Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 2 teost Alessandro Milesi meie kataloogis
Lühidalt
Alessandro Milesi kõige tuntum teos on Silent Hours (1893). See asub München linnas Bavaria riiklikud maalidema kogumikud muuseumis. Meie kataloogist leiate 2 teost kunstnikult Alessandro Milesi; see juhend koondab 2 kõige tuntumat teost koos aastakuga, muuseumiga ja iga teose ajaloolise luguga.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Alessandro Milesi teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 1 | Silent Hours |
 Brooklyn Museum |
Brooklyn | 1 | Market Scene in Venice |
1893 kuni 1894: siin on toodud kõik 2 aastat kuivanud Alessandro Milesi teos. Vaata neid aastaaeglaadiga.
Vali aasta, et näha selle aasta teoseid.
Nimekirja tipis on Silent Hours (1893).
37 aastat vanus. Alessandro Milesi sündis aastal 1856 ning teos Silent Hours pärineb aastast 1893.
Meie kataloogist leiate 2 teost kunstnikult Alessandro Milesi, mis on pärinev ajavahemikus 1893 kuni 1894.
Enamik neist on leetav Bavaria riiklikud maalidema kogumikud (München) ja Brooklyn Museum (Brooklyn). Ülemal oleval muuseumite ninal on täielik ülevaade.
Kõige vanem teos siin on Silent Hours (1893); kõige värskeim on Market Scene in Venice (1894).
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
Venice, 1856. A child is born into the heart of a city defined by water and light. Alessandro Milesi begins his formal training at the Venice Academy of Fine Arts, entering the studio of Napoleone Nani in 1869. The years between 1869 and 1874 are marked by rigorous study under Nani, a period that eventually leads him away from his birthplace to follow his master to Verona. This movement through the Italian landscape shapes his early vision.
In 1876, the path leads back to Venice. The city becomes more than a setting; it becomes the primary subject of his brush. He does not seek the grand historical narratives of the past but focuses instead on the pulse of everyday Venetian life. His work carries the weight of the tradition established by Giacomo Favretto, yet he integrates the fresh perspectives offered by Ettore Tito and Cesare Laurenti.
The late nineteenth century brings recognition through the national stages of Milan and Venice. In 1881, his presence is felt at the Milan exhibitions, followed by a significant showing in Venice in 1887. The reach of his talent extends far beyond the Adriatic coast. At the Boston International Exhibition of 1890, he receives a gold medal, an achievement that signals his arrival on the international stage.
His career is defined by a long-standing relationship with the Venice Biennale. From 1895 to 1935, Milesi participates in every single edition of this prestigious event. The milestones of his later years include:
As the new century unfolds, Milesi shifts his focus toward the faces of a changing society. He captures the Venetian middle classes with a precision that documents the era. His subjects are not mere figures in a landscape but individuals with specific roles in the city's social fabric. He turns his attention to:
These portraits provide a window into the cultural life of Venice during his lifetime. Through these depictions, he maintains a connection to the human element of the city, even as the decades pass toward 1945.
