Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 74 teost Lorenzo Costa (Vanem) meie kataloogis
Lühidalt
Lorenzo Costa (Vanem) kõige tuntum teos on Venus (detail) (1515). See asub Budapest linnas Szépművészeti Múzeum muuseumis. Listis järgmised on Venus (1518) ja The Reign of Comus (detail) (1511). Meie kataloogist leiate 74 teost kunstnikult Lorenzo Costa (Vanem); see juhend koondab 72 kõige tuntumat teost koos aastakuga, muuseumiga ja iga teose ajaloolise luguga.
To gaze upon this detail from Venus is to encounter an echo of divine beauty captured in oil and wood. Lorenzo Costa (the Elder)’s rendering transcends mere portraiture; it is a meditation on idealized femininity, a moment suspended between earthly allure and celestial grace. The subject, the goddess Venus herself, is presented with an almost breathtaking intimacy. Her profile emerges from a deep, velvety darkness, allowing the artist to focus…
To gaze upon this depiction of Venus is to step directly into the luminous heart of the Italian Renaissance. Lorenzo Costa (the Elder) has captured not merely a nude figure, but an embodiment of idealized beauty—a vision steeped in classical mythology and humanist philosophy. The subject itself, the goddess of love and beauty, stands poised against a profound black void, allowing every curve, every gesture, and every whisper of flesh…
Lorenzo Costa’s “The Reign of Comus,” completed in 1511, isn't merely a painting; it’s a meticulously crafted window into the opulent world of Isabella d’Este, Marchioness of Mantua. This captivating work, now residing within the hallowed halls of the Louvre Museum, offers a vibrant tableau of celebration, intrigue, and the enduring power of myth – a testament to the Renaissance’s fascination with classical ideals and humanist thought. More than just…
This bust-length portrait presents a formal and dignified man positioned slightly off-center. The subject's body is angled toward the right, while his gaze is directed toward the viewer's left. Set against a dark black background, the composition utilizes a palette of deep, muted tones, including a rich violet or deep purple garment and the warm, reddish-brown hues found in the subject's hair.
The air within the frame feels heavy with a quiet, sacred peace. At the center of this structured world, the Virgin Mary sits upon an architectural throne, her presence commanding yet gentle. She wears a mantle of deep, saturated blue that flows around her, contrasting against the vibrant red of her gown. In her arms, she cradles the Christ Child, a tender connection that anchors the entire composition. Around them,…
The Bentivoglio Family is a portrait by Lorenzo Costa, executed in 1493. The composition features a dense grouping of multiple figures, identified as likely members of the Bentivoglio lineage. This assembly of individuals is presented in a tight, intimate arrangement that emphasizes the shared gravity of the subjects.
In this oil on panel painting from 1510, three figures are arranged in a stable triangular formation against a landscape. The Virgin Mary occupies a central position, draped in a mantle of deep ultramarine blue over a crimson red undergarment. Beside her, Joseph is depicted in a robe of vibrant crimson red. The Christ Child is positioned within this grouping, creating a sense of geometric balance. The figures are illuminated…
The air feels heavy with a quiet, devotional peace as we gaze upon this triangular arrangement of figures. In the immediate foreground, the Christ Child lies horizontally, his pale, soft flesh a stark contrast to the deep, saturated tones surrounding him. To his right, the Virgin Mary rests in a mantle of deep ultramarine blue, her presence radiating a gentle, maternal tenderness. On the left, Saint Joseph anchors the composition,…
A young woman emerges from a darkness so absolute it feels like a void. She does not confront the viewer; instead, her gaze drifts toward the left, caught in a moment of private thought. Her skin possesses the pale, luminous quality of polished porcelain, catching a soft light that descends from the upper left. This light carves the gentle curves of her neck and the soft slope of her shoulders,…
Lorenzo Costa’s Portrait of a young man presents a close-up view of a single male figure, focusing on the head and shoulders. The subject is captured from a direct, eye-level perspective, establishing an intimate connection with the viewer. His expression is contemplative, bordering on melancholic, which contributes to the somber mood of the composition. This psychological weight is framed by a dark, indistinct background that offers no specific setting, ensuring…
Madonna and Child with Brocade1505 · Russell-Cotes Art Gallery - Museum
Tellige see teos from $200 →
The Triumph of Federico II Gonzaga1522 · Rahvuslik Galerii Praha
Handmaalisena ostmine from $1025 →
The Virgin and Child Enthroned between a Soldier Saint and Saint John the Baptis
Handmaalisena ostmine from $175 →
and Gianfrancesco Maineri - The Virgin and Child with SaintsNational Gallery
Handmaalisena ostmine from $175 →
Neli kõige sagedamini esinemist vajavat teemat koos nende kõige tuntumate näidetega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Lorenzo Costa (Vanem) teosid | Selle nimekirja maalid |
|---|---|---|---|
 National Gallery |
London | 11 | Portrait of Battista Fiera, The Virgin and Child, Concert |
 Louvre'i muuseum |
Pariis | 4 | The Reign of Comus (detail), Court of Isabella d'Este (detail), Court of Isabella d'Este |
 Gemäldegalerie |
Berliin | 4 | Portrait of a young man, Presentation of Christ in the Temple, Mary and child enthroned with four saints |
 Szépművészeti Múzeum |
Budapest | 3 | Venus (detail), Venus, Venus |
 Thyssen-Bornemisza Museum |
Madrid | 2 | The Bentivoglio Family, Virgin and Child Enthroned |
 Royal Collection |
London | 2 | Saint Helena, Portrait of a Lady with a Lap-dog |
 Galleria degli Uffizi |
Firenze | 2 | St Sebastian, Portrait of Giovanni Bentivoglio |
 Toledo Museum of Art |
Toledo | 1 | The Holy Family |
Vali vuosakülg, et näha selle erimärgilisi teost.
To gaze upon Lorenzo Costa’s "Concert" is to step directly into the vibrant, cultured heart of the Italian Renaissance. This painting is not merely a depiction of musicians; it is an auditory experience rendered visible, a moment suspended in time where artistry and human connection converge. The composition immediately draws the viewer into the warm glow of what must have been a magnificent gathering. Three figures stand poised, each intimately…
This bust-length portrait presents a formal and dignified man positioned slightly off-center. The subject's body is angled toward the right, while his gaze is directed toward the viewer's left. Set against a dark black background, the composition utilizes a palette of deep, muted tones, including a rich violet or deep purple garment and the warm, reddish-brown hues found in the subject's hair.
The air within the frame feels heavy with a quiet, sacred peace. At the center of this structured world, the Virgin Mary sits upon an architectural throne, her presence commanding yet gentle. She wears a mantle of deep, saturated blue that flows around her, contrasting against the vibrant red of her gown. In her arms, she cradles the Christ Child, a tender connection that anchors the entire composition. Around them,…
To gaze upon this detail from Venus is to encounter an echo of divine beauty captured in oil and wood. Lorenzo Costa (the Elder)’s rendering transcends mere portraiture; it is a meditation on idealized femininity, a moment suspended between earthly allure and celestial grace. The subject, the goddess Venus herself, is presented with an almost breathtaking intimacy. Her profile emerges from a deep, velvety darkness, allowing the artist to focus…
The Triumph of Federico II Gonzaga, executed by Lorenzo Costa around 1522, captures a moment of significant political and military assertion. The work centers on the themes of military glory and aristocratic power, utilizing a grand scale to communicate the authority of the Gonzaga lineage. Through this depiction, the artist translates the complex dynamics of Renaissance courtly life into a visual celebration of leadership and conquest.
Nimekirja tipis on Venus (detail) (1515), Szépművészeti Múzeum, Budapest. Kohe selle järel: Venus (1518) ja The Reign of Comus (detail) (1511).
55 aastat vanus. Lorenzo Costa (Vanem) sündis aastal 1460 ning teos Venus (detail) pärineb aastast 1515.
Venus (detail), Venus, The Reign of Comus (detail), Portrait of Battista Fiera, The Virgin and Child, The Bentivoglio Family, The Holy Family, The Holy Family, Portrait of a Lady ja Portrait of a young man. Üri loetlist esmalt leida iga teose kuupäev ja muuseum.
Meie kataloogist leiate 74 teost kunstnikult Lorenzo Costa (Vanem), mis on pärinev ajavahemikus 1480 kuni 1530.
Enamik neist on leetav National Gallery (London), Louvre'i muuseum (Pariis) ja Gemäldegalerie (Berliin). Ülemal oleval muuseumite ninal on täielik ülevaade.
1500s ahel on rohkem kui kunagi varem: 12 72 teoseid sellel lehel pärineb sellest ajast, მათtagu The Virgin and Child.
Kõige vanem teos siin on Mary and child enthroned with four saints (1480); kõige värskeim on Madonna on throne with saints (1530).
Saints (10), Woman (9) ja People (8) 72 teoseทั้งหมด sellel lehel.
Oil On Canvas, mida on kasutatud 9 teoseks 72 teose kohta sellel lehel.
High renaissance ja Renaissance, nagu näet selle lehekülje teosest.
Sellel lehel on National Gallery, London kogumikus 11 teost, sealhul ka Portrait of Battista Fiera, The Virgin and Child ja Concert.
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
