Paberikuju

Õpilaste kunstiteoste juhend

Standing nude

Nimi Klass Kuupäev

Guy Rose, Standing nude. Avalik omand

Faktid

Kunstnik
Guy Rose artsdot.com/et/artists/guy-rose/
Kunstniku eluaastad
1867 – 1925

Kontekstis

Standing nude — Guy Rose

Millal see maaldis on tehtud?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Varjatud: Guy Rose eluajal (1867–1925)

Selle plaadi kohta ei ole täpset aastat säilitatud — kunstniku eluaja ja teose stiili põhjal, millist aastakümnest te arvestaksite?

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: artsdot.com/et/art/similar/guy-rose-standing-nude-A269MM-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Espresso #645139

    Salvestatud palett

    • #645139
    • #1A1715
    • #A57C3F
    • #CDA463
    Palett
    Dark Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Espresso
    Intensiivsus
    Vivid Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Balanced Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Clear Color Presence Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    Guy Rose

    Guy Orlando Rose: A Life in Impressionism

    Early Life and Education

    Birth & Family: Guy Orlando Rose was born on March 3, 1867, in San Gabriel, California, the seventh child of Leonard John Rose, a prominent California senator, and Amanda Jones Rose. The family resided on an expansive ranch and vineyard in the San Gabriel Valley – the town of Rosemead bears their name.

    Early Trauma & Artistic Beginnings: At age nine, Guy was accidentally shot in the face during a hunting trip. During his convalescence, he began to sketch with watercolors and oils, discovering an early passion for art.

    Formal Training: He graduated from Los Angeles High School in 1884 before moving to San Francisco to study at the California School of Design (San Francisco Art Association) from 1885-1888. His instructors included Virgil Williams, Warren E. Rollins, and Emil Carlsen. He received accolades for his work during this period, including the Avery Gold Medal in oil painting.

    Parisian Studies: In September 1888, Rose enrolled at the Académie Julian in Paris, studying under Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens. He also attended the Académie Delacluse on scholarship, exhibiting work at the Paris Salons in 1890, 1891, 1894, 1900, and 1909.

    Artistic Development & Influences

    Early Style: Rose’s early work demonstrated a strong foundation in academic painting techniques honed during his training.

    Impressionist Turn: His move to Giverny, France, in 1899 marked a turning point. Living near Claude Monet, he became deeply influenced by Impressionism, adopting its emphasis on light, color, and plein air painting.

    Monet’s Mentorship: Rose developed a close friendship with Monet, who served as a mentor, further solidifying his commitment to the Impressionist style. His works from this period clearly reflect Monet's influence in their luminous quality and focus on atmospheric effects.

    Other Influences: He also maintained lifelong friendships with fellow artists Frank Vincent DuMond and Frederick Melville, exchanging ideas and artistic approaches.

    Career & Major Achievements

    Early Career (1890s): Rose worked as an illustrator for publications like Harper's, Scribner’s, and Century in New York City.

    Giverny Period (1904-1912): This was a highly productive period, with Rose creating many of his most celebrated Impressionist landscapes.

    California Return & Teaching: Due to health issues (lead poisoning), Rose and his wife returned to Los Angeles in 1914. He became Director of the Stickney Memorial School of Art in Pasadena, sharing his knowledge with aspiring artists.

    Carmel-by-the-Sea (1918-1920): Rose was an active member of the Carmel art colony, exhibiting his work and contributing to the local artistic community.

    Notable Works: Some of his most recognized paintings include “Point Lobos,” “The Saine Valley, Giverny”, "Oak Grove, Carmel", and numerous landscapes capturing the beauty of California and France.

    Historical Significance & Legacy

    American Impressionism: Guy Rose is considered a significant figure in American Impressionism, bridging European techniques with Californian landscapes.

    California Art Scene: He played an important role in developing the California art scene, both as an artist and educator.

    Lasting Influence: His paintings continue to be admired for their delicate handling of light, vibrant colors, and evocative depictions of nature.

    Posthumous Recognition: A memorial exhibition was held at the Stendahl Gallery in 1926 following his death on November 17, 1925, in Pasadena, California.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Standing nude allalaadimislehele

    artsdot.com/et/art/download/guy-rose-standing-nude-A269MM-en/

    Viige seda teost allintena

    MLA
    Rose, Guy. Standing nude. n.d., https://artsdot.com/et/art/guy-rose-standing-nude-A269MM-en/
    APA
    Rose, Guy (n.d.). Standing nude [Painting]. https://artsdot.com/et/art/guy-rose-standing-nude-A269MM-en/
    Chicago
    Guy Rose. Standing nude. n.d. https://artsdot.com/et/art/guy-rose-standing-nude-A269MM-en/
    Harvard
    Rose, Guy (n.d.) Standing nude. Available at: https://artsdot.com/et/art/guy-rose-standing-nude-A269MM-en/

    Vaata lähedalt

    Standing nude — Guy Rose

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria nudes alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi juhendi alguses esitatud teosele Point lobos trees, (1919). Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.