Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 1 teost Peter Copmann meie kataloogis
Lühidalt
Peter Copmann kõige tuntum teos on Portræt af en ung pige (1824). See asub Kooberemaa linnas Statens Museum For Kunst muuseumis. Meie kataloogist leiate 1 teost kunstnikult Peter Copmann; see juhend koondab 1 kõige tuntumat teost koos aastakuga, muuseumiga ja iga teose ajaloolise luguga.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Peter Copmann teosid | Selle nimekirja maalid |
|---|---|---|---|
 Statens Museum For Kunst |
Kooberemaa | 1 | Portræt af en ung pige |
Sellel lehel olevad Peter Copmann teosed on kõik aastast 1824. Siin on need kubus kulu ja populaarsuse järjekorras.
Vali aasta, et näha selle aasta teoseid.
Nimekirja tipis on Portræt af en ung pige (1824).
30 aastat vanus. Peter Copmann sündis aastal 1794 ning teos Portræt af en ung pige pärineb aastast 1824.
Meie kataloogist leiate 1 teost kunstnikult Peter Copmann.
Enamik neist on leetav Statens Museum For Kunst (Kooberemaa). Ülemal oleval muuseumite ninal on täielik ülevaade.
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.
