Robert Smithson portree

Sinu juhend 4 kuulsama Robert Smithson maali kohta

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 6 teost Robert Smithson meie kataloogis

Lühidalt

Robert Smithson kõige tuntum teos on Non Site - Site Uncertain. See asub Detroit linnas Detroit Institute of Arts muuseumis. Listis järgmised on Three-Sided Vortex (1966) ja Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967). Meie kataloogist leiate 6 teost kunstnikult Robert Smithson; see juhend koondab 4 kõige tuntumat teost koos aastakuga, muuseumiga ja iga teose ajaloolise luguga.

1938 – 1973, Passaic Enamama teoseid: Detroit Institute of Arts
Non Site - Site Uncertain autor Robert Smithson1. Non Site - Site Uncertain Three-Sided Vortex (1966) autor Robert Smithson2. Three-Sided Vortex 1966 Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) autor Robert Smithson3. Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) 1967

10 kõige olulisemat Robert Smithson maali, mida peaks teadma

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Non Site - Site Uncertain autor Robert Smithson

Non Site - Site Uncertain

Sculpture · Detroit Institute of Arts, Detroit

Non Site - Site Uncertain is a sculpture created by the American artist Robert Smithson. The work was produced in 1968. Smithson was born in 1938 and remained active in the art world until his death in 1973 in Tucson, Arizona.

Tutvu sellega

Kust näha Robert Smithson maalid

Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Robert Smithson teosid Selle nimekirja maalid
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

Aasta-aastalt: kõige tuntumad Robert Smithson teosed

Robert Smithson ajutised teosed siin ulatuvad perioodist 1966 kuni 1970, kokku vaid 5 aastat. Siin on need aasta-aastalt.

Teosed aasta kaupa

Vali aasta, et näha selle aasta teoseid.

Robert Smithson: kiired vastused maalide kohta

Mis on Robert Smithson kõige tuntum maaliam?Vaata vastust

Nimekirja tipis on Non Site - Site Uncertain, Detroit Institute of Arts, Detroit. Kohe selle järel: Three-Sided Vortex (1966) ja Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Kui palju teie kataloogis on teoseid kunstnikult Robert Smithson?Vaata vastust

Meie kataloogist leiate 6 teost kunstnikult Robert Smithson, mis on pärinev ajavahemikus 1966 kuni 1970.

Mitteks muuseumides võib näha Robert Smithson kuulsamaid teoseid?Vaata vastust

Enamik neist on leetav Detroit Institute of Arts (Detroit) ja Chrysler Museum of Art (Norfolk). Ülemal oleval muuseumite ninal on täielik ülevaade.

Mis on Robert Smithson esimesed ja viimased kuulsad teosed?Vaata vastust

Kõige vanem teos siin on Three-Sided Vortex (1966); kõige värskeim on Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithson lugu

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.
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