Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 1 teost Constant Cap meie kataloogis
Lühidalt
Kui teate ühe Constant Cap maali, siis see on tõenäoliselt Remembering the National Festivities of 1880 (1880), mis ripub Royal Museum of Fine Arts Antwerp-is, Antverp. Meie kataloogis on 1 teost kunstnikult Constant Cap. Allpool on 1 kõige tuntumat teost koos aasta, asukoha ja eripärase kirjeldusega.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Constant Cap teosid | Selle nimekirja maalid |
|---|---|---|---|
 Royal Museum of Fine Arts Antwerp |
Antverp | 1 | Remembering the National Festivities of 1880 |
Kõik sellel lehel asuvad Constant Cap dateeritud teosed pärinevad aastast 1880. Siin on need teosed.
Vali aasta, et näha selle aasta teoseid.
Nimekirja tipis on Remembering the National Festivities of 1880 (1880).
38 aastat vanus. Constant Cap sündis aastal 1842 ning teos Remembering the National Festivities of 1880 pärineb aastast 1880.
Meie kataloogist leiate 1 teost kunstnikult Constant Cap.
Enamik neist on leetav Royal Museum of Fine Arts Antwerp (Antverp). Ülemal oleval muuseumite ninal on täielik ülevaade.
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
Constant Aimé Marie Cap lived his life within the borders of Belgium, moving from Saint-Nicolas to the streets of Antwerp. He spent his days as both a painter and an engraver, working with a focus on academic precision. His hands were trained at the Royal Academy of Fine Arts in Antwerp, where he learned to capture the small, steady movements of daily life.
His work often rests on the stillness of a single moment. In pieces like A Woman gazing through a window, there is a sense of looking without being seen. He had a way of placing figures in quiet settings, such as Femmes en prière dans une église, where the focus remains on the weight of the atmosphere rather than grand gestures.
Cap looked backward as much as he looked at the present. He used his skill to document the textures of the past, particularly through works like De goudweger/Oud Antwerpen/XVI eeuw and Oud Antwerpen-Het laatste Keersken. These paintings carry the weight of history, rendered with the careful detail of an engraver's eye.
The subjects he chose were often ordinary, yet he treated them with a specific gravity:
He died in Antwerp in 1915, leaving behind a body of work that remains tied to the light and the specific corners of his Belgian home.
