Paberikuju

Õpilaste kunstiteoste juhend

Self Portrait

Nimi Klass Kuupäev

Brian Robb, Self Portrait (1949). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Brian Robb artsdot.com/et/artists/brian-robb/
Kunstniku eluaastad
1913 – 1979
Maalatud
1949
Originaalmõõtud
61 x 26 cm

Kontekstis

Self Portrait — Brian Robb

Mis on selle suurus?

Originaali mõõdud on 61 × 26 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 66 surumisel.

Maalatud siis, kui kunstnik oli 36 aastane. Kunstnik elas 66 aastani. 0 meie kataloogis olevatest selle kunstniku 2 dateeritud teosest on loodud varem.

Varjatud: Brian Robb eluajal (1913–1979) ▲ see teos, 1949 iga dateeritud maal, aastakümne kaupa

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: artsdot.com/et/art/similar/brian-robb-self-portrait-ARAL22-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Espresso #634f37

    Salvestatud palett

    • #634F37
    • #DBD5C2
    • #352724
    • #939077

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Espresso
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Gentle Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Balanced Harmony Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • alla 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Brian Robb teosed viimase zwölf kuuga — kokku 1 riiki. Kust need numbrid pärinevad

    Üheksakümmend juhtivat riiki

    1. 1 Hiina 100,0%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Brian Robb kõige vaadatavamad teosed (kokku 2)

    1. 1 Odalisque, 1949 100,0%
    2. — Self Portrait, 1949 see maalaus 0,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 5 seda kunstnikku kuuluvat teost, millest 1 on vähemalt üks kord vaadatud. Seda maali ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks, lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Brian Robb

    Brian Robb: A Master of Whimsical Camouflage and London Transport Charm

    Brian Robb (1913-1979) wasn’t merely a painter; he was an orchestrator of visual delight, a master of blending the fantastical with the functional. Born in Scarborough, England, into a family steeped in artistic tradition – his father was a renowned architect and his mother an interior designer – Robb inherited a keen eye for detail and a playful approach to design. His career spanned decades, encompassing illustration, painting, and a particularly significant contribution to wartime camouflage, all while maintaining a distinctive style characterized by vibrant colors, charming characters, and a deep affection for London’s iconic transport system.

    Early artistic training at Chelsea School of Art and the Slade School of Fine Art laid the groundwork for his diverse talents. However, it was during the 1930s that Robb truly established himself as a cartoonist for Punch, a publication known for its witty satire and distinctive illustrations. This period honed his ability to capture humor and personality in a single image – a skill he would later apply with remarkable success to his posters and designs for London Transport. His work during this time was marked by a lightheartedness that belied the looming shadow of war, foreshadowing the optimistic spirit that would define much of his wartime output.

    The Camouflage Officer: A Unique Contribution to WWII

    Robb’s most enduring legacy lies in his service as a camouflage officer during World War II. Recognizing his artistic sensibilities and keen eye for detail, Geoffrey Barkas, the head of the Middle East Command Camouflage Directorate, recruited Robb to lead a team tasked with deceiving enemy forces about the movements and strength of British troops in North Africa. This wasn’t simply about blending in; it was about creating elaborate illusions – constructing dummy stores dumps, staging false troop concentrations, and employing deceptive patterns on vehicles and equipment. Robb's contribution was particularly noteworthy because he brought an element of whimsy to a critical military operation. He designed the “Brian” store dump—a massive collection of 700 fake piles of supplies—which became a crucial component of Operation Bertram, the strategic deception campaign that supported the Battle of El Alamein.

    His innovative techniques involved not just visual camouflage but also manipulating light and shadow to create confusing patterns. Robb’s designs were so effective that they played a significant role in the Allied victory at El Alamein. He wasn't just an artist; he was a strategist, using his artistic skills to influence the course of war.

    London Transport Designs: A Celebration of City Life

    Alongside his wartime work, Robb’s designs for London Transport were immensely popular and remain iconic today. He created posters and advertisements that captured the energy and charm of the city – from bustling markets to elegant theaters, from historic landmarks to everyday scenes of urban life. His style was characterized by bold colors, dynamic compositions, and a sense of movement, perfectly reflecting the speed and excitement of London’s transport system. His work for the Underground, buses, and trams became instantly recognizable, contributing significantly to the visual identity of the city.

    These designs weren't merely functional; they were miniature works of art, imbued with a sense of optimism and civic pride. They celebrated London’s vibrancy and its role as a global center of commerce and culture. Robb’s posters are now highly sought after by collectors and are frequently reproduced in books and exhibitions.

    Legacy and Artistic Influence

    Following the war, Robb returned to teaching at Chelsea College of Art and later became head of illustration at the Royal College of Art, where he mentored a generation of talented artists. His influence can be seen in the work of Quentin Blake, one of his most celebrated pupils, who has described Robb’s art as “having a humane, wry, almost teasing character.”

    Brian Robb's legacy extends beyond his individual artworks; it resides in his unique blend of artistic skill, strategic thinking, and whimsical imagination. He demonstrated that art could be both beautiful and effective, contributing not only to the aesthetic landscape but also to the success of a nation during times of conflict. His work continues to delight and inspire, serving as a testament to the power of visual communication and the enduring appeal of his distinctive style.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Self Portrait allalaadimislehele

    artsdot.com/et/art/download/brian-robb-self-portrait-ARAL22-en/

    Viige seda teost allintena

    MLA
    Robb, Brian. Self Portrait. 1949, https://artsdot.com/et/art/brian-robb-self-portrait-ARAL22-en/
    APA
    Robb, Brian (1949). Self Portrait [Painting]. https://artsdot.com/et/art/brian-robb-self-portrait-ARAL22-en/
    Chicago
    Brian Robb. Self Portrait. 1949. https://artsdot.com/et/art/brian-robb-self-portrait-ARAL22-en/
    Harvard
    Robb, Brian (1949) Self Portrait. Available at: https://artsdot.com/et/art/brian-robb-self-portrait-ARAL22-en/

    Vaata lähedalt

    Self Portrait — Brian Robb

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Odalisque (1949). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Brian Robb oli selle teose valvimisel umbes 36 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Milline toon on teose „Self Portrait“, autor Brian Robb domineeriv?

    Teose „Self Portrait“, autor Brian Robb läbimõtes on tunda Golden Yellow Range toonist.

    Millal loodi teos "Self Portrait"?

    Teos "Self Portrait" on pärit aastast 1949. See ajastu aitab mõistust seda teost Brian Robb karjääri ja selle ajastu kontekstis.

    Kas teos „Self Portrait“, autor Brian Robb on värviline või tumenev?

    Üldiselt on teose "Self Portrait" heledus registreeritud väärtusega deep_shadow. Perseeeritud heledus kirjeldab, kui valguse või tumeda tundub teos olevat.