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Õpilaste kunstiteoste juhend

Flower Piece

Nimi Klass Kuupäev

Marie Egner, Flower Piece (1890). Avalik omand

Faktid

Kunstnik
Marie Egner artsdot.com/et/artists/marie-egner/
Kunstniku eluaastad
1850 – 1940
Maalatud
1890

Kontekstis

Flower Piece — Marie Egner

Millal see maalis on tehtud?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930
  10. 1940

Varjatud: Marie Egner eluajal (1850–1940) ▲ see teos, 1890

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: artsdot.com/et/art/similar/marie-egner-flower-piece-AS7CU9-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Espresso #523f29

    Salvestatud palett

    • #523F29
    • #B5A283
    • #896F4E
    • #D8CBBA
    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Espresso
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Balanced Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Balanced Soft Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    Marie Egner

    Sündinud Bad Radkersburg, Austria

    Marie Egner: A Life in Austrian Impressionism

    Early Life and Education

    Born on August 25, 1850, in Bad Radkersburg, Austria, Marie Egner demonstrated an early aptitude for art.

    She received her initial drawing lessons in Graz from Hermann von Königsbrunn.

    From 1872 to 1875, she pursued formal studies at the Düsseldorf Academy of Art under Carl Jungheim, a pivotal experience shaping her artistic foundation.

    Artistic Development and Influences

    In 1882, Egner relocated to Vienna, living with her mother while continuing her artistic pursuits.

    Her summers were spent at the art colony in Plankenberg Castle near Neulengbach, where she studied with Emil Jakob Schindler until 1887. This period significantly influenced her style.

    A study trip to England from 1887 to 1889 broadened her artistic horizons and exposed her to different landscapes and techniques.

    Artistic Style and Themes

    Egner is primarily known for her contributions to Impressionism and, more specifically, the Austrian variant known as Stimmungsimpressionismus.

    Her paintings often depict lyrical landscapes, delicate flower still lifes, and intimate scenes of domestic life.

    She masterfully captured atmospheric effects and subtle nuances of light and color, creating a sense of mood and emotion in her work.

    A key characteristic is the diffused lighting and realistic detail found within her floral compositions.

    Career and Exhibitions

    Egner held her first exhibition at the Vienna Künstlerhaus shortly after returning from England, marking a significant milestone in her career.

    She exhibited extensively in both Germany and England, gaining recognition for her unique artistic vision.

    In 1893, she participated in The Woman's Building at the World's Columbian Exposition in Chicago, showcasing her work on an international stage.

    Egner established an art school for women but was forced to close it in 1910 due to health reasons.

    Later Life and Legacy

    After World War I, she became a member of the Austrian Association of Women Artists (VBKÖ), actively participating in the artistic community.

    The VBKÖ held a major retrospective exhibition of her work in 1926, celebrating her contributions to Austrian art.

    In the 1930s, declining eyesight led to her withdrawal from public life.

    She passed away on March 31, 1940, in Vienna.

    Her work was included in the 2019 exhibition City Of Women: Female artists in Vienna from 1900 to 1938 at the Österreichische Galerie Belvedere, reaffirming her historical significance.

    Historical Significance

    Marie Egner stands as a significant figure in Austrian art history, particularly for her role in developing and promoting Stimmungsimpressionismus.

    She was a pioneering woman artist who navigated the challenges of the late 19th and early 20th centuries to establish a successful career.

    Her paintings offer valuable insights into Austrian society and landscape during her time, capturing the beauty and tranquility of the natural world.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Flower Piece allalaadimislehele

    artsdot.com/et/art/download/marie-egner-flower-piece-AS7CU9-en/

    Viige seda teost allintena

    MLA
    Egner, Marie. Flower Piece. 1890, https://artsdot.com/et/art/marie-egner-flower-piece-AS7CU9-en/
    APA
    Egner, Marie (1890). Flower Piece [Painting]. https://artsdot.com/et/art/marie-egner-flower-piece-AS7CU9-en/
    Chicago
    Marie Egner. Flower Piece. 1890. https://artsdot.com/et/art/marie-egner-flower-piece-AS7CU9-en/
    Harvard
    Egner, Marie (1890) Flower Piece. Available at: https://artsdot.com/et/art/marie-egner-flower-piece-AS7CU9-en/

    Vaata lähedalt

    Flower Piece — Marie Egner

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele In The Blossoming Bower. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    4. Marie Egner oli selle teose valmimisel umbes 40 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik. Kasutage selle juhendi varasemate osade faktisid ja oma eelmitud vastuseid.