oleval muuseumite ninal on täielik ülevaade.
1870s ahel on rohkem kui kunagi varem: 15 100 teoseid sellel lehel pärineb sellest ajast, მათtagu Girl Reading in a Salon.
Kõige vanem teos siin on Self-Portrait (1856); kõige värskeim on Reclining Nude (1930).
Portrait (26), Woman (17) ja Elegance (16) 100 teoseทั้งหมด sellel lehel.
Oil On Canvas, mida on kasutatud 42 teoseks 100 teose kohta sellel lehel.
Impressionism, nagu näet selle lehekülje teosest.
Sellel lehel on Musée d'Orsay, Pariis kogumikus 3 teost, sealhul ka Madame Charles Max, Count Robert de Montesquiou ja Henri Rochefort.
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
