Paberikuju

Õpilaste kunstiteoste juhend

Ten Commandments

Nimi Klass Kuupäev

hystercine rankin, Ten Commandments (1990), San Jose Museum of Quilts - Textiles. Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik
hystercine rankin artsdot.com/et/artists/hystercine-rankin/
Kunstniku eluaastad
1929 – 2010
Maalatud
1990
Peetud koht:
San Jose Museum of Quilts - Textiles artsdot.com/et/museums/san-jose-museum-of-quilts-textiles-san-jose/

Kontekstis

Ten Commandments — hystercine rankin

Millal see maalis on tehtud?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Varjatud: hystercine rankin eluajal (1929–2010) ▲ see teos, 1990

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: artsdot.com/et/art/similar/hystercine-rankin-ten-commandments-D8EMM2-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Putty #dadcdb

    Salvestatud palett

    • #DADCDB
    • #B8A89D
    • #3C4C4E
    • #78797C
    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Putty
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Bold Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    hystercine rankin

    Sündinud koht: Jefferson County, United States of America

    early life and career

    hystercine rankin was born on september 11, 1929, in jefferson county, mississippi. she was the third child of her parents, laula and denver gray. her mother, laula, taught at a one-room schoolhouse, while her father, denver gray, was a sharecropper. in 1939, her father was shot and killed by a white man for unknown reasons. following his burial, rankin and her siblings moved in with her grandmother, alice whelman.

    artistic career

    when rankin turned 12, her grandmother began teaching her how to quilt. she learned styles such as flower garden, nine patch, star quilt, and string quilt. her quilts were primarily utilitarian bed covers, made from scraps of fabric. rankin's work is held in the permanent collections of the american folk art museum, the mississippi museum of art, and the san jose museum of quilts and textiles. you can see some of her artwork on hystercine rankin's page on AllPaintingsStore.com.

    awards and recognition

    rankin was awarded the national heritage fellowship in 1990 for her contributions to the field of quilting. she was also recognized by the mississippi department of archives and history for her work. you can learn more about her achievements on kirby collection of historical paintings (united states) page.

    legacy

    rankin's legacy lives on through her quilts, which continue to inspire and educate people about the art of african-american quilting. her story is a testament to the power of tradition and community. you can read more about her life and work on hystercine rankin's wikipedia page.

    african-american quilter from mississippi

    utilitarian bed covers made from scraps of fabric

    traditional patterns such as flower garden, nine patch, star quilt, and string quilt

    national heritage fellowship award in 1990

    mississippi department of archives and history recognition

    you can explore more about hystercine rankin's artwork on AllPaintingsStore.com, including her biography and a selection of her quilts.

    Muuseum

    San Jose Museum of Quilts - Textiles

    Näitustel paikal San Jose, United States of America

    A Tapestry of Human Narrative: The San Jose Museum of Quilts & Textiles

    In the vibrant heart of San Jose’s SoFA Arts District, where creativity pulses through the streets, lies a sanctuary dedicated to one of humanity's most intimate and enduring art forms. The

    San Jose Museum of Quilts & Textiles

    stands as a singular testament to the power of fiber arts—a medium that, while often overshadowed by the grand scale of oil paintings or marble sculptures, possesses a profound ability to articulate the textures of human existence. Founded in 1977 as the American Museum of Quilts and Related Arts, this pioneering institution was the first of its kind in the United States to elevate the craft of quilting and textile production to the status of legitimate visual art. It is a place where the needle and thread serve as instruments of storytelling, weaving together the threads of personal memory and global heritage.

    To wander through the museum’s collection is to embark on a sensory journey across centuries and continents. The holdings are a breathtaking mosaic of over 1,500 objects that bridge the gap between domestic devotion and avant-garde experimentation. Visitors may find themselves captivated by the rhythmic geometry of historical masterpieces, such as the

    Silk Log Cabin Quilt

    by Marie T. Wageman Pechmann, where every interlocking square acts as a heartbeat of mid-nineteenth-century history. The collection breathes with the vitality of both the old and the new, showcasing meticulously crafted ethnic textiles that serve as repositories of cultural identity alongside groundbreaking contemporary works. From the intricate, nature-inspired motifs of Jane A. Sassaman’s

    Brocade Quilt

    to the vibrant, seasonal landscapes found in Karmen Gallo Stren’s

    Celebration of Autumn

    , the museum celebrates a spectrum of technique that ranges from traditional hand-stitching to modern machine strip quilting.

    What truly distinguishes this institution is its role as a living laboratory for artistic dialogue. Beyond the static beauty of its permanent galleries, the museum fosters a dynamic community through its

    Artist in Residence Program

    , which has provided a platform for creators since 2016 to push the boundaries of fiber experimentation. This commitment to growth is mirrored in its scholarly depth; with a research library containing over 500 specialized volumes, the museum serves as a vital cornerstone for historians and textile enthusiasts alike. For the interior designer seeking inspiration in texture and form, or the collector drawn to the intersection of craft and fine art, the San Jose Museum of Quilts & Textiles offers more than just an exhibition; it offers an immersive exploration of the tactile soul of art, proving that the most profound stories are often those woven into the very fabric of our lives.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Ten Commandments allalaadimislehele

    artsdot.com/et/art/download/hystercine-rankin-ten-commandments-D8EMM2-en/

    Viige seda teost allintena

    MLA
    rankin, hystercine. Ten Commandments. 1990, San Jose Museum of Quilts - Textiles. https://artsdot.com/et/art/hystercine-rankin-ten-commandments-D8EMM2-en/
    APA
    rankin, hystercine (1990). Ten Commandments [Painting]. San Jose Museum of Quilts - Textiles. https://artsdot.com/et/art/hystercine-rankin-ten-commandments-D8EMM2-en/
    Chicago
    hystercine rankin. Ten Commandments. 1990. San Jose Museum of Quilts - Textiles. https://artsdot.com/et/art/hystercine-rankin-ten-commandments-D8EMM2-en/
    Harvard
    rankin, hystercine (1990) Ten Commandments. San Jose Museum of Quilts - Textiles. Available at: https://artsdot.com/et/art/hystercine-rankin-ten-commandments-D8EMM2-en/

    Vaata lähedalt

    Ten Commandments — hystercine rankin

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele One Patch Quilt (1990). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. hystercine rankin oli selle teose valvimisel umbes 61 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.