Lühidalt
Enim inimesi teavad kunstniku Henrik Plötz teost Charles Bonnet, Swizz Naturalist and Philosopher (1785), mida saab näha museas Nationalmuseum, linnas Stockholm. Kohe pärast seda järgavad Portrait of Prince Willem George Frederik (1795) ja Portrait of a woman (1800). Henrik Plötz kataloogis olevatest 4 teosest on need 4 kõige tuntumat. Iga teose juures on märgitud aasta, muuseum ja lühike kirjeldus, mis teeb sellest teosest erilise.
Henrik Plötz top 10: teosed, mille kõik teavad
Kust näha Henrik Plötz maalid
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Henrik Plötz teosid | Selle nimekirja maalid |
|---|---|---|---|
| Stockholm | 2 | Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway | |
| Amsterdam | 2 | Portrait of Prince Willem George Frederik, Portrait of a woman |
Üheksakümne aasta jooksul üks kuulus Henrik Plötz teos
Teosed aastakate kaupa
Vali vuosakülg, et näha selle erimärgilisi teost.
Henrik Plötz maalid: mida inimesed soovivad teada
Millest maalisid Henrik Plötz kõige paremini tuntud teos?Vaata vastust
Nimekirja tipis on Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. Kohe selle järel: Portrait of Prince Willem George Frederik (1795) ja Portrait of a woman (1800).
Kui vana Henrik Plötz oli teose Charles Bonnet, Swizz Naturalist and Philosopher ajal?Vaata vastust
38 aastat vanus. Henrik Plötz sündis aastal 1747 ning teos Charles Bonnet, Swizz Naturalist and Philosopher pärineb aastast 1785.
Kui palju on kunstniku Henrik Plötz teoseid?Vaata vastust
Meie kataloogist leiate 4 teost kunstnikult Henrik Plötz, mis on pärinev ajavahemikus 1785 kuni 1800.
Millistes muuseumides on Henrik Plötz kõige tuntumad maalid?Vaata vastust
Enamik neist on leetav Nationalmuseum (Stockholm) ja Rijksmuseum (Amsterdam). Ülemal oleval muuseumite ninal on täielik ülevaade.
Millised on Henrik Plötz vanimad ja uusimad kuulsad maalid?Vaata vastust
Kõige vanem teos siin on Charles Bonnet, Swizz Naturalist and Philosopher (1785); kõige värskeim on Portrait of a woman (1800).
Mida saab näha kunstnikult Henrik Plötz museumis Nationalmuseum?Vaata vastust
Sellel lehel on Nationalmuseum, Stockholm kogumikus 2 teost, sealhul ka Charles Bonnet, Swizz Naturalist and Philosopher ja King Khristian VII of Denmark and Norway.
Kas saan tellida oma koju Henrik Plötz reproduktsiooni?Vaata vastust
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
Tutvuge kunstnikuga Henrik Plötz
The Life and Versatility of Henrik Plötz
Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.
Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.
Mechanical Innovations and Artistic Legacy
Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.
His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.