Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 5 teost Carl Ebert meie kataloogis
Lühidalt
Kui teate ühe Carl Ebert maali, siis see on tõenäoliselt Forest Landscape with Bathing Children (1867), mis ripub Bavaria riiklikud maalidema kogumikud-is, München. Evening Landscape (1875) ja Landscape society in a park täiendavad kolme kohe ära tundetava teose sarja. Meie kataloogis on 5 teost kunstnikult Carl Ebert. Allpool on 5 kõige tuntumat teost koos aasta, asukoha ja eripärase kirjeldusega.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Carl Ebert teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
9 aastat, 1867 kuni 1875: see on kogu Carl Ebert dataga teostatud teoste azoo. Lähtu läbi aastaaegade kaupa.
Vali aasta, et näha selle aasta teoseid.
Nimekirja tipis on Forest Landscape with Bathing Children (1867), Bavaria riiklikud maalidema kogumikud, München. Kohe selle järel: Evening Landscape (1875) ja Landscape society in a park.
46 aastat vanus. Carl Ebert sündis aastal 1821 ning teos Forest Landscape with Bathing Children pärineb aastast 1867.
Meie kataloogist leiate 5 teost kunstnikult Carl Ebert, mis on pärinev ajavahemikus 1867 kuni 1875.
Enamik neist on leetav Bavaria riiklikud maalidema kogumikud (München) ja Lenbachhaus (München). Ülemal oleval muuseumite ninal on täielik ülevaade.
Kõige vanem teos siin on Forest Landscape with Bathing Children (1867); kõige värskeim on Evening Landscape (1875).
Sellel lehel on Bavaria riiklikud maalidema kogumikud, München kogumikus 2 teost, sealhul ka Forest Landscape with Bathing Children ja Evening Landscape.
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
