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Self portrait

Nimi Klass Kuupäev

Andrew Geddes, Self portrait. Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Andrew Geddes artsdot.com/et/artists/andrew-geddes_et/
Kunstniku eluaastad
1783 – 1844
Liikumine
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

Kontekstis

Self portrait — Andrew Geddes

Millal see maaldis on tehtud?

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 61 surumisel.

Varjatud: Andrew Geddes eluajal (1783–1844) iga dateeritud maal, aastakümne kaupa

Selle plaadi kohta ei ole täpset aastat säilitatud — kunstniku eluaja ja teose stiili põhjal, millist aastakümnest te arvestaksite?

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: artsdot.com/et/art/similar/andrew-geddes-self-portrait-9HTUDR-en/

Värvid

Pildist mõõdetud

    Peavärv

    Phthalo Green #251b0e

    Katalogistatud palett

    • #251B0E
    • #020201
    • #9F8858
    • #4F442C

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Monochrome Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Phthalo Green
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Serene Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Andrew Geddes teosed viimase zwölf kuuga — kokku 3 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 86,7%
    2. 2 Hong Kong 6,7%
    3. 3 Lõuna-Korea 6,7%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Andrew Geddes kõige vaatamistundlikumad teosed (kokku 16)

    1. 1 Summer 10,5%
    2. 2 Portrait Of A Gentleman, Seated Full-length, Before A Fireplace, Reading A Newspaper 10,5%
    3. 3 Sir David Wilkie 10,5%
    4. 4 James Wardrop 10,5%
    5. 5 Jeremiah Greatorex 5,3%
    6. 6 George Chalmers, Author Of Caledonia 5,3%
    7. 7 Anthony Stewart, Miniature Painter 5,3%
    8. 8 Charles Lenox Cumming-bruce In Turkish Dress 5,3%
    9. 9 Portrait Of Flora Bellasis, Three-quarter-length, In Indian Parsi Dress 5,3%
    10. 10 Alexina Nesbit Sandford 5,3%
    11. 11 Artist, Self Portrait 5,3%
    12. 12 John Bunyan, In Prison 5,3%
    13. 13 The Artist's Sister, Anne Geddes 5,3%
    14. 14 David Maclagan 5,3%
    15. 15 The approaching storm 5,3%
    16. — Self portrait see maalaus 0,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 65 seda kunstnikku kuuluvat teost, millest 15 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Andrew Geddes

    Sündinud koht: Edinburgh, Ühendkuningriik

    A Life Defined by Portraiture and Precision

    Born in Edinburgh, United Kingdom, Andrew Geddes followed a path that was initially diverted from his true passion by familial duty. The son of a Deputy-Auditor of Excise, Geddes received a classical education at the Royal High School and later at the University of Edinburgh. For five years, he served as a clerk in the excise office, following the professional footsteps of his father. However, the death of his father in 1803—a man who had previously opposed his son's artistic ambitions—liberated Geddes to pursue the vocation he truly desired. This pivotal moment led him to London, where he entered the prestigious Royal Academy schools to refine his craft.

    His emergence into the professional art world was marked by a steady presence in major exhibitions. In 1806, he presented St John in the Winderness at Somerset House, marking his first contribution to the Royal Academy exhibitions. From that year onward, Geddes became a constant and reliable exhibitor of figure subjects and portraits, demonstrating a growing mastery over the human form and the nuances of character.

    The Mastery of the Portrait and Etching

    Geddes achieved his greatest renown as a portrait painter, a role in which he could capture the essence and dignity of his subjects. His work often oscillated between the vibrant art scenes of London and Edinburgh, with occasional excursions across the Continent to broaden his artistic horizons. He was not merely a painter of faces but a skilled etcher, capable of translating fine detail into the medium of print. His ability to navigate both oil on canvas and the delicate lines of etching allowed him to leave a lasting mark on the 19th-century art landscape.

    His professional circle was composed of some of the most significant figures of his era. He maintained a close friendship and professional intimacy with the celebrated painter David Wilkie, whose work resonated with Geddes' own approach to realism. Beyond his peers, Geddes became a sought-after portraitist for notable intellectuals and public figures, including:

    The novelist Henry Mackenzie

    The publisher Archibald Constable

    The antiquary George Chalmers

    The artist William Allan

    The artist Alexander Nasmyth

    Legacy and Historical Significance

    Throughout his career, Geddes' work contributed to the rich tapestry of Scottish and British art history. While he was primarily celebrated for his portraits, his occasional forays into landscapes and copies of old masters showcased a versatile talent. His artistic legacy is preserved in several esteemed institutions, ensuring that his meticulous observations of 19th-century life continue to be studied by scholars and admirers alike. Notable holdings of his work can be found in:

    The National Gallery of Scotland, which houses portraits of his mother and a study titled Summer

    The Scottish National Portrait Gallery, home to his portrait of Sir Walter Scott

    The Glasgow Museum Resource Centre, containing his portrait of Alexander Oswald of Changue

    After settling in London in 1831, Geddes reached a significant professional milestone when he was elected an associate of the Royal Academy in 1832. His life came to an end in London due to tuberculosis, but the precision and soulfulness of his portraits remain as a testament to a man who successfully transitioned from the ledger books of an excise office to the hallowed halls of the Royal Academy.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Self portrait allalaadimislehele

    artsdot.com/et/art/download/andrew-geddes-self-portrait-9HTUDR-en/

    Viige seda teost allintena

    MLA
    Geddes, Andrew. Self portrait. n.d., https://artsdot.com/et/art/andrew-geddes-self-portrait-9HTUDR-en/
    APA
    Geddes, Andrew (n.d.). Self portrait [Painting]. https://artsdot.com/et/art/andrew-geddes-self-portrait-9HTUDR-en/
    Chicago
    Andrew Geddes. Self portrait. n.d. https://artsdot.com/et/art/andrew-geddes-self-portrait-9HTUDR-en/
    Harvard
    Geddes, Andrew (n.d.) Self portrait. Available at: https://artsdot.com/et/art/andrew-geddes-self-portrait-9HTUDR-en/

    Vaata lähedalt

    Self portrait — Andrew Geddes

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Kui palju näiteid sa leiad? ____ (meie kataloog loeb 1 — kas oled sama arvamust?)
    4. Meie kataloog liigitab seda teost kategooria portrait, self-portrait, baroque alla. Olete nõus? Mida te lisaksin või eemaldasite?
    5. Vaadake tagasi juhendi alguses esitatud teosele Jeremiah Greatorex. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kas teose „Self portrait“, autor Andrew Geddes värvid on eraldavad või pehmed?

    Teose "Self portrait" värvitoon on kroomi方面 Muted ja intensiivsuse方面 Monochromatic.

    Kes on teose "Self portrait" autor ja millises stiilis see on kujutatud?

    Teose "Self portrait" on loonud Andrew Geddes Baroque stiilis. Kunstnik ja suunamine määratlevad teose traditsiooni.

    Kui intensiivsed on värvid teoses „Self portrait“, autor Andrew Geddes?

    Teoses „Self portrait“, autor Andrew Geddes on Monochromatic värvitoon.