John Partridge portree

John Partridge kõige kuulsamad maalid: kõik 43 järjestatud

Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 43 teost John Partridge meie kataloogis

Lühidalt

Enim inimesi teavad kunstniku John Partridge teost Daniel Asher Alexander (1818), mida saab näha museas National Portrait Gallery, linnas London. Kohe pärast seda järgavad Christian Frederick, Baron Stockmar (1787-1863) (1838) ja Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat (1846). John Partridge kataloogis olevatest 43 teosest on need 43 kõige tuntumat. Iga teose juures on märgitud aasta, muuseum ja lühike kirjeldus, mis teeb sellest teosest erilise.

1789 – 1872, Glasgow Academic realism Enamama teoseid: National Portrait Gallery

John Partridge top 10: teosed, mille kõik teavad

Jätkuvalt uurima kunstnikut John Partridge: 11 kuni 43

11Sir John Forbes (1787–1861) (1847) autor John PartridgeSir John Forbes (1787–1861)1847 Tee see oma uksaks from $175 →
12Frederick James Lamb, 3rd Viscount Melbourne (1846) autor John PartridgeFrederick James Lamb, 3rd Viscount Melbourne1846 · National Portrait Gallery Handmaalisena ostmine from $175 →
13The Fine Arts Commissioners, 1846 (1853) autor John PartridgeThe Fine Arts Commissioners, 18461853 · National Portrait Gallery Tee see oma uksaks from $575 →
14Henry 3rd Viscount Palmerston (1784–1865), Prime Minister (1850) autor John PartridgeHenry 3rd Viscount Palmerston (1784–1865), Prime Minister1850 Tellige see teos from $175 →
15Richard Grosvenor (1795-1863), 2nd Marquess of Westminster (1856) autor John PartridgeRichard Grosvenor (1795-1863), 2nd Marquess of Westminster1856 · Royal Collection Tellige see teos from $175 →
16James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey) (1806) autor John PartridgeJames Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey)1806 · Šoti Rahvusportreegalerii Tee see oma uksaks from $175 →
17Portrait of an Unknown Gentleman (said to be a cleric) (1821) autor John PartridgePortrait of an Unknown Gentleman (said to be a cleric)1821 Tellige see teos from $175 →
18The Clough Taylor Family (1830) autor John PartridgeThe Clough Taylor Family1830 Tellige see teos from $175 →
19Gaetano Crivelli (1774–1836) (1825) autor John PartridgeGaetano Crivelli (1774–1836)1825 · The Royal Society of Musicians of Great Britain Tee see oma uksaks from $175 →
20Elizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919) (1833) autor John PartridgeElizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919)1833 · Coughton Court Handmaalisena ostmine from $175 →
21George Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh (1836) autor John PartridgeGeorge Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh1836 · Towneley Hall Art Gallery - Museum Tee see oma uksaks from $175 →
22Henry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh (1836) autor John PartridgeHenry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh1836 · Towneley Hall Art Gallery - Museum Tellige see teos from $175 →
23Thomas Uwins (1836) autor John PartridgeThomas Uwins1836 · National Portrait Gallery Tee see oma uksaks from $175 →
24Clarkson Stanfield (1793–1867) (1836) autor John PartridgeClarkson Stanfield (1793–1867)1836 Tee see oma uksaks from $175 →
25John Partridge (1836) autor John PartridgeJohn Partridge1836 · National Portrait Gallery Tellige see teos from $175 →
26The Artist and His Family in Their House at 21 Brook Street, Grosvenor Square, London (1835) autor John PartridgeThe Artist and His Family in Their House at 21 Brook Street, Grosvenor Square, London1835 Tellige see teos from $175 →
27Robert Trewick Bone (1836) autor John PartridgeRobert Trewick Bone1836 · National Portrait Gallery Tee see oma uksaks from $175 →
28John James Chalon (1836) autor John PartridgeJohn James Chalon1836 · National Portrait Gallery Handmaalisena ostmine from $175 →
29Charles Robert Leslie (1836) autor John PartridgeCharles Robert Leslie1836 · National Portrait Gallery Tellige see teos from $175 →
30John Gibson (1790–1866) (1847) autor John PartridgeJohn Gibson (1790–1866)1847 · Walker Art Gallery Tellige see teos from $175 →
31Unknown man, formerly known as Richard Partridge (1840) autor John PartridgeUnknown man, formerly known as Richard Partridge1840 · National Portrait Gallery Handmaalisena ostmine from $175 →
32The Honourable Montgomerie Stewart, Fourth Son of the 7th Earl of Galloway (1847) autor John PartridgeThe Honourable Montgomerie Stewart, Fourth Son of the 7th Earl of Galloway1847 · The National Trust For Scotland Tee see oma uksaks from $175 →
33George Hamilton Gordon, 4th Earl of Aberdeen (1847) autor John PartridgeGeorge Hamilton Gordon, 4th Earl of Aberdeen1847 · National Portrait Gallery Tee see oma uksaks from $175 →
34Thomas Babington Macaulay, Baron Macaulay (1853) autor John PartridgeThomas Babington Macaulay, Baron Macaulay1853 · National Portrait Gallery Tellige see teos from $175 →
35Neil Arnott (1788–1874), MD (1872) autor John PartridgeNeil Arnott (1788–1874), MD1872 Tee see oma uksaks from $175 →
36Queen Victoria (1819-1901) autor John PartridgeQueen Victoria (1819-1901)Royal Collection Handmaalisena ostmine from $175 →
37General John Egerton (1753–1823), 7th Earl of Bridgewater (after William Owen) autor John PartridgeGeneral John Egerton (1753–1823), 7th Earl of Bridgewater (after William Owen) Tellige see teos from $175 →
38William Lamb, 2nd Viscount Melbourne (1779–1848), Prime Minister autor John PartridgeWilliam Lamb, 2nd Viscount Melbourne (1779–1848), Prime MinisterGovernment Art Collection Tee see oma uksaks from $175 →
39Queen Victoria (1819–1901) autor John PartridgeQueen Victoria (1819–1901) Tellige see teos from $175 →
40The Honourable Edward Legge (1767–1827) autor John PartridgeThe Honourable Edward Legge (1767–1827) Handmaalisena ostmine from $175 →
41Andrew Combe (1797–1847) autor John PartridgeAndrew Combe (1797–1847)Royal College of Physicians of Edinburgh Tee see oma uksaks from $175 →
42William Lamb, 2nd Viscount Melbourne (1844) autor John PartridgeWilliam Lamb, 2nd Viscount Melbourne1844 · National Portrait Gallery Tellige see teos from $175 →
43Henry John Temple, 3rd Viscount Palmerston (1845) autor John PartridgeHenry John Temple, 3rd Viscount Palmerston1845 · National Portrait Gallery Tellige see teos from $175 →

Mida John Partridge kõige rohkem maalis

Neli kõige sagedamini esinemist vajavat teemat koos nende kõige tuntumate näidetega.

Kust näha John Partridge maalid

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn John Partridge teosid Selle nimekirja maalid
National Portrait Gallery, LondonNational Portrait Gallery London 14 Daniel Asher Alexander, 'The Fine Arts Commissioners, 1846', Frederick James Lamb, 3rd Viscount Melbourne
Royal Collection, LondonRoyal Collection London 8 Christian Frederick, Baron Stockmar (1787-1863), Prince Albert (1819-61), William Lamb, 2nd Viscount Melbourne (1779-1848)
Towneley Hall Art Gallery - Museum, BurnleyTowneley Hall Art Gallery - Museum Burnley 2 George Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh, Henry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 1 Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat
Šoti Rahvusportreegalerii, EdinburghŠoti Rahvusportreegalerii Edinburgh 1 James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey)
The Royal Society of Musicians of Great Britain, LondonThe Royal Society of Musicians of Great Britain London 1 Gaetano Crivelli (1774–1836)
Coughton CourtCoughton Court 1 Elizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919)
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 1 John Gibson (1790–1866)

Üheksakümne aasta jooksul üks kuulus John Partridge teos

Teosed aastakate kaupa

Vali vuosakülg, et näha selle erimärgilisi teost.

John Partridge maalid: mida inimesed soovivad teada

Millest maalisid John Partridge kõige paremini tuntud teos?Vaata vastust

Nimekirja tipis on Daniel Asher Alexander (1818), National Portrait Gallery, London. Kohe selle järel: Christian Frederick, Baron Stockmar (1787-1863) (1838) ja Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat (1846).

Kui vana John Partridge oli teose Daniel Asher Alexander ajal?Vaata vastust

29 aastat vanus. John Partridge sündis aastal 1789 ning teos Daniel Asher Alexander pärineb aastast 1818.

Kumba 10 John Partridge maalist on kõige kuulsamad?Vaata vastust

Daniel Asher Alexander, Christian Frederick, Baron Stockmar (1787-1863), Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat, 'The Fine Arts Commissioners, 1846', Prince Albert (1819-61), William Lamb, 2nd Viscount Melbourne (1779-1848), Queen Victoria (1819-1901), Prince Albert (1819-1861), Leopold, Duke of Brabant (1835-1909) ja Earl Stanhope (1805–1875). Üri loetlist esmalt leida iga teose kuupäev ja muuseum.

Kui palju on kunstniku John Partridge teoseid?Vaata vastust

Meie kataloogist leiate 43 teost kunstnikult John Partridge, mis on pärinev ajavahemikus 1806 kuni 1872.

Millistes muuseumides on John Partridge kõige tuntumad maalid?Vaata vastust

Enamik neist on leetav National Portrait Gallery (London), Royal Collection (London) ja Towneley Hall Art Gallery - Museum (Burnley). Ülemal oleval muuseumite ninal on täielik ülevaade.

Millal on John Partridge kõige kuulsamad teosed pilti maalatud?Vaata vastust

1840s ahel on rohkem kui kunagi varem: 16 43 teoseid sellel lehel pärineb sellest ajast, მათtagu Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat.

Millised on John Partridge vanimad ja uusimad kuulsad maalid?Vaata vastust

Kõige vanem teos siin on James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey) (1806); kõige värskeim on Neil Arnott (1788–1874), MD (1872).

Mida John Partridge kõige rohkem maalis?Vaata vastust

Victorian era (4), Formal art (3) ja 19th century (3) 43 teoseทั้งหมด sellel lehel.

Millise kunstisuunaga on John Partridge seotud?Vaata vastust

Academic realism, nagu näet selle lehekülje teosest.

Mida saab näha kunstnikult John Partridge museumis National Portrait Gallery?Vaata vastust

Sellel lehel on National Portrait Gallery, London kogumikus 14 teost, sealhul ka Daniel Asher Alexander, 'The Fine Arts Commissioners, 1846' ja Frederick James Lamb, 3rd Viscount Melbourne.

Kas saan tellida oma koju John Partridge reproduktsiooni?Vaata vastust

Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.

Tutvuge kunstnikuga John Partridge

A Legacy of Royal Splendor: The Life and Art of John Partridge

In the grand, sweeping tapestry of the Victorian era, few artists captured the dignified essence of the age quite like John Partridge. Born in Glasgow in 1789, Partridge emerged from a family steeped in intellectual and creative pursuits, carrying with him a lineage that would see his brother rise to prominence in the medical sciences and his nephew find fame in the theatrical arts. His journey into the heart of the British art world began not merely as an observer, but as a dedicated student of the craft, honing his vision under the esteemed portraitist Thomas Phillips. By 1815, when he debuted ‘Miss Foote in the Character of Lucilla’ at the Royal Academy, Partridge had already begun to signal the arrival of a master who could blend the meticulous precision of academic realism with a profound, soulful depth.

The evolution of Partridge’s artistry was profoundly shaped by his transformative years spent wandering through the sun-drenched landscapes and storied galleries of Italy. Between 1823 and 1827, the artist immersed himself in the cultural treasures of Florence, Venice, and Rome, an experience that acted as a spiritual and technical rebirth. It was during this period that he moved beyond the mere replication of likenesses to engage deeply with the ghosts of the Renaissance. By sketching landscapes and creating meticulous copies of works by Correggio, Raphael, Rubens, Tintage, and Titian, Partridge absorbed the dramatic interplay of light and shadow—the chiaroscuro—that would become a hallmark of his mature style. This classical foundation allowed him to infuse his portraits with an atmospheric weight, making each sitter appear not just as a person, but as a figure of historical permanence.

The Architect of Victorian Identity

Upon his return to London, Partridge’s career ascended to the highest echelons of society. His strategic move to the prestigious Brook Street, near the heart of the aristocracy, placed him in the very orbit of his future subjects. The artist possessed a rare ability to navigate the delicate balance between capturing a person's physical accuracy and projecting their social authority. This skill earned him the extraordinary distinction of being named ‘portrait painter-extraordinary’ to Queen Victoria in 1843. His canvases from this era, including those of the Queen herself and Prince Albert, serve as vital historical windows, documenting the regal poise and the opulent textures of mid-19th-century royal life.

Beyond the royal court, Partridge’s portfolio was a Who's Who of Victorian influence. His brush captured the gravity of political titans such as Henry 3rd Viscount Palmerston and the intellectual weight of figures like Sir John Forbes. Each portrait was a masterclass in narrative detail:

  • The Use of Light: Utilizing dramatic lighting to draw the viewer's eye to the psychological center of the sitter.
  • Textural Realism: A profound ability to render the heavy silks, intricate laces, and polished metals of aristocratic attire.
  • Emotional Resonance: Moving beyond static poses to capture a sense of character, dignity, and even the quiet vulnerability of his subjects.

As we look back upon the life of John Partridge, we see more than just a successful portraitist; we see an artist who acted as a chronicler of an empire. Through his mastery of Renaissance-inspired techniques and his unwavering commitment to the dignity of his subjects, he ensured that the faces of the Victorian era would remain vibrant and breathing long after the era itself had passed into history. His work remains a testament to a time when art was the primary vessel for capturing the soul of a nation.