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Bud Vase

Nimi Klass Kuupäev

James Holmes, Bud Vase (1992). Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
James Holmes artsdot.com/et/artists/james-holmes/
Kunstniku eluaastad
1777 – 1860
Maalatud
1992
Originaalmõõtmed
27 x 10 cm

Kontekstis

Bud Vase — James Holmes

Mis on selle mõõt?

Originaali mõõdud on 27 × 10 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1760
  2. 1780
  3. 1800
  4. 1820
  5. 1840
  6. 1860
  7. 1880
  8. 1900
  9. 1920
  10. 1940
  11. 1960
  12. 1980

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 83 surumisel.

Varjatud: James Holmes eluajal (1777–1860) ▲ see teos, 1992 iga dateeritud maal, aastakümne kaupa

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: artsdot.com/et/art/similar/james-holmes-bud-vase-AQRTDV-en/

Värvid

Pildist mõõdetud

    Peavärv

    Phthalo Green #070535

    Katalogistatud palett

    • #070535
    • #E8E2DE
    • #C59031
    • #7A7877

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Phthalo Green
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik James Holmes teosed viimase zwölf kuuga — kokku 2 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 83,3%
    2. 2 Ameerika Ühendriigid 16,7%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    James Holmes kõige vaatamistundlikumad teosed (kokku 7)

    1. 1 Scent Bottle with Stopper, 1992 16,7%
    2. 2 Charing Cross, London, 1832 16,7%
    3. 3 George IV (1762–1830), as Prince Regent (after John Hoppner) 16,7%
    4. 4 George III (1738–1820) (after James Northcote) 16,7%
    5. 5 Bud Vase with Long Cylindrical Neck, 1992 16,7%
    6. 6 Opaque Bud Vase, 1992 16,7%
    7. — Bud Vase, 1992 see maalaus 0,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 9 seda kunstnikku kuuluvat teost, millest 6 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    James Holmes

    A Miniature Master of the Romantic Era

    James Holmes, born in 1777, emerged as a luminous figure within the vibrant tapestry of British art during the Romantic era. His artistic journey was one of profound technical evolution, beginning not with a brush, but with the precise, disciplined hand of an engraver. Under the tutelage of the respected Robert Mitchell Meadows, Holmes mastered the delicate art of printmaking, a foundation that would later imbue his paintings with an extraordinary sense of detail and structural clarity. This early mastery was evidenced as early as 1800, when he executed a striking stipple portrait of Rickman after Hazlitt, a work that signaled the arrival of a significant new talent in the London art scene.

    Beyond the silent world of pigments and plates, Holmes possessed a soul deeply attuned to melody. A gifted flute player, his life was a harmonious blend of visual and auditory artistry. This musicality was not merely a private passion but a professional influence; encouraged by the renowned music publisher Novello, he pursued formal training at the Royal Academy Schools. His presence at the Academy was both enduring and prestigious, as he exhibited works there for over four decades, from 1798 until 1849. This long-standing relationship with the Royal Academy allowed him to witness and participate in the shifting tides of British aesthetic taste, cementing his status as a dedicated observer of the human condition.

    Versatility in Portraiture and Genre

    While Holmes is perhaps most celebrated for his exquisite miniature portraits, his creative spirit refused to be confined to a single scale or medium. He was a painter of remarkable versatility, moving with grace between the intimate world of miniatures and the broader narratives of genre painting. His technical prowess extended into the realm of watercolours, where he achieved membership in the Society of Painters in Watercolour in 1813. In this medium, works such as “Hot Porridge” and “The Married Man” showcased a delightful ability to capture everyday life with both charm and psychological depth.

    His career was marked by significant institutional leadership and a commitment to the burgeoning community of British artists. After departing from the Society of Painters in Watercolour, Holmes became a founding member of the Society of British Artists in 1824, eventually ascending to the presidency in 1829. This period of his life was characterized by a prolific output of portrait commissions that captured the essence of the era's social strata, ranging from the tender depictions of infant children to the dignified likenesses of the aristocracy.

    Royal Connections and Lasting Legacy

    One of the most enchanting chapters of Holmes’s life was his personal connection to King George IV. Their bond transcended the typical boundaries between artist and patron, rooted in a shared, fervent passion for music. The two were known to engage in collaborative musical performances, a friendship that brought a unique intimacy to Holmes's portraiture of the monarch. This royal patronage not only elevated his social standing but also provided him with a window into the opulent, often theatrical, world of the Regency period.

    As the decades progressed, Holmes’s work continued to leave an indelible mark on the history of British art through several key achievements:

    Technical Mastery: The seamless integration of his engraver's precision into his oil and watercolour paintings.

    Institutional Impact: His pivotal role as a founding member and president of the Society of British Artists.

    Cultural Synthesis: The rare ability to bridge the worlds of fine art and classical music, enriching the cultural fabric of 19th-century England.

    Though he eventually retired to the quietude of Shropshire, the legacy of James Holmes remains etched in the delicate details of his miniatures and the enduring charm of his genre scenes. He remains a quintessential representative of the Romantic spirit—an artist who found beauty in both the grandest royal halls and the most intimate, fleeting moments of daily life.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Bud Vase allalaadimislehele

    artsdot.com/et/art/download/james-holmes-bud-vase-AQRTDV-en/

    Viige seda teost allintena

    MLA
    Holmes, James. Bud Vase. 1992, https://artsdot.com/et/art/james-holmes-bud-vase-AQRTDV-en/
    APA
    Holmes, James (1992). Bud Vase [Painting]. https://artsdot.com/et/art/james-holmes-bud-vase-AQRTDV-en/
    Chicago
    James Holmes. Bud Vase. 1992. https://artsdot.com/et/art/james-holmes-bud-vase-AQRTDV-en/
    Harvard
    Holmes, James (1992) Bud Vase. Available at: https://artsdot.com/et/art/james-holmes-bud-vase-AQRTDV-en/

    Vaata lähedalt

    Bud Vase — James Holmes

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Charing Cross, London (1832). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Mida kunstnik võib olla soovinud teile tekitada?
    5. Kui sa saaksid kunstnikult selle teose kohta ühe küsimuse esitada, siis mis see oleks?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kui palju valgust tundub teose "Bud Vase" värvid peegeldavat?

    Teose „Bud Vase“, autor James Holmes luminants on Bright Balance. Luminants kirjeldab, kui palju valgust värvid peegeldavad.

    Millist väripaletti teoses „Bud Vase“, autor James Holmes on kasutatud?

    Teose "Bud Vase" värvid moodustavad Neutrals paleti. See klassifikatsioon kirjeldab domineerivaid värvigruppe.

    Kas teose „Bud Vase“, autor James Holmes värvid on eraldavad või pehmed?

    Teose „Bud Vase“, autor James Holmes värvid on Subtle Color kütkusega ja Balanced intensiivsusega.