Papel

Guía de obras estudiantiles

Snuffbox

6 parts 1 The artwork2 In context3 About this artwork4 Artist and museum5 Look closely6 Art quiz

Nombre Curso Fecha
Paul Robert, Snuffbox (1758), Museo Metropolitano de Arte. Obra de dominio público.

Datos generales

Artista
Paul Robert artsdot.com/es/artists/paul-robert_es/
Fechas del artista
1851 – 1923
Pintura
1758
Técnica y materiales
Oil
Tamaño original
8 x 7 cm
Movimiento
French Rococo
Periodo
19th Century
Lugar de celebración
Museo Metropolitano de Arte artsdot.com/es/museums/museo-metropolitano-de-arte-new-york_es/

In context

Snuffbox — Paul Robert

How big is it?

The original measures 8 × 7 cm (height × width), drawn here beside an adult of average height.

Año de creación

  1. 1740
  2. 1760
  3. 1780
  4. 1800
  5. 1820
  6. 1840
  7. 1860
  8. 1880
  9. 1900
  10. 1920

Sombreado: la trayectoria de Paul Robert (1851–1923) ▲ esta obra, 1758

Paleta de colores

Medido a partir de la imagen

    Color principal

    Clay #8a6d44

    Paleta guardada

    • #8A6D44
    • #96928F
    • #5F4939
    • #302B2B
    Paleta de colores
    Earthy La gama cromática dominante en la imagen.
    Color principal
    Clay
    Intensidad
    Monochromatic Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Gentle El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Strong Color Unity El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Balanced El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Muted Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    Sobre esta obra

    Snuffbox — Paul Robert

    Notes on this work

    Written for this guide from published sources. The catalogue record itself is on the first part of this guide.

    Artistic style
    Post-Impressionism
    Influences
    François Riel
    Notable elements
    Cartouches, reeding
    Subject or theme
    Luxury goods, snuff

    The Intricate World of Paul Robert’s Snuffbox

    Paul Robert's "Snuffbox," crafted in 1758 during the height of Louis XV’s reign, offers a captivating glimpse into the opulent world of Parisian goldsmithery and the burgeoning social ritual of snuff-taking. More than just a container for powdered tobacco, this exquisite piece is a miniature masterpiece—a testament to the skill of its maker, the artistry of the enamelist, and the prevailing aesthetic sensibilities of the mid-18th century. The box itself, executed in rich gold, immediately commands attention with its meticulously rendered reeding, a hallmark of French luxury goods at the time. But it’s the cartouches—small, framed panels—that truly elevate this object to an extraordinary level of detail and artistry.

    The scenes depicted within these cartouches are charming pastoral vignettes: idyllic landscapes populated by shepherds, sheep, and flowering meadows. These aren't merely decorative elements; they speak volumes about the era’s fascination with nature and the idealized vision of rural life. The use of bright colors—a vibrant palette of blues, greens, and yellows—contrasts beautifully with the warm tones of the gold, creating a dynamic visual experience. Robert’s choice to depict these scenes within the confines of a small box highlights their importance; they are not simply background ornamentation but integral components of the overall design, contributing to a sense of harmonious balance.

    A Masterclass in Technique and Craftsmanship

    The creation of this snuffbox represents a remarkable confluence of artistic skills. The goldwork itself is flawlessly executed—the reeding precise and elegant, the cartouches delicately chased with incredible attention to detail. Beyond the metalworking lies the artistry of the enamelist, who brought these pastoral scenes to life through vibrant colors and intricate patterns. Robert’s use of multiple layers of enamel – a technique known as “four-color” enameling—allowed him to achieve an astonishing level of realism and depth within such a small space. This method involved applying different colored enamels in successive layers, each fired separately to build up the final image.

    The box’s markings—the fleur-de-lis, the Paris charge marks (including the harrow and eagle), and the restricted warranty marks – provide valuable clues about its provenance and production history. These stamps, applied by goldsmiths and wardens in Paris, indicate the quality of materials used, the workshop where it was made, and the period during which it was produced. The presence of these marks underscores the box’s status as a high-quality luxury item, intended for a discerning clientele.

    Symbolism and Social Context

    The popularity of snuffboxes in 18th-century Europe is inextricably linked to the rise of snuff-taking itself—a social custom that swept across France and beyond. Initially associated with the aristocracy, snuff was initially considered a medicinal remedy, but quickly evolved into a fashionable pastime. Snuffboxes became status symbols, reflecting wealth, taste, and social standing. The elaborate decoration of these boxes—often featuring portraits of royalty or scenes from mythology—served as visual declarations of one’s position within society.

    Robert's snuffbox is not simply an object of beauty; it’s a window into the social customs and artistic trends of its time. It reflects the aristocratic fascination with pastoral landscapes, the importance of craftsmanship, and the use of luxury goods as markers of status. The box’s diminutive size—only 3 3/16 x 2 9/16 inches—further emphasizes its exclusivity and desirability, making it a prized possession for those who could afford such a luxurious item.

    A Timeless Treasure

    Paul Robert's "Snuffbox" stands as a remarkable example of French goldsmithing artistry. Its exquisite craftsmanship, vibrant colors, and evocative imagery continue to captivate viewers today. Reproductions offer an accessible way to appreciate the beauty and detail of this historical treasure, bringing its elegance and charm into modern homes and collections. It’s a piece that speaks not only of skill and artistry but also of the social rituals and aesthetic values of a bygone era.

    Artista y museo

    Snuffbox — Paul Robert

    Artista

    Paul Robert

    Born in Biel/Bienne, Suiza

    el viaje de un pintor suizo a través de las aves y la vida silvestre

    paul robert, un pintor suizo, dejó una huella indeleble en el mundo del arte con sus cautivadoras representaciones de aves y vida silvestre. nacido en biel/bienne, suiza, el 19 de marzo de 1851, paul fue hijo de aurèle robert, quien, al igual que su hermano louis léopold robert, era también pintor.

    primeros años y formación

    el viaje artístico de paul comenzó bajo la guía de su padre. inicialmente, exploró las alegorías para luego transicionar hacia los paisajes, especializándose finalmente en acuarelas de aves y orugas. esta progresión no solo demuestra la versatilidad de paul, sino también su creciente fascinación por el mundo natural.

    legado artístico

    los hijos de paul robert, théophile, philippe y paul-andré, siguieron los pasos de su padre, con paul-andré enfocándose también en temas de la naturaleza. varias de las obras de robert se encuentran ahora en el musée d'art et d'histoire en neuchâtel, un testimonio de su impacto perdurable.

    descubriendo el arte de paul robert con AllPaintingsStore.com

    explore la colección de paul robert en AllPaintingsStore.com: [https://AllPaintingsStore.com/@/paul-robert](https://AllPaintingsStore.com/@/paul-robert)

    aprenda más sobre el musée d'art et d'histoire en neuchâtel y sus colecciones: /es/art/show/art-d3aue3-es/

    Museo

    Museo Metropolitano de Arte

    On show in New York, United States of America

    Un Legado Grabado en Piedra y Luz: Explorando el Museo Metropolitano de Arte

    El Museo Metropolitano de Arte no es simplemente un depósito de objetos bellos; es una narrativa expansiva de la creatividad humana, un testimonio de nuestro impulso perdurable a moldear, interpretar y expresar el mundo que nos rodea. Fundado en 1870 por un grupo de neoyorquinos visionarios que creían firmemente en el acceso universal al arte – una noción radical para su época – The Met se erige hoy como uno de los museos más grandes y completos del mundo. Su fachada en la Quinta Avenida invita a los visitantes a un reino que abarca cinco milenios e incontables culturas, ofreciendo un viaje sin igual a través del tiempo donde los ecos de antiguas civilizaciones resuenan junto con las innovaciones audaces de maestros modernos.

    La Grandiosidad como Reflejo: Arquitectura y Atmósfera

    Para apreciar verdaderamente The Met es comprender su presencia física como parte integral de su identidad. El edificio principal en sí mismo – una magnífica encarnación del estilo Beaux-Arts completada entre 1902 y 1914 – exhala un aire de grandeza clásica. Columnas colosales enmarcan la entrada, invitando a los visitantes a galerías elevadas bañadas en luz natural; un escenario apropiado para las obras maestras que alberga.

    Más información

    Disponible en línea

    Código QR que enlaza con la página de descarga de Snuffbox

    artsdot.com/es/art/download/paul-robert-snuffbox-D2VGDE-en/

    Cómo citar esta obra

    MLA
    Robert, Paul. Snuffbox. 1758, Museo Metropolitano de Arte. https://artsdot.com/es/art/paul-robert-snuffbox-D2VGDE-en/
    APA
    Robert, Paul (1758). Snuffbox [Painting]. Museo Metropolitano de Arte. https://artsdot.com/es/art/paul-robert-snuffbox-D2VGDE-en/
    Chicago
    Paul Robert. Snuffbox. 1758. Museo Metropolitano de Arte. https://artsdot.com/es/art/paul-robert-snuffbox-D2VGDE-en/
    Harvard
    Robert, Paul (1758) Snuffbox. Museo Metropolitano de Arte. Available at: https://artsdot.com/es/art/paul-robert-snuffbox-D2VGDE-en/

    Look closely

    Snuffbox — Paul Robert

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: gold, snuffbox, miniature. Do you agree? What would you add, or take away?
    4. Themes that come back through the work of Paul Robert: french luxury, rococo elegance, courtly life. Which of them do you see here?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Trivia de arte

    Snuffbox — Paul Robert

    ¿Qué tanto conoces esta obra de arte?

    Selecciona una respuesta para cada una de las 5 preguntas a continuación. Cada una tiene exactamente una respuesta correcta.

    1. 1. What is the primary subject depicted in the painting "Snuffbox"?

      • A A portrait of a royal figure
      • B A scene depicting three women enjoying a meal
      • C A close-up view of a gold snuffbox
    2. 2. According to the description, in what century was the snuffbox produced?

      • A The 16th Century
      • B The 18th Century
      • C The 20th Century
    3. 3. What material is the snuffbox primarily made of?

      • A Silver
      • B Tortoiseshell
      • C Gold
    4. 4. The description mentions several markings on the snuffbox. What does the ‘P.M.’ marking likely represent?

      • A The artist's initials
      • B A Parisian charge mark for gold and small silver
      • C The date of manufacture
    5. 5. What was the social significance of snuffboxes during the period depicted in this artwork?

      • A They were primarily used for storing medicinal herbs.
      • B They served as a symbol of wealth and status, often given as gifts to ambassadors or courtiers.
      • C They were exclusively used by royalty.

    Mi puntuación: ____ de 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3C · 4B · 5B