Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 1 teost Robert Polack meie kataloogis
Lühidalt
Robert Polack kõige tuntum teos on Robert Polack for Batschari Cigarettes (1925). See asub Greenwich linnas The Fan Museum muuseumis. Meie kataloogist leiate 1 teost kunstnikult Robert Polack; see juhend koondab 1 kõige tuntumat teost koos aastakuga, muuseumiga ja iga teose ajaloolise luguga.
Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises…
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Robert Polack teosid | Selle nimekirja maalid |
|---|---|---|---|
 The Fan Museum |
Greenwich | 1 | Robert Polack for Batschari Cigarettes |
Sellel lehel olevad Robert Polack teosed on kõik aastast 1925. Siin on need kubus kulu ja populaarsuse järjekorras.
Vali aasta, et näha selle aasta teoseid.
Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises…
Nimekirja tipis on Robert Polack for Batschari Cigarettes (1925).
45 aastat vanus. Robert Polack sündis aastal 1880 ning teos Robert Polack for Batschari Cigarettes pärineb aastast 1925.
Meie kataloogist leiate 1 teost kunstnikult Robert Polack.
Enamik neist on leetav The Fan Museum (Greenwich). Ülemal oleval muuseumite ninal on täielik ülevaade.
Born in Paris, France, in 1880, Robert Polack lived through a period where the edges of illustration began to soften into something more decorative. His hands worked with the delicate textures of paper and stencil, leaving behind traces of a specific French aesthetic. The work often appeared on small, intimate objects or within the quiet pages of books, far from the scale of large canvases.
In 1925, his touch was seen on a fan held in the collection of The Fan Museum in Greenwich. This piece featured a double paper leaf, shaped like a balloon, with wooden sticks stained to hold their form. Using a pochoir technique, he rendered an elegant couple beneath a starlit sky. The smoke from a cigarette rises to form words, a small, clever detail tucked into the design.
Polack’s method relied on the precision of the stencil and the softness of watercolor. He moved between different mediums to suit the surface at hand, whether it was the thin tissue of a book or the paper of a handheld fan. His illustrations often captured figures in specific, poised moments.
Some of his known works include:
The traces of his career are found in the small details of the Art Deco era. He focused on the way light and shadow could be captured through stenciling, creating images that felt part of a larger, fashionable atmosphere. His death in 1958 marked the end of a life spent working within these fine, controlled boundaries of print and illustration.
