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Visual Gravity -2

Nimi Klass Kuupäev

Kaloust Guedel, Visual Gravity -2 (2017). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik
Kaloust Guedel artsdot.com/et/artists/kaloust-guedel/
Kunstniku eluaastad
1956 – ?
Maalatud
2017
Originaalmõõtud
635 x 213 cm
Liikumine
Light And Space

Kontekstis

Visual Gravity -2 — Kaloust Guedel

Mis on selle suurus?

Originaalmeasured on 635 × 213 cm (kõrgus × laius), joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga. See teos on sellel lehel måhuribus joonistamiseks liiga suur.

Millal see maalis on tehtud?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Varjatud: Kaloust Guedel eluajal (1956–?) ▲ see teos, 2017

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: artsdot.com/et/art/similar/kaloust-guedel-visual-gravity-2-D2N6LW-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Rosy Brown #9d8d8c

    Salvestatud palett

    • #9D8D8C
    • #5E3A1F
    • #606871
    • #BFBCBE
    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Rosy Brown
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Gentle Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    Kaloust Guedel

    Sündinud Nicosia, Cyprus

    A Life Forged in Cultural Crossroads

    Kaloust Guedel’s artistic journey is one deeply rooted in displacement and cultural synthesis, a narrative that began on the island of Cyprus in 1956. Born into an Armenian family, his early life was marked by a geographical and emotional shift when his family relocated to Armenia within the Soviet Union in 1962. This formative period instilled in him a profound awareness of identity, belonging, and the weight of history – themes that would become central to his artistic explorations. Further travels through neighboring republics and Lebanon before finally settling in Los Angeles in 1975 only deepened this sense of being an observer, a translator between worlds. Guedel’s self-directed education as an artist was not confined to formal institutions; rather, it blossomed from philosophical inquiry at the Philosophical Research Society in the early 1980s and a relentless engagement with the complexities of contemporary life. He didn't seek instruction so much as he sought understanding—understanding of the human condition, societal structures, and the power of visual language to dissect them.

    The Genesis of Excessivism: A Response to Consumption

    Guedel is perhaps best known as the founder of Excessivism, a movement born from a critical response to the perceived excesses of consumer culture and societal norms. Emerging in the 21st century, Excessivism isn’t merely an aesthetic style but a philosophical stance—a confrontation with the overwhelming abundance and often superficial values that characterize modern existence. Guedel's work consistently challenges viewers to confront uncomfortable truths about materialism, power dynamics, and the darker aspects of human experience. He doesn’t shy away from difficult subjects like genocide, war, and abuse, instead choosing to address them head-on with a minimalist aesthetic that amplifies their emotional impact. This deliberate restraint isn’t an avoidance of complexity but rather a strategic choice—a way to distill potent ideas into their purest form. His artistic path has been characterized by experimentation across painting, sculpture, and conceptual installations, always prioritizing the message over adherence to any single stylistic convention.

    Innovation in Materiality: Vinyl as Canvas

    Guedel’s commitment to pushing boundaries extends beyond thematic concerns into the realm of materials. He is recognized as a pioneer for his groundbreaking use of vinyl as a primary medium in painting, challenging traditional notions of what constitutes art and expanding the possibilities of artistic expression. This wasn't simply about adopting a new material; it was about questioning the very foundations of painting itself—its history, its conventions, and its limitations. The choice of vinyl, often associated with mass production and disposability, is inherently provocative, aligning perfectly with the critical ethos of Excessivism. Works like “Unauthorized Stage of Tension,” “Alternative Cloud,” “Black Magic Romance”, “Coronation Of Vagina” and “Red White Blue Etcetera” demonstrate his mastery of this unconventional medium, transforming it into a vehicle for profound conceptual exploration. He doesn’t merely paint on vinyl; he manipulates it, deconstructs it, and imbues it with new meaning.

    A Legacy of Provocation and Dialogue

    Kaloust Guedel's impact on the contemporary art landscape is undeniable. His work has garnered recognition in publications like Masters of Today, solidifying his position as a significant voice within the artistic community. More than just an artist, he’s a cultural commentator—a provocateur who dares to challenge conventional thinking and spark dialogue about pressing social and political issues. The founding of Excessivism provides a framework for understanding contemporary anxieties, offering a lens through which to examine the complexities of modern life. His innovative use of materials continues to inspire artists today, encouraging them to question established norms and explore new avenues of creative expression. Guedel’s legacy lies not only in his individual artworks but also in his unwavering commitment to intellectual rigor, emotional honesty, and the power of art to effect change. He represents a generation of artists unafraid to confront difficult truths and leave an indelible mark on the world through their vision.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Visual Gravity -2 allalaadimislehele

    artsdot.com/et/art/download/kaloust-guedel-visual-gravity-2-D2N6LW-en/

    Viige seda teost allintena

    MLA
    Guedel, Kaloust. Visual Gravity -2. 2017, https://artsdot.com/et/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/
    APA
    Guedel, Kaloust (2017). Visual Gravity -2 [Painting]. https://artsdot.com/et/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/
    Chicago
    Kaloust Guedel. Visual Gravity -2. 2017. https://artsdot.com/et/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/
    Harvard
    Guedel, Kaloust (2017) Visual Gravity -2. Available at: https://artsdot.com/et/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/

    Vaata lähedalt

    Visual Gravity -2 — Kaloust Guedel

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele Stage 3 (2012). Tooge kaks asja, mis sellel teosel koos sellega ühendavad, ning üks erinevus.
    4. Kaloust Guedel oli selle teose valmimisel umbes 61 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik. Kasutage selle juhendi varasemate osade faktisid ja oma eelmitud vastuseid.