Paberikuju

Õpilaste kunstiteoste juhend

Memory N. 1

Nimi Klass Kuupäev

jorge piqueras, Memory N. 1 (1958), MAC-Lima. Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik
jorge piqueras artsdot.com/et/artists/jorge-piqueras/
Kunstniku eluaastad
1925 – 2020
Maalatud
1958
Tehnika
Painting
Originaalmõõtud
81 x 100 cm
Liikumine
Geometric Abstraction Abstraction built strictly from squares, circles and straight edges rather than free gesture.
Period
Modern
Peetud koht:
MAC-Lima artsdot.com/et/museums/mac-lima-lima/

Kontekstis

Memory N. 1 — jorge piqueras

Mis on selle suurus?

Originaalmeasured on 81 × 100 cm (kõrgus × laius), joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010
  11. 2020

Varjatud: jorge piqueras eluajal (1925–2020) ▲ see teos, 1958

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Walnut #734a18

    Salvestatud palett

    • #734A18
    • #979489
    • #22629D
    • #C3BDAD
    Palett
    Dark Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Walnut
    Intensiivsus
    Vivid Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Balanced Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Clear Color Presence Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    jorge piqueras

    Sündinud Lima, Peru

    early life and nationality

    jorge piqueras, a visual artist, was born in lima, peru in 1925. he held both peruvian and spanish nationality.

    artistic contributions

    piqueras is widely recognized as one of the most significant peruvian artists of the 20th century. his work encompasses a broad spectrum of materials and media, including sculpture, painting, collage, photography, and assemblage. he is particularly known for his distinctive sculptural production and his pioneering role in geometric painting among contemporary latin american artists.

    international presence

    piqueras lived and worked extensively in europe, with a notable presence in italy and france. his work has been showcased regularly in lima, peru since 2007. a retrospective of his geometric work from the 1950s was exhibited at the museum of art of lima in may 2011.

    notable exhibitions and collections

    - the butler institute of american art (united states): though not exclusively featuring piqueras, this institution is significant for its extensive collection of american art. - hastings museum and art gallery (united kingdom): similar to the butler institute, it represents a broader context of art appreciation.

    artistic style and influence

    piqueras' geometric work, as showcased in his 2011 retrospective, reflects his engagement with modernist movements. his use of diverse materials and media aligns with the experimental spirit of latin american art.

    legacy

    jorge piqueras passed away in lima, peru in 2020, leaving behind a legacy as one of the most influential peruvian artists of his time. his contributions to geometric painting and sculptural production continue to inspire new generations of artists.

    view jorge piqueras' artworks on AllPaintingsStore

    explore the butler institute of american art's collection for a broader context of american art.

    discover more about jorge piqueras' artistic style and influence on AllPaintingsStore's blog.

    references:

    - jorge piqueras, artist profile, AllPaintingsStore - the butler institute of american art, institutional overview, AllPaintingsStore

    Muuseum

    MAC-Lima

    Näitustel asub Lima, Peru

    A Sanctuary of Modernity in the Heart of Barranco

    In the bohemian enclave of Lima’s Barranco district, where the salt air of the Pacific meets the historic charm of cobblestone streets, lies a sanctuary for the avant-garde: the Museum of Contemporary Art (MAC-Lima). This is not merely a gallery but a living, breathing ecosystem of creativity that occupies a site steeped in transformation. Once the grounds of the beloved Barranco Zoo, the museum has undergone a profound metamorphosis, evolving from a space dedicated to the wildness of nature to one celebrating the untamed brilliance of human expression. Established in 2013, MAC-Lima carries the prestigious lineage of the Instituto de Arte Contemporáneo, an institution that has championed the pulse of Peruvian art since 1955. To walk through its doors is to step into a narrative of continuity, where the echoes of the past harmonize with the boldest visions of the present.

    The architecture itself serves as a silent protagonist in this cultural drama. Designed by the renowned Peruvian architect Frederic Cooper Llosa, the museum’s structure is a masterclass in modernist elegance. The building is composed of three primary modules that create a rhythmic interplay between light and shadow, offering expansive exhibition halls that feel both monumental and intimately connected to their surroundings. The design thoughtfully integrates lush green spaces, allowing the museum to breathe alongside the city. For the art lover or the discerning interior designer, the architecture provides a sophisticated, minimalist canvas—a neutral yet powerful backdrop where the textures of contemporary works can truly resonate.

    A Tapestry of Identity and Innovation

    The soul of MAC-Lima resides in its curated collection, a profound reflection of Peru’s multifaceted identity. The museum masterfully bridges the gap between ancestral heritage and global modernity. One cannot wander through its halls without being moved by the works of Santiago (Rember Yahuarcani). His acrylic compositions are deeply evocative, weaving the rich traditions of his Uitoto Áimen lineage into potent contemporary dialogues that address social shifts and cultural resilience. This ability to ground modern techniques in indigenous truth is a hallmark of the collection, which also pays homage to the monumental Indigenist movement through the works of pioneers like José Sabogal Dieguez. These pieces serve as vital historical anchors, challenging colonial perspectives and reasserting the power of native narratives.

    Beyond its permanent holdings, MAC-Lima is a theater of constant change, renowned for exhibitions that push the boundaries of social and digital discourse. The museum frequently explores the intersections of tradition and technology, such as recent showcases that reimagined Peruvian folklore through the lens of digital media. Its programming often tackles the most pressing themes of our era—from environmental sustainability to the complexities of LGBTQ+ rights—ensuring that the art on display is never static but always in conversation with the world outside. For collectors seeking works that possess both aesthetic depth and intellectual weight, or for those looking to curate spaces that provoke thought, MAC-Lima offers an inexhaustible source of inspiration.

    What truly distinguishes MAC-Lima, however, is its role as a non-profit catalyst for the entire artistic community. It functions far beyond the traditional museum model; it is a place of mentorship, education, and active participation. Through workshops, lectures, and collaborative projects with emerging talents, the museum nurtures the next generation of Peruvian voices. It is a destination where the act of viewing art is transformed into an act of engagement, inviting every visitor to become part of a larger, unfolding story of cultural evolution. In the heart of Lima, MAC-Lima remains a beacon—a place where history, architecture, and contemporary vision converge to celebrate the enduring power of the human imagination.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Memory N. 1 allalaadimislehele

    artsdot.com/et/art/download/jorge-piqueras-memory-n-1-D49M6L-en/

    Viige seda teost allintena

    MLA
    piqueras, jorge. Memory N. 1. 1958, MAC-Lima. https://artsdot.com/et/art/jorge-piqueras-memory-n-1-D49M6L-en/
    APA
    piqueras, jorge (1958). Memory N. 1 [Painting]. MAC-Lima. https://artsdot.com/et/art/jorge-piqueras-memory-n-1-D49M6L-en/
    Chicago
    jorge piqueras. Memory N. 1. 1958. MAC-Lima. https://artsdot.com/et/art/jorge-piqueras-memory-n-1-D49M6L-en/
    Harvard
    piqueras, jorge (1958) Memory N. 1. MAC-Lima. Available at: https://artsdot.com/et/art/jorge-piqueras-memory-n-1-D49M6L-en/

    Vaata lähedalt

    Memory N. 1 — jorge piqueras

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria people, red circle, blue circles alla. Kas olete nõus? Mida te lisaksin või eemaldasite?
    4. Geometric Abstraction: Abstraction built strictly from squares, circles and straight edges rather than free gesture. Kus seda teoses näha saab?
    5. jorge piqueras oli selle teose valmimisel umbes 33 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?

    Teie vastus

    Kirjutage sellest teosest lühike lõik. Kasutage selle juhendi varasemate osade faktisid ja oma eelmitud vastuseid.