Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 1 teost Alexandre Moitte meie kataloogis
Lühidalt
Enim inimesi teavad kunstniku Alexandre Moitte teost The Knife Grinder and his Family (1770), mida saab näha museas Hermitage muuseum, linnas Stiiitlinburg. Alexandre Moitte kataloogis olevatest 1 teosest on need 1 kõige tuntumat. Iga teose juures on märgitud aasta, muuseum ja lühike kirjeldus, mis teeb sellest teosest erilise.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Alexandre Moitte teosid | Selle nimekirja maalid |
|---|---|---|---|
 Hermitage muuseum |
Stiiitlinburg | 1 | The Knife Grinder and his Family |
1770 on aasta, mil kõik sellel lehel olevad dateeritud Alexandre Moitte teosed on loodud. Siin on need, kõige kuulsemad esimestena.
Vali aasta, et näha selle aasta teoseid.
Nimekirja tipis on The Knife Grinder and his Family (1770).
20 aastat vanus. Alexandre Moitte sündis aastal 1750 ning teos The Knife Grinder and his Family pärineb aastast 1770.
Meie kataloogist leiate 1 teost kunstnikult Alexandre Moitte.
Enamik neist on leetav Hermitage muuseum (Stiiitlinburg). Ülemal oleval muuseumite ninal on täielik ülevaade.
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
Born in Paris, Alexandre Moitte grew up within a family deeply connected to the visual arts. His father, Pierre-Étienne Moitte, was a painter and a royal engraver, providing a domestic environment where the technicalities of line and form were part of daily life. This lineage likely shaped Alexandre's early understanding of his craft. He eventually sought formal training at the Académie royale de peinture et de sculpture, a step that solidified his place within the French artistic tradition of his era.
His personal life was anchored by his marriage to Charlotte Deruelle. Together, they raised several children, including Antoine Guillaume Alexandre, Auguste Pierre Charles, Flore, and Adrien Jules Philibert. These family connections reflect a life lived amidst the social and professional structures of late eighteenth-century France.
Moitte’s work often turned its gaze toward the people and the labor that defined the era. One of his notable pieces, The Knife Grinder and his Family, created in the 1770s, offers a glimpse into the domestic and professional realities of the time. Painted in oil on a panel, the work captures a specific moment of communal existence. It is a scene of quiet industry, showing the intersection of work and family life.
His technique relied on a careful application of oil to panel, a medium that allowed for a certain level of detail in the textures of clothing and tools. This piece, which remains part of a private collection, demonstrates his ability to find meaning in the mundane activities of common people. He did not look for grand spectacles, but rather for the steady rhythm of life as it was lived in the streets and homes of France.
Though his name may not carry the weight of the most famous painters of the period, Moitte’s contributions remain part of the historical record of French art. His work survives in collections that preserve the visual language of the eighteenth century. His life and his art provide a window into a period of transition, seen through the eyes of a man who understood both the precision of engraving and the softness of oil painting.
