Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 1 teost Frank E. Case meie kataloogis
Lühidalt
Kui teate ühe Frank E. Case maali, siis see on tõenäoliselt Snow Scene (1901), mis ripub Cleveland Museum of Art-is, Cleveland. Meie kataloogis on 1 teost kunstnikult Frank E. Case. Allpool on 1 kõige tuntumat teost koos aasta, asukoha ja eripärase kirjeldusega.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Frank E. Case teosid | Selle nimekirja maalid |
|---|---|---|---|
 Cleveland Museum of Art |
Cleveland | 1 | Snow Scene |
Kõik sellel lehel asuvad Frank E. Case dateeritud teosed pärinevad aastast 1901. Siin on need teosed.
Vali aasta, et näha selle aasta teoseid.
Nimekirja tipis on Snow Scene (1901).
52 aastat vanus. Frank E. Case sündis aastal 1849 ning teos Snow Scene pärineb aastast 1901.
Meie kataloogist leiate 1 teost kunstnikult Frank E. Case.
Enamik neist on leetav Cleveland Museum of Art (Cleveland). Ülemal oleval muuseumite ninal on täielik ülevaade.
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
Frank E. Case was a man of many identities, a figure whose life moved through the disparate worlds of law, industry, and the canvas. Born on a farm in Ashland, his early years were rooted in the soil before he transitioned into the structured life of a lawyer in Stark County. He was a man of restless invention and enterprise, accumulating a diverse list of roles that spanned from educator and banker to real estate developer and businessman. His most enduring contribution to the physical world, however, was not found in a courtroom or a bank, but in the invention of the first reclining dental chair, a device that secured a fortune and a place in industrial history.
This wealth allowed him to build a life of significant scale. He constructed a massive stone mansion that resembled a castle, a structure built with the intent to win the hand of a woman named Theano. His success in business provided the means for a later, more quiet pursuit. In his later years, Case turned his attention to the arts, transitioning from a collector to an amateur painter. It was a pursuit that offered a different kind of fulfillment, even as his financial fortunes began to wane in the twilight of his life.
His relationship with painting was deeply personal, often tied to the landscapes and structures of his own life. His work frequently captured the essence of the places he inhabited, from the quietude of a snow-covered scene to the architectural presence of his own estate. His output was characterized by a desire to preserve the visual history of his surroundings, often working from memory or through the guidance of others when his physical strength began to fail.
The nature of his artistic output is best understood through the various roles he occupied:
One of his notable works, Snow Scene, remains part of the Cleveland Museum of Art collection. Other pieces, such as The Case Mansion in Winter, provide a visual record of the grand architecture that defined his era. His paintings often served as a bridge between his lived experience and the historical record of the region.
The final years of Case's life were marked by a quiet irony. The man who once built a stone castle and amassed a significant fortune saw his wealth dwindle, leaving him with modest means by the time of his death in the early 1930s. His transition from a titan of industry to a man of limited resources did not diminish the importance of the artifacts he left behind. His home, once a symbol of competitive grandeur, was eventually purchased by a neighbor and donated to become the first permanent home of the Canton Museum of Art. His presence remains in the preservation of the local landscape through his oil on canvas works.
