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Dod Procter

1890 - 1972

Lühike ülevaade

  • Color intensity:
    • tasakaalustatud
    • monokroomne
  • Art period: Modernism
  • Works on APS: 25
  • Also known as:
    • Doris Margaret Shaw
    • Doris Margaret Procter
    • Doris Shaw
    • Mrs. Procter
    • Dod Proctor
  • Museums on APS:
    • Laing Art Gallery
    • Bristol Museum - Art Gallery
    • Penlee House Gallery - Museum
    • Jerwood Gallery
    • The Ingram Collection of Modern British And Contemporary Art
  • Corpus themes: newlyn school realism
  • Top-ranked work: Self Portrait

Early Life and Education

  • Born: Doris Margaret Shaw, 21 April 1890, Hampstead, United Kingdom
  • Died: 31 July 1972
  • Nationality: English
  • Her father was a ship's doctor and her mother a former art student.
  • The family moved to Tavistock, Cornwall in 1907.
  • She enrolled at the School of Painting run by Elizabeth Forbes and Stanhope Forbes in Newlyn at age 15.
  • Met Laura Knight, who became a lifelong friend and influence.
  • Studied at Atelier Colarossi in Paris alongside Ernest Procter.

Artistic Development and Influences

  • Influenced by Impressionism and Post-Impressionism movements.
  • Mentored by Elizabeth Forbes and Stanhope Forbes.
  • Inspired by artists like Pierre-Auguste Renoir and Paul Cézanne.
  • Developed a distinctive style characterized by sensual portraits of women and Cornish landscapes.
  • Early works included illustrated "Nature Notes" sent to her father at sea.

Major Works and Achievements

  • Morning (1927): Her most famous work, a portrait of a fisherman's daughter that caused a sensation and was bought by the Daily Mail for the Tate Gallery.
  • Early Morning: A smaller version of "Morning" held by the Royal Pavilion in Brighton.
  • Series of simplified, monumental images of young women (c. 1922).
  • Commissioned to decorate the Kokine Palace in Rangoon with her husband Ernest Procter.
  • Exhibited at the Royal Academy on numerous occasions.
  • Awarded "Picture of the Year" at the Royal Academy Summer Exhibition in 1927 for “Morning”.

Later Life and Legacy

  • After Ernest's death in 1935, she travelled extensively to the United States, Canada, Jamaica, and Africa.
  • Became President of St Ives Society of Artists (STISA) in 1966.
  • Member of several artists organizations including the Newlyn School.
  • Buried next to her husband at St Hilary Church, Cornwall.
  • Her work is recognized for its evocative portrayal of Cornish life and its contribution to early twentieth-century British art.

Historical Significance

  • A prominent figure in the Newlyn School of artists.
  • Known for her unique vision and style that captured a sense of modernity.
  • Her portrait "Morning" is considered a significant work of 20th-century British art, praised for its “sensuous but sombre style” and depiction of Cornish light.
  • Contributed to the development of portraiture in Britain during the early 20th century.

Küsimused ja vastused

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