Paberikuju

Õpilaste kunstiteoste juhend

Number 14

Nimi Klass Kuupäev

Anne Ryan, Number 14 (1948). Avalik omand

Faktid

Kunstnik
Anne Ryan artsdot.com/et/artists/anne-ryan/
Kunstniku eluaastad
1889 – 1954
Maalatud
1948
Originaalmõõtud
66 x 51 cm

Kontekstis

Number 14 — Anne Ryan

Mis on selle suurus?

Originaali mõõdud on 66 × 51 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Varjatud: Anne Ryan eluajal (1889–1954) ▲ see teos, 1948

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: artsdot.com/et/art/similar/anne-ryan-number-14-D2ZUF8-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Gray #8d8f8b

    Salvestatud palett

    • #8D8F8B
    • #908340
    • #B9B1A3
    • #2B2823
    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Gray
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Balanced Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    Anne Ryan

    Sündinud koht: Hoboken, United States of America

    Early Life and Education

    Born: Hoboken, New Jersey, 1889

    Parents: Both parents died when Ryan was a teenager.

    Education: Attended the Academy of St Elizabeth Convent for high school and early college. Left before graduating to marry William McFadden.

    Marriage and Family: Married attorney William McFadden in 1911; they separated in 1923. Had three children, Elizabeth, William Jr., and Thomas.

    Early Literary Pursuits: Frequented art and literary circles in New York's Greenwich Village neighborhood. Published a novel, Raquel, as well as a volume of poetry, Lost Hills.

    Artistic Development and Influences

    European Sojourn: Lived in Majorca and Paris (1931-1932).

    Beginnings in Painting: Began painting in 1938, had her first solo exhibition in 1941 at the Pinacoteca.

    Atelier 17: Joined Stanley William Hayter's Atelier 17 (1941), a printmaking workshop, and created prints.

    Key Turning Point – Kurt Schwitters: In 1948, saw the collages of Kurt Schwitters at the Rose Fried Gallery in New York City. This profoundly influenced her artistic direction. She recognized a visual equivalence to her poetry in Schwitters' work.

    Focus on Collage: Dedicated herself primarily to collage from 1948 until her death, producing over 400 pieces.

    Materials Used: Incorporated diverse materials into her collages including silk, netting, handmade rag paper, and Japanese rice paper. Many works were mounted on handmade paper by Douglas Morse Howell.

    Artistic Style and Techniques

    Collage as Primary Voice: Found collage to be her primary artistic medium.

    Small-Scale Works: Most of her collages were small, averaging roughly eight by six inches.

    Juxtaposition of Textures: Juxtaposed small squares of different materials to highlight their distinct textures and densities.

    Color Palette: Employed pastel colors in her compositions.

    Relationship with Writing: Maintained a permeable relationship between artmaking and writing, though she favored the latter for most of her life. Wrote "Lines to a Young Painter."

    Recognition and Legacy

    Exhibitions: Had three exhibitions at the Betty Parsons Gallery in the 1950s, solidifying her reputation.

    Critical Reception: Early critical responses noted the "feminine" qualities of her work.

    Posthumous Recognition: An exhibition of her collages was shown at the Brooklyn Museum and traveled to several other institutions including the National Collection of Fine Arts in Washington, D.C.

    Association with Abstract Expressionism: Belonged to the early generation of New York School abstract expressionist artists.

    Daughter's Artistic Career: Her daughter, Elizabeth McFadden, is also an artist.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Number 14 allalaadimislehele

    artsdot.com/et/art/download/anne-ryan-number-14-D2ZUF8-en/

    Viige seda teost allintena

    MLA
    Ryan, Anne. Number 14. 1948, https://artsdot.com/et/art/anne-ryan-number-14-D2ZUF8-en/
    APA
    Ryan, Anne (1948). Number 14 [Painting]. https://artsdot.com/et/art/anne-ryan-number-14-D2ZUF8-en/
    Chicago
    Anne Ryan. Number 14. 1948. https://artsdot.com/et/art/anne-ryan-number-14-D2ZUF8-en/
    Harvard
    Ryan, Anne (1948) Number 14. Available at: https://artsdot.com/et/art/anne-ryan-number-14-D2ZUF8-en/

    Vaata lähedalt

    Number 14 — Anne Ryan

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele Primavera. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    4. Anne Ryan oli selle teose valvimisel umbes 59 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.