John Eckstein portree

John Eckstein kõige kuulsamad maalid: kõik 1 järjestatud

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 1 teost John Eckstein meie kataloogis

Lühidalt

Enim inimesi teavad kunstniku John Eckstein teost Sir William Sidney Smith (1801), mida saab näha museas National Portrait Gallery, linnas London. John Eckstein kataloogis olevatest 1 teosest on need 1 kõige tuntumat. Iga teose juures on märgitud aasta, muuseum ja lühike kirjeldus, mis teeb sellest teosest erilise.

1770 – 1803 Enamama teoseid: National Portrait Gallery

John Eckstein top 10: teosed, mille kõik teavad

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Sir William Sidney Smith (1801) autor John Eckstein

Sir William Sidney Smith

1801 · Oil · National Portrait Gallery, London

Sir William Sidney Smith by John Eckstein. This oil painting, dated 1801, presents a portrait of the British naval officer and politician Sir William Sidney Smith. A prominent figure in the Royal Navy, Smith rose to the rank of admiral through service during the American War of Independence and the French Revolutionary and Napoleonic Wars.

Käsitööna maalatud õlireproduction alates $225 25 × 41 cm Originaadi suurusega $1194 145 × 238 cm Telli originaalkoguses →
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Kust näha John Eckstein maalid

Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.

Muuseumid Linn John Eckstein teosid Selle nimekirja maalid
National Portrait Gallery, LondonNational Portrait Gallery London 1 Sir William Sidney Smith

Iga aasta kuulsed teosed kunstnikult John Eckstein

1801 on aasta, mil kõik sellel lehel olevad dateeritud John Eckstein teosed on loodud. Siin on need, kõige kuulsemad esimestena.

Teosed aasta kaupa

Vali aasta, et näha selle aasta teoseid.

John Eckstein maalid: mida inimesed soovivad teada

Millest maalisid John Eckstein kõige paremini tuntud teos?Vaata vastust

Nimekirja tipis on Sir William Sidney Smith (1801).

Kui vana John Eckstein oli teose Sir William Sidney Smith ajal?Vaata vastust

31 aastat vanus. John Eckstein sündis aastal 1770 ning teos Sir William Sidney Smith pärineb aastast 1801.

Kui palju on kunstniku John Eckstein teoseid?Vaata vastust

Meie kataloogist leiate 1 teost kunstnikult John Eckstein.

Millistes muuseumides on John Eckstein kõige tuntumad maalid?Vaata vastust

Enamik neist on leetav National Portrait Gallery (London). Ülemal oleval muuseumite ninal on täielik ülevaade.

Kas saan tellida oma koju John Eckstein reproduktsiooni?Vaata vastust

Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.

Tutvuge kunstnikuga John Eckstein

A Life of Versatility

Born in Poppenroth, Germany, John Eckstein was a man of many disciplines, a polymath whose hands were as comfortable with the chisel as they were with the engraver's tool. The son of Conrad Eckstein, a skilled woodcarver and cabinet-maker, his early years were shaped by the tactile realities of craftsmanship. This technical foundation allowed him to move through the artistic circles of Europe with a rare fluidity, transitioning from the delicate precision of engraving to the monumental presence of sculpture. His training began at the Nuremberg Academy of Arts under Preissler, providing the classical grounding that would support a career spanning several nations.

His professional path was marked by significant shifts in geography and patronage. After a period in London, where he worked on reliefs for the monument to Roger Townshend in Westminster Abbey, he found himself at the Prussian court. Invited by Frederick the Great, Eckstein became the king's principal sculptor, executing works at Potsdam and Sans Souci. His influence reached into the realm of fine porcelain and commemorative art, including modeling for the Berlin porcelain factory and the creation of wax busts.

The American Transition

The later years of Eckstein's life were defined by a pursuit of new beginnings in the Americas. In 1793, he sought passage to the United States, writing to George Washington to request the funds necessary for his journey to Philadelphia. He arrived in America by November of that year, accompanied by his son, Frederick. Together, they held an exhibition of paintings, sculpture, and wax models at their home, seeking to establish a foothold in a burgeoning landscape that proved difficult to navigate.

The reception in the New World was not the success he had anticipated. He noted the difficulty of finding the same level of encouragement for his labors in America that was so freely given to talent in Europe. Despite these challenges, his presence in Philadelphia remains a notable chapter in the history of early American art, representing the movement of European technical mastery to the shores of the Atlantic.