1
Käsitööna maalatud õlireproduction alates $175 29 × 35 cm
Tellige see teos
Lisateavet selle teose kohta
Sinu juhend 4 kuulsama Cornelia Scheffer maali kohta
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 4 teost Cornelia Scheffer meie kataloogis
Lühidalt
Cornelia Scheffer kõige tuntum teos on Self-portrait (1795). See asub Dordrecht linnas Dordrechts Museum muuseumis. Listis järgmised on Woman with Two Children on a Country Road (1811) ja The Women of Souli (1833). Meie kataloogist leiate 4 teost kunstnikult Cornelia Scheffer; see juhend koondab 4 kõige tuntumat teost koos aastakuga, muuseumiga ja iga teose ajaloolise luguga.
1769 – 1839, Dordrecht
Enamama teoseid: Dordrechts Museum
10 kõige olulisemat Cornelia Scheffer maali, mida peaks teadma
2
Käsitööna maalatud õlireproduction alates $200 29 × 34 cm
Originaadi suurusega $300 60 × 73 cm Telli originaalkoguses →
Handmaalisena ostmine
Loe lugu sellest
3
Käsitööna maalatud õlireproduction alates $450 37 × 27 cm
Originaadi suurusega $733 112 × 95 cm Telli originaalkoguses →
Tee see oma uksaks
Tutvu sellega
4
Kust näha Cornelia Scheffer maalid
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Cornelia Scheffer teosid | Selle nimekirja maalid |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Aastakate kaupa: iga kümnendiga kõige tuntum Cornelia Scheffer teos
Teosed aastakate kaupa
Vali vuosakülg, et näha selle erimärgilisi teost.
Cornelia Scheffer: kiired vastused maalide kohta
Mis on Cornelia Scheffer kõige tuntum maaliam?Vaata vastust
Nimekirja tipis on Self-portrait (1795), Dordrechts Museum, Dordrecht. Kohe selle järel: Woman with Two Children on a Country Road (1811) ja The Women of Souli (1833).
Kui vana Cornelia Scheffer oli teose Self-portrait loomisel?Vaata vastust
26 aastat vanus. Cornelia Scheffer sündis aastal 1769 ning teos Self-portrait pärineb aastast 1795.
Kui palju teie kataloogis on teoseid kunstnikult Cornelia Scheffer?Vaata vastust
Meie kataloogist leiate 4 teost kunstnikult Cornelia Scheffer, mis on pärinev ajavahemikus 1795 kuni 1833.
Mitteks muuseumides võib näha Cornelia Scheffer kuulsamaid teoseid?Vaata vastust
Enamik neist on leetav Dordrechts Museum (Dordrecht). Ülemal oleval muuseumite ninal on täielik ülevaade.
Mis on Cornelia Scheffer esimesed ja viimased kuulsad teosed?Vaata vastust
Kõige vanem teos siin on Self-portrait (1795); kõige värskeim on The Women of Souli (1833).
Millised kuulsud Cornelia Scheffer maalid asuvad Dordrechts Museum-is?Vaata vastust
Sellel lehel on Dordrechts Museum, Dordrecht kogumikus 4 teost, sealhul ka Self-portrait, Woman with Two Children on a Country Road ja The Women of Souli.
Kust saan tellida Cornelia Scheffer reproduktsiooni?Vaata vastust
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
Cornelia Scheffer lugu
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.