Lühidalt
Kui teate ühe John Appleton Brown maali, siis see on tõenäoliselt On the Coast of France (1875), mis ripub Museum of Fine Arts-is, Boston. New England Landscape (1887) ja A Showery May Morning täiendavad kolme kohe ära tundetava teose sarja. Meie kataloogis on 6 teost kunstnikult John Appleton Brown. Allpool on 6 kõige tuntumat teost koos aasta, asukoha ja eripärase kirjeldusega.
Alusta siit: 10 kõige populaarsemat teost kunstnikult John Appleton Brown
Kust näha John Appleton Brown maalid
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseum | Linn | John Appleton Brown teosed | Selle nimekirja maalid |
|---|---|---|---|
| Boston | 5 | On the Coast of France, New England Landscape, A Showery May Morning | |
| Cambridge | 1 | Pond in the Woods |
John Appleton Brown aasta-aastaga: silmapaistvad teosed
Aastast 1875 aastast 1887 aastani ulatuvad John Appleton Brown teosed 13 aasta külga. Siin on need aastaaegne ülevaade koos iga aasta kõige tuntumatemate teostega.
Teosed aasta kaupa
Vali aasta, et näha selle aasta teoseid.
Küsimused John Appleton Brown maalide kohta
Milline John Appleton Brown maal on kõige kuulsam?Vaata vastust
Nimekirja tipis on On the Coast of France (1875), Museum of Fine Arts, Boston. Kohe selle järel: New England Landscape (1887) ja A Showery May Morning.
Kui vana John Appleton Brown oli, kui teos On the Coast of France loodi?Vaata vastust
31 aastat vanus. John Appleton Brown sündis aastal 1844 ning teos On the Coast of France pärineb aastast 1875.
Kui palju maali John Appleton Brown lõi?Vaata vastust
Meie kataloogist leiate 6 teost kunstnikult John Appleton Brown, mis on pärinev ajavahemikus 1875 kuni 1887.
Kust saab näha John Appleton Brown kuulsamaid maale?Vaata vastust
Enamik neist on leetav Museum of Fine Arts (Boston) ja Harvard Art Museums (Cambridge). Ülemal oleval muuseumite ninal on täielik ülevaade.
Millised kuulsud John Appleton Brown maalid olid esimesed ja viimad?Vaata vastust
Kõige vanem teos siin on On the Coast of France (1875); kõige värskeim on New England Landscape (1887).
Milliseid John Appleton Brown teoseid saab näha Museum of Fine Arts muuseumis?Vaata vastust
Sellel lehel on Museum of Fine Arts, Boston kogumikus 5 teost, sealhul ka On the Coast of France, New England Landscape ja A Showery May Morning.
Kas saan tellida John Appleton Brown maali reproduktsiooni?Vaata vastust
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
Tutvumine kunstnikuga John Appleton Brown
The Life and Art of John Appleton Brown
Born in West Newbury, Massachusetts, John Appleton Brown was an American landscape painter who worked primarily in oils and pastels. His artistic journey began with studies under Alfred Thompson Bricher before he traveled to France in 1866. During his time in France, he studied under Emile Lambinet, a protégé of Jean-Baptiste-Camille Corot. By the 1870s, Brown had become a successful painter in Boston, exhibiting his work at the Boston Art Club and various prominent galleries. In 1874, he and his wife, the artist Agnes Augusta Bartlett, traveled to France to study and paint, eventually displaying his work at the Paris Salon of 1875.
Brown's career saw him move from the artistic circles of Boston to an artists' colony in England in 1886, where he worked alongside figures such as John Singer Sargent. He also spent summers on Appledore Island among the Isles of Shoals, painting seascapes like Storm at the Isles of Shoals. In the 1890s, his success led him to move to New York City. His technical skill was recognized on a grand scale when he received a medal at the World's Columbian Exposition in 1893. He died in New York City in 1902.
Artistic Style and Subject Matter
Brown was noted for his lyrical landscapes, particularly those of the rural New England countryside. In the 1880s, he adopted a brighter palette and frequently painted images of fruit trees in full flower, earning him the sobriquet "Appleblossom Brown." His works were often described as tender and delicate, capturing the essence of nature. His repertoire included a variety of natural scenes, such as:
His ability to capture light and shadow was celebrated by critics, with some noting his evocative treatment of clouds and water. His art even served as inspiration for poetry and book illustrations, such as his collaboration with Lucy Larcom for the book Landscape in American Poetry.