Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 5 teost László Pataky meie kataloogis
Lühidalt
Enim inimesi teavad kunstniku László Pataky teost Roosters on Horses (1880), mida saab näha museas Slovak National Gallery, linnas Bratislava. Kohe pärast seda järgavad Cavalry Battle (1890) ja Kuruci (1903). László Pataky kataloogis olevatest 5 teosest on need 3 kõige tuntumat. Iga teose juures on märgitud aasta, muuseum ja lühike kirjeldus, mis teeb sellest teosest erilise.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | László Pataky teosid | Selle nimekirja maalid |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmetáki kunstigaleri | Nové Zámky | 1 | Kuruci |
Vali vuosakülg, et näha selle erimärgilisi teost.
Nimekirja tipis on Roosters on Horses (1880), Slovak National Gallery, Bratislava. Kohe selle järel: Cavalry Battle (1890) ja Kuruci (1903).
23 aastat vanus. László Pataky sündis aastal 1857 ning teos Roosters on Horses pärineb aastast 1880.
Meie kataloogist leiate 5 teost kunstnikult László Pataky, mis on pärinev ajavahemikus 1880 kuni 1903.
Enamik neist on leetav Slovak National Gallery (Bratislava) ja Ernest Zmetáki kunstigaleri (Nové Zámky). Ülemal oleval muuseumite ninal on täielik ülevaade.
Kõige vanem teos siin on Roosters on Horses (1880); kõige värskeim on Kuruci (1903).
Sellel lehel on Slovak National Gallery, Bratislava kogumikus 2 teost, sealhul ka Roosters on Horses ja Cavalry Battle.
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
