Lühidalt
Enim inimesi teavad kunstniku David Jagger teost The Bolshevik (1918), mida saab näha museas Canadian War Museum, linnas Ottawa. Kohe pärast seda järgavad Thomas Newbould (1845–1933) (1921) ja Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936). David Jagger kataloogis olevatest 23 teosest on need 23 kõige tuntumat. Iga teose juures on märgitud aasta, muuseum ja lühike kirjeldus, mis teeb sellest teosest erilise.
David Jagger top 10: teosed, mille kõik teavad
Jätkuvalt uurima kunstnikut David Jagger: 11 kuni 23
Mida David Jagger kõige rohkem maalis
Neli kõige sagedamini esinemist vajavat teemat koos nende kõige tuntumate näidetega.
Portraits 2 teost
Men 2 teost
Kust näha David Jagger maalid
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | David Jagger teosid | Selle nimekirja maalid |
|---|---|---|---|
| Eastbourne | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) | |
| Ottawa | 1 | The Bolshevik | |
| Liverpool | 1 | Sewing | |
| Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) | |
| London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout | |
| Nottingham | 1 | Jewish Refugee, Vienna | |
| Egham | 1 | Miss Janet Ruth Bacon | |
| Birmingham | 1 | Sir Horace Clarke |
Üheksakümne aasta jooksul üks kuulus David Jagger teos
Teosed aastakate kaupa
Vali vuosakülg, et näha selle erimärgilisi teost.
Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935)
Michael Theodore Waterhouse (1888–1968), CBE, PRIBA
David Jagger maalid: mida inimesed soovivad teada
Millest maalisid David Jagger kõige paremini tuntud teos?Vaata vastust
Nimekirja tipis on The Bolshevik (1918), Canadian War Museum, Ottawa. Kohe selle järel: Thomas Newbould (1845–1933) (1921) ja Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936).
Kui vana David Jagger oli teose The Bolshevik ajal?Vaata vastust
27 aastat vanus. David Jagger sündis aastal 1891 ning teos The Bolshevik pärineb aastast 1918.
Kumba 10 David Jagger maalist on kõige kuulsamad?Vaata vastust
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) ja Charles Sargeant Jagger. Üri loetlist esmalt leida iga teose kuupäev ja muuseum.
Kui palju on kunstniku David Jagger teoseid?Vaata vastust
Meie kataloogist leiate 23 teost kunstnikult David Jagger, mis on pärinev ajavahemikus 1917 kuni 1950.
Millistes muuseumides on David Jagger kõige tuntumad maalid?Vaata vastust
Enamik neist on leetav Towner (Eastbourne), Canadian War Museum (Ottawa) ja Walker Art Gallery (Liverpool). Ülemal oleval muuseumite ninal on täielik ülevaade.
Millal on David Jagger kõige kuulsamad teosed pilti maalatud?Vaata vastust
1920s ahel on rohkem kui kunagi varem: 6 23 teoseid sellel lehel pärineb sellest ajast, მათtagu Thomas Newbould (1845–1933).
Millised on David Jagger vanimad ja uusimad kuulsad maalid?Vaata vastust
Kõige vanem teos siin on Charles Jagger (1885–1934) (1917); kõige värskeim on Michael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950).
Mida David Jagger kõige rohkem maalis?Vaata vastust
Portraits (2) ja Men (2) 23 teoseทั้งหมด sellel lehel.
Mida saab näha kunstnikult David Jagger museumis Towner?Vaata vastust
Sellel lehel on Towner, Eastbourne kogumikus 2 teost, sealhul ka Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) ja Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931).
Tutvuge kunstnikuga David Jagger
A Legacy of Elegance: The Life of David Jagger
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Mastery of the Portrait
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
- Robert Baden-Powell, whose 1929 portrait remains one of Jagger's most enduring legacies, with numerous copies displayed in Scouting premises worldwide.
- Queen Mary, captured in significant works during 1930 and 1932.
- Winston Churchill, a monumental subject for any portraitist of the era.
- King George VI, documented in 1937.
- Vivien Leigh, representing the glamour of the cinematic age in 1941.
- Prince Philip, Duke of Edinburgh, one of his final notable subjects.
Historical Significance and Artistic Standing
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.






