Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 14 teost Daniel Gran meie kataloogis
Lühidalt
Kulub kõige tuntum Daniel Gran maalimil on Allegory of the Dawn (1723). Kohe pärast seda järgavad Mary with Child and Saints, Enthroned on Clouds (1730) ja Diana's Admission to Olympus (1732). Daniel Gran kataloogis olevatest 14 teosest on need 14 kõige tuntumat. Iga teose juures on märgitud aasta, muuseum ja lühike kirjeldus, mis teeb sellest teosest erilise.
Kümne 3 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Daniel Gran teosid | Selle nimekirja maalid |
|---|---|---|---|
 Varssavi Rahvusmuuseum |
Varssavi | 2 | Greeting of Venus at Mount Olympus, Bacchus and Ceres |
 Szépművészeti Múzeum |
Budapest | 2 | St Elizabeth Distributing Alms, The Day Driving away the Night |
 Krakovi Riiklik Muuseum |
Krakov | 1 | Apollo with the Muses – Project for a Plafond |
Vali vuosakülg, et näha selle erimärgilisi teost.
Nimekirja tipis on Allegory of the Dawn (1723). Otse selle järel: Mary with Child and Saints, Enthroned on Clouds (1730) ja Diana's Admission to Olympus (1732).
29 aastat vanus. Daniel Gran sündis aastal 1694 ning teos Allegory of the Dawn pärineb aastast 1723.
Allegory of the Dawn, Mary with Child and Saints, Enthroned on Clouds, Diana's Admission to Olympus, Apollo with the Muses – Project for a Plafond, Allegory of the Happy Government of Mähren, Allegory of the Morning, Instruction of Mary by Joachim and Anna, The Holy Family, Madonna and Child ja unleserlich. Üri loetlist esmalt leida iga teose kuupäev ja muuseum.
Meie kataloogist leiate 14 teost kunstnikult Daniel Gran, mis on pärinev ajavahemikus 1723 kuni 1747.
Enamik neist on leetav Varssavi Rahvusmuuseum (Varssavi), Szépművészeti Múzeum (Budapest) ja Krakovi Riiklik Muuseum (Krakov). Ülemal oleval muuseumite ninal on täielik ülevaade.
1730s ahel on rohkem kui kunagi varem: 4 14 teoseid sellel lehel pärineb sellest ajast, მათtagu Mary with Child and Saints, Enthroned on Clouds.
Kõige vanem teos siin on Allegory of the Dawn (1723); kõige värskeim on Allegory of the Morning (1747).
Sellel lehel on Varssavi Rahvusmuuseum, Varssavi kogumikus 2 teost, sealhul ka Greeting of Venus at Mount Olympus ja Bacchus and Ceres.
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
Daniel Gran (1694-1757) was a prominent Austrian Baroque painter who played a crucial role in the transition towards Classicism. His career spanned a period of significant artistic change, and he is remembered for his masterful frescoes, religious scenes, and illusionistic style.
Born in Vienna, Italy in 1694, Daniel Gran came from a family that valued its noble lineage. Successfully asserting his claim to this title was important during his time, as improper use of such distinctions could have severe social consequences. Details regarding his early artistic training remain somewhat scarce, but it is known he developed considerable skill and ambition.
Gran’s initial work firmly rooted in the Baroque tradition, characterized by dramatic compositions, rich colors, and a sense of movement. However, towards the end of his career, his paintings began to exhibit a shift away from purely Baroque aesthetics – particularly in terms of figural dimensions and illusionism. This evolution suggests an increasing interest in the emerging principles of Classicism, emphasizing clarity, balance, and restraint.
While specific influences are not extensively documented, it’s reasonable to assume Gran was impacted by contemporary Italian and Austrian Baroque masters. His later stylistic changes suggest a growing awareness of early Classical art and its emphasis on form and proportion.
Daniel Gran’s significance lies in his role as a bridge between the Baroque and Classical periods. He wasn't merely an imitator of earlier styles but actively contributed to the evolving artistic landscape of 18th-century Austria. His work demonstrates a conscious effort to move beyond the exuberance of the High Baroque towards a more restrained and balanced aesthetic.
Gran’s influence can be seen in the subsequent development of Austrian painting, paving the way for later Classicist artists. In 1894, Vienna honored his legacy by naming the Grangasse street in Rudolfsheim-Fünfhaus (the 15th district) after him. His self-portrait remains a treasured piece within the monastery of Herzogenburg.
Gran’s frescoes continue to captivate viewers with their beauty, technical skill, and historical importance, solidifying his place as a notable figure in Austrian art history.
